{"id":{"repo_id":"unsw","oai_identifier":"oai:unsworks.library.unsw.edu.au:1959.4/55042"},"canonical_url":"https://search.dev.ndltd.org/etd/unsw/oai:unsworks.library.unsw.edu.au:1959.4/55042","repository":{"repo_id":"unsw","name":"University of New South Wales","base_url":"https://unsworks.unsw.edu.au/oai/provider"},"display":{"title":"Awareness of between-ness: immaterial and material, Katami, once a possession of the deceased","abstract":"My obsession with 'between-ness' started whilst taking photographs as a professional photographer. I explored the space between a subject and the camera as an energy flow. This energy flow with the subject (organic or non organic) and the space it occupied created in my photographs a more visually interesting outcome. The obsession emerged as a topic that would drive my current research into what this 'between-ness' is, and how to visualise it. ‘Between-ness’ is an 'invisible' subject to explore, and the existence of 'between-ness' requires 'things' that inhabit the between, and without these 'things' there will be no ‘between'. Because I have been living in Australia for nearly half of my life leaving all my family and relatives back in Japan, I have not been able to attend funerals of my relatives and friends. Having missed the communal sharing to honour and to appreciate the life of the deceased, I chose Katami as the material object of this research, which is an object that was once a possession of the deceased, kept as a memento or remembrance of dead in Japanese culture. Katami represented the visualisation of the ‘between-ness’: an energy flow and interconnectedness between the deceased and the living. ‘Between-ness’ is explained by the Japanese aesthetic called “ma” which is translated as a gap, or a time and space between. This empty space/time is significant in Japanese aesthetics. The unique expression and visualisation of ‘between-ness’ is individualised, but to draw attention by being aware of ‘between-ness’ realises the honour of a deceased person’s life. What they are still teaching us – is it an understanding of the self? My two parallel worlds of death and life of the deceased are merged into one through this process of visualising ‘between-ness’. The exploration of Katami, as the immateriality and materiality of between-ness was brought together in my photographic practice. The coalescence of the ‘between-ness’ onto one surface created a compression of the physical space. ‘Between-ness’ of the Katami (the material) and our perception (immaterial) lay in between space and time.","abstract_html":"My obsession with 'between-ness' started whilst taking photographs as a professional photographer. I explored the space between a subject and the camera as an energy flow. This energy flow with the subject (organic or non organic) and the space it occupied created in my photographs a more visually interesting outcome. The obsession emerged as a topic that would drive my current research into what this 'between-ness' is, and how to visualise it. ‘Between-ness’ is an 'invisible' subject to explore, and the existence of 'between-ness' requires 'things' that inhabit the between, and without these 'things' there will be no ‘between'. Because I have been living in Australia for nearly half of my life leaving all my family and relatives back in Japan, I have not been able to attend funerals of my relatives and friends. Having missed the communal sharing to honour and to appreciate the life of the deceased, I chose Katami as the material object of this research, which is an object that was once a possession of the deceased, kept as a memento or remembrance of dead in Japanese culture. Katami represented the visualisation of the ‘between-ness’: an energy flow and interconnectedness between the deceased and the living. ‘Between-ness’ is explained by the Japanese aesthetic called “ma” which is translated as a gap, or a time and space between. This empty space/time is significant in Japanese aesthetics. The unique expression and visualisation of ‘between-ness’ is individualised, but to draw attention by being aware of ‘between-ness’ realises the honour of a deceased person’s life. What they are still teaching us – is it an understanding of the self? My two parallel worlds of death and life of the deceased are merged into one through this process of visualising ‘between-ness’. The exploration of Katami, as the immateriality and materiality of between-ness was brought together in my photographic practice. The coalescence of the ‘between-ness’ onto one surface created a compression of the physical space. ‘Between-ness’ of the Katami (the material) and our perception (immaterial) lay in between space and time.","abstract_has_math":false,"creators":["Watanabe, Miho"],"institution":"UNSW, Sydney","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015","date_published":"2015","updated_at":"2026-07-24T05:33:18Z","subjects":["Photography","Between-ness","Ma","Painting","Installation","Visible invisible","between immaterial and material","Katami"],"languages":["EN"],"rights":["open access","CC BY-NC-ND 3.0","free_to_read"],"rights_urls":["https://purl.org/coar/access_right/c_abf2","https://creativecommons.org/licenses/by-nc-nd/3.0/au/"],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.26190/unsworks/18480"],"render_values":[{"text":"https://doi.org/10.26190/unsworks/18480","href":"https://doi.org/10.26190/unsworks/18480","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1959.4/55042","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Watanabe, Miho"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015"]},{"key":"dc:publisher","label":"Institution","values":["UNSW, Sydney"]},{"key":"dc:type","label":"Dc Type","values":["master thesis","http://purl.org/coar/resource_type/c_bdcc"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Photography","Between-ness","Ma","Painting","Installation","Visible invisible","between immaterial and material","Katami"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["EN"]},{"key":"dc:rights","label":"Dc Rights","values":["open access","https://purl.org/coar/access_right/c_abf2","CC BY-NC-ND 3.0","https://creativecommons.org/licenses/by-nc-nd/3.0/au/","free_to_read"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/1959.4/55042","https://unsworks.unsw.edu.au/bitstreams/b6eb40d6-cf47-4353-b67c-6230ee458b56/download","https://doi.org/10.26190/unsworks/18480"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["My obsession with 'between-ness' started whilst taking photographs as a professional photographer. I explored the space between a subject and the camera as an energy flow. This energy flow with the subject (organic or non organic) and the space it occupied created in my photographs a more visually interesting outcome. The obsession emerged as a topic that would drive my current research into what this 'between-ness' is, and how to visualise it. ‘Between-ness’ is an 'invisible' subject to explore, and the existence of 'between-ness' requires 'things' that inhabit the between, and without these 'things' there will be no ‘between'. Because I have been living in Australia for nearly half of my life leaving all my family and relatives back in Japan, I have not been able to attend funerals of my relatives and friends. Having missed the communal sharing to honour and to appreciate the life of the deceased, I chose Katami as the material object of this research, which is an object that was once a possession of the deceased, kept as a memento or remembrance of dead in Japanese culture. Katami represented the visualisation of the ‘between-ness’: an energy flow and interconnectedness between the deceased and the living. ‘Between-ness’ is explained by the Japanese aesthetic called “ma” which is translated as a gap, or a time and space between. This empty space/time is significant in Japanese aesthetics. The unique expression and visualisation of ‘between-ness’ is individualised, but to draw attention by being aware of ‘between-ness’ realises the honour of a deceased person’s life. What they are still teaching us – is it an understanding of the self? My two parallel worlds of death and life of the deceased are merged into one through this process of visualising ‘between-ness’. The exploration of Katami, as the immateriality and materiality of between-ness was brought together in my photographic practice. The coalescence of the ‘between-ness’ onto one surface created a compression of the physical space. ‘Between-ness’ of the Katami (the material) and our perception (immaterial) lay in between space and time."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Awareness of between-ness: immaterial and material, Katami, once a possession of the deceased"]}]}],"canonical_facts":{"dc:creator":["Watanabe, Miho"],"dc:date":["2015"],"dc:description":["My obsession with 'between-ness' started whilst taking photographs as a professional photographer. I explored the space between a subject and the camera as an energy flow. This energy flow with the subject (organic or non organic) and the space it occupied created in my photographs a more visually interesting outcome. The obsession emerged as a topic that would drive my current research into what this 'between-ness' is, and how to visualise it. ‘Between-ness’ is an 'invisible' subject to explore, and the existence of 'between-ness' requires 'things' that inhabit the between, and without these 'things' there will be no ‘between'. Because I have been living in Australia for nearly half of my life leaving all my family and relatives back in Japan, I have not been able to attend funerals of my relatives and friends. Having missed the communal sharing to honour and to appreciate the life of the deceased, I chose Katami as the material object of this research, which is an object that was once a possession of the deceased, kept as a memento or remembrance of dead in Japanese culture. Katami represented the visualisation of the ‘between-ness’: an energy flow and interconnectedness between the deceased and the living. ‘Between-ness’ is explained by the Japanese aesthetic called “ma” which is translated as a gap, or a time and space between. This empty space/time is significant in Japanese aesthetics. The unique expression and visualisation of ‘between-ness’ is individualised, but to draw attention by being aware of ‘between-ness’ realises the honour of a deceased person’s life. What they are still teaching us – is it an understanding of the self? My two parallel worlds of death and life of the deceased are merged into one through this process of visualising ‘between-ness’. The exploration of Katami, as the immateriality and materiality of between-ness was brought together in my photographic practice. The coalescence of the ‘between-ness’ onto one surface created a compression of the physical space. ‘Between-ness’ of the Katami (the material) and our perception (immaterial) lay in between space and time."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/1959.4/55042","https://unsworks.unsw.edu.au/bitstreams/b6eb40d6-cf47-4353-b67c-6230ee458b56/download","https://doi.org/10.26190/unsworks/18480"],"dc:language":["EN"],"dc:publisher":["UNSW, Sydney"],"dc:rights":["open access","https://purl.org/coar/access_right/c_abf2","CC BY-NC-ND 3.0","https://creativecommons.org/licenses/by-nc-nd/3.0/au/","free_to_read"],"dc:subject":["Photography","Between-ness","Ma","Painting","Installation","Visible invisible","between immaterial and material","Katami"],"dc:title":["Awareness of between-ness: immaterial and material, Katami, once a possession of the deceased"],"dc:type":["master thesis","http://purl.org/coar/resource_type/c_bdcc"]},"updated_at":"2026-07-24T05:33:18Z"}