Inspired by Vladimir Nabokov’s metafiction novel Pale Fire and with Joseph Campbell’s research in comparative mythology and religion in mind, I explore the act of mythmaking and the composition of metafictional text in this work of fiction. The myth aspect combines elements of Classical, biblical, medieval, Romantic, and original materials to form a product that should strike readers as both familiar and alien, demonstrating Campbell’s notion of the monomyth as well as the ongoing tradition of mythmaking that continues to captivate both readers and writers. The metafictional portion of the text emphasizes a reader’s relationship to a work of fiction, a scholar’s relationship to his or her scholarly work, and a subtext’s relationship to its primary text. Combining the texts encourages the reader to read critically and reevaluate his or her conceptions of genre in order to piece together the greater story of tyranny and rebellion.
","abstract_html":"<p>Inspired by Vladimir Nabokov’s metafiction novel <em>Pale Fire</em> and with Joseph Campbell’s research in comparative mythology and religion in mind, I explore the act of mythmaking and the composition of metafictional text in this work of fiction. The myth aspect combines elements of Classical, biblical, medieval, Romantic, and original materials to form a product that should strike readers as both familiar and alien, demonstrating Campbell’s notion of the monomyth as well as the ongoing tradition of mythmaking that continues to captivate both readers and writers. The metafictional portion of the text emphasizes a reader’s relationship to a work of fiction, a scholar’s relationship to his or her scholarly work, and a subtext’s relationship to its primary text. Combining the texts encourages the reader to read critically and reevaluate his or her conceptions of genre in order to piece together the greater story of tyranny and rebellion.</p>","abstract_has_math":false,"creators":["Cognevich, Alicia"],"institution":null,"degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Doll, Daniel","Schock, Peter","DeBacher, Sarah"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-12-17T08:00:00Z","date_published":"2011-12-17T08:00:00Z","updated_at":"2026-07-24T05:29:24Z","subjects":["Literary fiction","metafiction","narrative voice","genre conventions","myth","comparative mythology","Biblical Studies","Classical Literature and Philology","Comparative Literature","Modern Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/1366","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Doll, Daniel","Schock, Peter","DeBacher, Sarah"]},{"key":"dc:creator","label":"Author","values":["Cognevich, Alicia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literary fiction","metafiction","narrative voice","genre conventions","myth","comparative mythology","Biblical Studies","Classical Literature and Philology","Comparative Literature","Modern Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/1366"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Inspired by Vladimir Nabokov’s metafiction novel Pale Fire and with Joseph Campbell’s research in comparative mythology and religion in mind, I explore the act of mythmaking and the composition of metafictional text in this work of fiction. The myth aspect combines elements of Classical, biblical, medieval, Romantic, and original materials to form a product that should strike readers as both familiar and alien, demonstrating Campbell’s notion of the monomyth as well as the ongoing tradition of mythmaking that continues to captivate both readers and writers. The metafictional portion of the text emphasizes a reader’s relationship to a work of fiction, a scholar’s relationship to his or her scholarly work, and a subtext’s relationship to its primary text. Combining the texts encourages the reader to read critically and reevaluate his or her conceptions of genre in order to piece together the greater story of tyranny and rebellion.
"]},{"key":"dc:title","label":"Title","values":["The Tripartite Tributaries of Ush"]}]}],"canonical_facts":{"dc:contributor":["Doll, Daniel","Schock, Peter","DeBacher, Sarah"],"dc:creator":["Cognevich, Alicia"],"dc:description.abstract":["Inspired by Vladimir Nabokov’s metafiction novel Pale Fire and with Joseph Campbell’s research in comparative mythology and religion in mind, I explore the act of mythmaking and the composition of metafictional text in this work of fiction. The myth aspect combines elements of Classical, biblical, medieval, Romantic, and original materials to form a product that should strike readers as both familiar and alien, demonstrating Campbell’s notion of the monomyth as well as the ongoing tradition of mythmaking that continues to captivate both readers and writers. The metafictional portion of the text emphasizes a reader’s relationship to a work of fiction, a scholar’s relationship to his or her scholarly work, and a subtext’s relationship to its primary text. Combining the texts encourages the reader to read critically and reevaluate his or her conceptions of genre in order to piece together the greater story of tyranny and rebellion.
"],"dc:identifier":["https://scholarworks.uno.edu/td/1366"],"dc:subject":["Literary fiction","metafiction","narrative voice","genre conventions","myth","comparative mythology","Biblical Studies","Classical Literature and Philology","Comparative Literature","Modern Literature"],"dc:title":["The Tripartite Tributaries of Ush"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T05:29:24Z"}