{"id":{"repo_id":"unr","oai_identifier":"oai:scholarwolf.unr.edu:11714/11256"},"canonical_url":"https://search.dev.ndltd.org/etd/unr/oai:scholarwolf.unr.edu:11714/11256","repository":{"repo_id":"unr","name":"University of Nevada - Reno","base_url":"https://scholarwolf.unr.edu/server/oai/request"},"display":{"title":"Sarrionandia's Literary Exile: The Art of Fugue","abstract":"This dissertation, titled \"Sarrionandia's Literary Exile: The Art of Fugue,\" investigates the intricate dynamics of literary expression and exile in the works of the renowned Basque author Joseba Sarrionandia. Given the extensive literary oeuvre of the writer, this research delineates the corpus of the period from 2001 to 2010, during which the author resided in his Cuban exile in Havana. From this period, the works selected for analysis are those that have received the most recognition, including Lagun izoztua published in 2001 (The Frozen Friend), Kolosala izango da in 2003 (It Will be Colossal), and Moroak gara behelaino artean? in 2010 (Are We Moors in the Mist?). The main body of the dissertation consists of a literary analysis of the aforementioned works, grounded in theoretical concepts situated at the intersection of exile and literature. The concepts of counterpoint as coined by Edward Said and the dialectic of exile articulated by Sophia A. McClennen play a significant role throughout the research. Other notable conceptual frameworks include the Ovidian and solar paradigms of exile developed by Claudio Guillén, Paul Ilie's notion of inner exile, Fernando Ortiz's transculturality, and Aimé Césaire's theory of the choc en retour of the imperial past.","abstract_html":"This dissertation, titled "Sarrionandia's Literary Exile: The Art of Fugue," investigates the intricate dynamics of literary expression and exile in the works of the renowned Basque author Joseba Sarrionandia. Given the extensive literary oeuvre of the writer, this research delineates the corpus of the period from 2001 to 2010, during which the author resided in his Cuban exile in Havana. From this period, the works selected for analysis are those that have received the most recognition, including Lagun izoztua published in 2001 (The Frozen Friend), Kolosala izango da in 2003 (It Will be Colossal), and Moroak gara behelaino artean? in 2010 (Are We Moors in the Mist?). The main body of the dissertation consists of a literary analysis of the aforementioned works, grounded in theoretical concepts situated at the intersection of exile and literature. The concepts of counterpoint as coined by Edward Said and the dialectic of exile articulated by Sophia A. McClennen play a significant role throughout the research. Other notable conceptual frameworks include the Ovidian and solar paradigms of exile developed by Claudio Guillén, Paul Ilie's notion of inner exile, Fernando Ortiz's transculturality, and Aimé Césaire's theory of the choc en retour of the imperial past.","abstract_has_math":false,"creators":["Eizagirre Telleria, Nerea"],"institution":null,"degree_name":null,"degree_level":"Doctorate Degree","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Ott, Sandra SO","Olaziregi, Mari Jose MJO"],"committee_chairs":[],"committee_members":["Ott, Sandra SO","Olaziregi, Mari Jose MJO","Irujo, Xabier XI","Vaczi, Mariann MV","Huerta Moreno, Lydia LHM","Gandarias Beldarrain, Ziortza ZGB"],"year":2024,"date_issued":"2024","date_published":"2024","updated_at":"2026-07-27T21:47:14Z","subjects":["Basque Literature","Counterpoint","Edward Said","Exile Literature","Sarrionandia","Transculturation"],"languages":["en_US","English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarwolf.unr.edu/handle/11714/11256","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Ott, Sandra SO","Olaziregi, Mari Jose MJO"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Ott, Sandra SO","Olaziregi, Mari Jose MJO","Irujo, Xabier XI","Vaczi, Mariann MV","Huerta Moreno, Lydia LHM","Gandarias Beldarrain, Ziortza ZGB"]},{"key":"dc:creator","label":"Author","values":["Eizagirre Telleria, Nerea"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-03-28T16:22:45Z"]},{"key":"dc:date.issued","label":"Date","values":["2024"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctorate Degree"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Basque Literature","Counterpoint","Edward Said","Exile Literature","Sarrionandia","Transculturation"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://scholarwolf.unr.edu/handle/11714/11256"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation, titled \"Sarrionandia's Literary Exile: The Art of Fugue,\" investigates the intricate dynamics of literary expression and exile in the works of the renowned Basque author Joseba Sarrionandia. Given the extensive literary oeuvre of the writer, this research delineates the corpus of the period from 2001 to 2010, during which the author resided in his Cuban exile in Havana. From this period, the works selected for analysis are those that have received the most recognition, including Lagun izoztua published in 2001 (The Frozen Friend), Kolosala izango da in 2003 (It Will be Colossal), and Moroak gara behelaino artean? in 2010 (Are We Moors in the Mist?). The main body of the dissertation consists of a literary analysis of the aforementioned works, grounded in theoretical concepts situated at the intersection of exile and literature. The concepts of counterpoint as coined by Edward Said and the dialectic of exile articulated by Sophia A. McClennen play a significant role throughout the research. Other notable conceptual frameworks include the Ovidian and solar paradigms of exile developed by Claudio Guillén, Paul Ilie's notion of inner exile, Fernando Ortiz's transculturality, and Aimé Césaire's theory of the choc en retour of the imperial past."]},{"key":"dc:format","label":"Dc Format","values":["PDF"]},{"key":"dc:title","label":"Title","values":["Sarrionandia's Literary Exile: The Art of Fugue"]}]}],"canonical_facts":{"dc:contributor.advisor":["Ott, Sandra SO","Olaziregi, Mari Jose MJO"],"dc:contributor.committeemember":["Ott, Sandra SO","Olaziregi, Mari Jose MJO","Irujo, Xabier XI","Vaczi, Mariann MV","Huerta Moreno, Lydia LHM","Gandarias Beldarrain, Ziortza ZGB"],"dc:creator":["Eizagirre Telleria, Nerea"],"dc:date.accessioned":["2025-03-28T16:22:45Z"],"dc:date.issued":["2024"],"dc:description.abstract":["This dissertation, titled \"Sarrionandia's Literary Exile: The Art of Fugue,\" investigates the intricate dynamics of literary expression and exile in the works of the renowned Basque author Joseba Sarrionandia. Given the extensive literary oeuvre of the writer, this research delineates the corpus of the period from 2001 to 2010, during which the author resided in his Cuban exile in Havana. From this period, the works selected for analysis are those that have received the most recognition, including Lagun izoztua published in 2001 (The Frozen Friend), Kolosala izango da in 2003 (It Will be Colossal), and Moroak gara behelaino artean? in 2010 (Are We Moors in the Mist?). The main body of the dissertation consists of a literary analysis of the aforementioned works, grounded in theoretical concepts situated at the intersection of exile and literature. The concepts of counterpoint as coined by Edward Said and the dialectic of exile articulated by Sophia A. McClennen play a significant role throughout the research. Other notable conceptual frameworks include the Ovidian and solar paradigms of exile developed by Claudio Guillén, Paul Ilie's notion of inner exile, Fernando Ortiz's transculturality, and Aimé Césaire's theory of the choc en retour of the imperial past."],"dc:format":["PDF"],"dc:identifier.uri":["https://scholarwolf.unr.edu/handle/11714/11256"],"dc:language":["English"],"dc:language.iso":["en_US"],"dc:subject":["Basque Literature","Counterpoint","Edward Said","Exile Literature","Sarrionandia","Transculturation"],"dc:title":["Sarrionandia's Literary Exile: The Art of Fugue"],"dc:type":["Dissertation"],"thesis:degree_level":["Doctorate Degree"]},"updated_at":"2026-07-27T21:47:14Z"}