{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-1867"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-1867","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"The Alluring and Manipulative \"Spider Women\" of the Silver Screen: Femmes Fatales of the Hard-Boiled Fiction, Classic Noir and Contemporary Noir Periods","abstract":"This thesis delves into three categories of femmes fatales: the ones of hard-boiled fiction/classic noir and contemporary noir. Moreover, it generates several comparisons among those aforementioned categories, and extrapolates on them. Third wave feminism and how it draws relevance/is significant to the Bound and The Last Seduction films is additionally explored in this thesis. This thesis will discuss the similarities of the femmes fatales of the '30s/1940s-50s and contemporary noir (1980s-90s), while delving into differences between them.","abstract_html":"This thesis delves into three categories of femmes fatales: the ones of hard-boiled fiction/classic noir and contemporary noir. Moreover, it generates several comparisons among those aforementioned categories, and extrapolates on them. Third wave feminism and how it draws relevance/is significant to the Bound and The Last Seduction films is additionally explored in this thesis. This thesis will discuss the similarities of the femmes fatales of the '30s/1940s-50s and contemporary noir (1980s-90s), while delving into differences between them.","abstract_has_math":false,"creators":["Brinker, Gretchen"],"institution":null,"degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Film, Theatre, and Communication Arts","degree_department":null,"school":null,"contributors":["McGowan-Hartmann, John","Daniel, Debra","Day, Christine"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-12-19T08:00:00Z","date_published":"2008-12-19T08:00:00Z","updated_at":"2026-07-24T05:28:50Z","subjects":["femmes fatales film noir"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/887","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McGowan-Hartmann, John","Daniel, Debra","Day, Christine"]},{"key":"dc:creator","label":"Author","values":["Brinker, Gretchen"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Film, Theatre, and Communication Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["femmes fatales film noir"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/887"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis delves into three categories of femmes fatales: the ones of hard-boiled fiction/classic noir and contemporary noir. Moreover, it generates several comparisons among those aforementioned categories, and extrapolates on them. Third wave feminism and how it draws relevance/is significant to the Bound and The Last Seduction films is additionally explored in this thesis. This thesis will discuss the similarities of the femmes fatales of the '30s/1940s-50s and contemporary noir (1980s-90s), while delving into differences between them."]},{"key":"dc:title","label":"Title","values":["The Alluring and Manipulative \"Spider Women\" of the Silver Screen: Femmes Fatales of the Hard-Boiled Fiction, Classic Noir and Contemporary Noir Periods"]}]}],"canonical_facts":{"dc:contributor":["McGowan-Hartmann, John","Daniel, Debra","Day, Christine"],"dc:creator":["Brinker, Gretchen"],"dc:description.abstract":["This thesis delves into three categories of femmes fatales: the ones of hard-boiled fiction/classic noir and contemporary noir. Moreover, it generates several comparisons among those aforementioned categories, and extrapolates on them. Third wave feminism and how it draws relevance/is significant to the Bound and The Last Seduction films is additionally explored in this thesis. This thesis will discuss the similarities of the femmes fatales of the '30s/1940s-50s and contemporary noir (1980s-90s), while delving into differences between them."],"dc:identifier":["https://scholarworks.uno.edu/td/887"],"dc:subject":["femmes fatales film noir"],"dc:title":["The Alluring and Manipulative \"Spider Women\" of the Silver Screen: Femmes Fatales of the Hard-Boiled Fiction, Classic Noir and Contemporary Noir Periods"],"thesis:degree_discipline":["Film, Theatre, and Communication Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."]},"updated_at":"2026-07-24T05:28:50Z"}