{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-2138"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-2138","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"The Last Act of a Desperate Man","abstract":"This paper examines the production of the thesis film The Last Act of a Desperate Man. The film's production is explored with respect to writing, directing, production design, cinematography, editing, sound design, technology and workflow. Particular attention is paid to the dynamics of acting and directing simultaneously. The production is examined with regard to major decisions which influenced each area of production, ultimately shaping the final film. The film maker's own analysis is offered in conjunction with feedback from a test screening with a statistical analysis of the test audience's poll responses.","abstract_html":"This paper examines the production of the thesis film The Last Act of a Desperate Man. The film&#x27;s production is explored with respect to writing, directing, production design, cinematography, editing, sound design, technology and workflow. Particular attention is paid to the dynamics of acting and directing simultaneously. The production is examined with regard to major decisions which influenced each area of production, ultimately shaping the final film. The film maker&#x27;s own analysis is offered in conjunction with feedback from a test screening with a statistical analysis of the test audience&#x27;s poll responses.","abstract_has_math":false,"creators":["Boni, Lorne Vincent"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Film, Theatre, and Communication Arts","degree_department":null,"school":null,"contributors":["Racine, Robert; Fulop, Laszlo","Hampton Overton, John"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-05-14T07:00:00Z","date_published":"2010-05-14T07:00:00Z","updated_at":"2026-07-24T05:29:08Z","subjects":["The Last Act of a Desperate Man"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/1155","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Racine, Robert; Fulop, Laszlo","Hampton Overton, John"]},{"key":"dc:creator","label":"Author","values":["Boni, Lorne Vincent"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Film, Theatre, and Communication Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["The Last Act of a Desperate Man"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/1155"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This paper examines the production of the thesis film The Last Act of a Desperate Man. The film's production is explored with respect to writing, directing, production design, cinematography, editing, sound design, technology and workflow. Particular attention is paid to the dynamics of acting and directing simultaneously. The production is examined with regard to major decisions which influenced each area of production, ultimately shaping the final film. The film maker's own analysis is offered in conjunction with feedback from a test screening with a statistical analysis of the test audience's poll responses."]},{"key":"dc:title","label":"Title","values":["The Last Act of a Desperate Man"]}]}],"canonical_facts":{"dc:contributor":["Racine, Robert; Fulop, Laszlo","Hampton Overton, John"],"dc:creator":["Boni, Lorne Vincent"],"dc:description.abstract":["This paper examines the production of the thesis film The Last Act of a Desperate Man. The film's production is explored with respect to writing, directing, production design, cinematography, editing, sound design, technology and workflow. Particular attention is paid to the dynamics of acting and directing simultaneously. The production is examined with regard to major decisions which influenced each area of production, ultimately shaping the final film. The film maker's own analysis is offered in conjunction with feedback from a test screening with a statistical analysis of the test audience's poll responses."],"dc:identifier":["https://scholarworks.uno.edu/td/1155"],"dc:subject":["The Last Act of a Desperate Man"],"dc:title":["The Last Act of a Desperate Man"],"thesis:degree_discipline":["Film, Theatre, and Communication Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:29:08Z"}