{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-1695"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-1695","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"Postures","abstract":"In our present image-laden environment that only seems to keep growing, the nature of how we see and interpret this visual information becomes highly relevant for me in my art. Spectacle, nostalgia, notions of portraiture, theatricality and other visual reflections of our present culture industry, are all elements that I address in my work. It is with these ideas in mind that I construct visual fields where disparate forms and images coexist, forming new narratives aside from their individual isolated implications; incorporating art production methods that construct an evolving dichotomy that contains a sense of play, tension, and irony while evoking references to our current social experiences. Keywords: spectacle, nostalgia, portraiture, collective consciousness, culture industry","abstract_html":"In our present image-laden environment that only seems to keep growing, the nature of how we see and interpret this visual information becomes highly relevant for me in my art. Spectacle, nostalgia, notions of portraiture, theatricality and other visual reflections of our present culture industry, are all elements that I address in my work. It is with these ideas in mind that I construct visual fields where disparate forms and images coexist, forming new narratives aside from their individual isolated implications; incorporating art production methods that construct an evolving dichotomy that contains a sense of play, tension, and irony while evoking references to our current social experiences. Keywords: spectacle, nostalgia, portraiture, collective consciousness, culture industry","abstract_has_math":false,"creators":["Sciortino, Natalie"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Fine Arts","degree_department":null,"school":null,"contributors":["Richard, H.J.","Hayes, Cheryl","Jenkens, Lawrence"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-05-16T07:00:00Z","date_published":"2008-05-16T07:00:00Z","updated_at":"2026-07-24T05:28:43Z","subjects":["spectacle","nostalgia","portraiture","collective consciousness","culture industry"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/695","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard, H.J.","Hayes, Cheryl","Jenkens, Lawrence"]},{"key":"dc:creator","label":"Author","values":["Sciortino, Natalie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Fine Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["spectacle","nostalgia","portraiture","collective consciousness","culture industry"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/695"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In our present image-laden environment that only seems to keep growing, the nature of how we see and interpret this visual information becomes highly relevant for me in my art. Spectacle, nostalgia, notions of portraiture, theatricality and other visual reflections of our present culture industry, are all elements that I address in my work. It is with these ideas in mind that I construct visual fields where disparate forms and images coexist, forming new narratives aside from their individual isolated implications; incorporating art production methods that construct an evolving dichotomy that contains a sense of play, tension, and irony while evoking references to our current social experiences. Keywords: spectacle, nostalgia, portraiture, collective consciousness, culture industry"]},{"key":"dc:title","label":"Title","values":["Postures"]}]}],"canonical_facts":{"dc:contributor":["Richard, H.J.","Hayes, Cheryl","Jenkens, Lawrence"],"dc:creator":["Sciortino, Natalie"],"dc:description.abstract":["In our present image-laden environment that only seems to keep growing, the nature of how we see and interpret this visual information becomes highly relevant for me in my art. Spectacle, nostalgia, notions of portraiture, theatricality and other visual reflections of our present culture industry, are all elements that I address in my work. It is with these ideas in mind that I construct visual fields where disparate forms and images coexist, forming new narratives aside from their individual isolated implications; incorporating art production methods that construct an evolving dichotomy that contains a sense of play, tension, and irony while evoking references to our current social experiences. Keywords: spectacle, nostalgia, portraiture, collective consciousness, culture industry"],"dc:identifier":["https://scholarworks.uno.edu/td/695"],"dc:subject":["spectacle","nostalgia","portraiture","collective consciousness","culture industry"],"dc:title":["Postures"],"thesis:degree_discipline":["Fine Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:28:43Z"}