The lion in Chinese space and social life
type: CreativeWork
description: This thesis is a systematic examination from a historical point of view of the rich diversity of forms and images of the lion motif in Chinese space and social life. Drawing on textual, linguistic and archaeological sources, it addresses the fundamental problem inherent in the study of the lion motif in China, that is, why a foreign import was adopted, transformed and assimilated into an existing culture and how it was then widely rendered in various forms and images as though it had been an indigenous image all along. The examination begins with a search for the origins, names for and appearance of the real lion in China and a comparison of this with the images, roles and powers of the ideological lion in the Chinese mind. It proceeds through an investigation into the liking of the ruling class for lions as tomb guardian beasts in their search for a better afterlife. The thesis then focuses on the adoption of the lion motif by ordinary people as a means of approaching the divine and gaining recognition, in the process of which the image of a ferocious beast was gradually transformed into that of a rotund pet. The pet-like “look” of the lion came to be associated with various vernacular cultures of Southern China and assumed a unique style during Ming (1368–1644), when the form and image of the animal became a living concept with little emphasis on its physical appearance. In other words, what perpetuated the significant role of the lion in Chinese space and social life was its conceptual image, not its physical shape. Two case studies, one based in Kinmen and the other in Sydney, further demonstrate that the physical appearance of the lion motif has little effect on the power and mechanism of the mighty animal in the Chinese mind. What matters most, when placing the lion motif in front of an entry way, is the reiteration or reenactment of the conceptual image of the lion through symbols, rituals and “traditional” beliefs by which this particular animal motif has be…
abstract: This thesis is a systematic examination from a historical point of view of the rich diversity of forms and images of the lion motif in Chinese space and social life. Drawing on textual, linguistic and archaeological sources, it addresses the fundamental problem inherent in the study of the lion motif in China, that is, why a foreign import was adopted, transformed and assimilated into an existing culture and how it was then widely rendered in various forms and images as though it had been an indigenous image all along. The examination begins with a search for the origins, names for and appearance of the real lion in China and a comparison of this with the images, roles and powers of the ideological lion in the Chinese mind. It proceeds through an investigation into the liking of the ruling class for lions as tomb guardian beasts in their search for a better afterlife. The thesis then focuses on the adoption of the lion motif by ordinary people as a means of approaching the divine and gaining recognition, in the process of which the image of a ferocious beast was gradually transformed into that of a rotund pet. The pet-like “look” of the lion came to be associated with various vernacular cultures of Southern China and assumed a unique style during Ming (1368–1644), when the form and image of the animal became a living concept with little emphasis on its physical appearance. In other words, what perpetuated the significant role of the lion in Chinese space and social life was its conceptual image, not its physical shape. Two case studies, one based in Kinmen and the other in Sydney, further demonstrate that the physical appearance of the lion motif has little effect on the power and mechanism of the mighty animal in the Chinese mind. What matters most, when placing the lion motif in front of an entry way, is the reiteration or reenactment of the conceptual image of the lion through symbols, rituals and “traditional” beliefs by which this particular animal motif has be…
author: Young, Min-Chia
language: EN
keywords: Mortuary art, Chinese lion, Social life
license: https://purl.org/coar/access_right/c_abf2
license: https://creativecommons.org/licenses/by-nc-nd/3.0/au/
date published: 2009
date modified: 2026-07-24T05:32:00Z
provider: University of New South Wales
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: UNSW, Sydney

PropertyValue
property ID: Handle
value: http://hdl.handle.net/1959.4/43802

PropertyValue
property ID: DOI
value: 10.26190/unsworks/22173