{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-2050"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-2050","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"Putting Makeup on Dead People","abstract":"Putting Makeup on Dead People is a collection of ten short stories narrated by Donna that relate key moments in her life from early childhood through her mid-thirties. Because of the author's belief in the circularity of time and of what makes up human identity (what we do, what happens to us, to whom we are related), the stories do not progress chronologically. The collection pays particular attention to Donna's relationship with key family members: her father Nicky, her mother Martha, her Uncle Lou, her Aunt Selena, and her siblings, Linnie and B. Many of the stories also attend to Donna's relationship with Charlie, the man who finally becomes her husband. Through these stories of one woman's life, this collection explores themes of loss, healing, and personal growth. Ultimately, this work encapsulates one person's discovery of her core identity, underneath and in addition to all of the layers added to that core, through relationships, life experiences, successes, and failures.","abstract_html":"Putting Makeup on Dead People is a collection of ten short stories narrated by Donna that relate key moments in her life from early childhood through her mid-thirties. Because of the author's belief in the circularity of time and of what makes up human identity (what we do, what happens to us, to whom we are related), the stories do not progress chronologically. The collection pays particular attention to Donna's relationship with key family members: her father Nicky, her mother Martha, her Uncle Lou, her Aunt Selena, and her siblings, Linnie and B. Many of the stories also attend to Donna's relationship with Charlie, the man who finally becomes her husband. Through these stories of one woman's life, this collection explores themes of loss, healing, and personal growth. Ultimately, this work encapsulates one person's discovery of her core identity, underneath and in addition to all of the layers added to that core, through relationships, life experiences, successes, and failures.","abstract_has_math":false,"creators":["Violi, Jennifer"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Film, Theatre, and Communication Arts","degree_department":null,"school":null,"contributors":["Leake, Joanna; Boyden, Amanda","Boyden, Joseph"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-05-18T07:00:00Z","date_published":"2007-05-18T07:00:00Z","updated_at":"2026-07-24T05:29:02Z","subjects":["Donna","Charlie","Dad","Mom","Uncle Lou","Dayton"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/1069","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Leake, Joanna; Boyden, Amanda","Boyden, Joseph"]},{"key":"dc:creator","label":"Author","values":["Violi, Jennifer"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Film, Theatre, and Communication Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Donna","Charlie","Dad","Mom","Uncle Lou","Dayton"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/1069"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Putting Makeup on Dead People is a collection of ten short stories narrated by Donna that relate key moments in her life from early childhood through her mid-thirties. Because of the author's belief in the circularity of time and of what makes up human identity (what we do, what happens to us, to whom we are related), the stories do not progress chronologically. The collection pays particular attention to Donna's relationship with key family members: her father Nicky, her mother Martha, her Uncle Lou, her Aunt Selena, and her siblings, Linnie and B. Many of the stories also attend to Donna's relationship with Charlie, the man who finally becomes her husband. Through these stories of one woman's life, this collection explores themes of loss, healing, and personal growth. Ultimately, this work encapsulates one person's discovery of her core identity, underneath and in addition to all of the layers added to that core, through relationships, life experiences, successes, and failures."]},{"key":"dc:title","label":"Title","values":["Putting Makeup on Dead People"]}]}],"canonical_facts":{"dc:contributor":["Leake, Joanna; Boyden, Amanda","Boyden, Joseph"],"dc:creator":["Violi, Jennifer"],"dc:description.abstract":["Putting Makeup on Dead People is a collection of ten short stories narrated by Donna that relate key moments in her life from early childhood through her mid-thirties. Because of the author's belief in the circularity of time and of what makes up human identity (what we do, what happens to us, to whom we are related), the stories do not progress chronologically. The collection pays particular attention to Donna's relationship with key family members: her father Nicky, her mother Martha, her Uncle Lou, her Aunt Selena, and her siblings, Linnie and B. Many of the stories also attend to Donna's relationship with Charlie, the man who finally becomes her husband. Through these stories of one woman's life, this collection explores themes of loss, healing, and personal growth. Ultimately, this work encapsulates one person's discovery of her core identity, underneath and in addition to all of the layers added to that core, through relationships, life experiences, successes, and failures."],"dc:identifier":["https://scholarworks.uno.edu/td/1069"],"dc:subject":["Donna","Charlie","Dad","Mom","Uncle Lou","Dayton"],"dc:title":["Putting Makeup on Dead People"],"thesis:degree_discipline":["Film, Theatre, and Communication Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:29:02Z"}