Abstract
dc:description.abstract<p>Following the path of the use of the Petrarchan sonnet in Renaissance England, this article explores why this specific form was so prevalent from the court of Henry VIII to that of his daughter, Elizabeth I. The article pays specific attention to the works of Sir Philip Sidney, Shakespeare, Richard Barnfield, and Lady Mary Sidney Wroth, paying close attention to social, political, and gender issues of the period.</p>
Degree
thesis:*- Name thesis:degree_name
- M.A.
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- English
- Year dc:date.available
- 2013
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Withers, Wendy B
- Contributors dc:contributor
-
- Catherine Loomis
- Peter Schock
- Robert Shenk
Subjects
dc:subject × 2Identifiers
dc:identifier.*- Repository record dc:identifier
- https://scholarworks.uno.edu/td/1679
- OAI identifier oai:identifier
- oai:scholarworks.uno.edu:td-2613