{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-1506"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-1506","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"Becoming and Un-Becoming","abstract":"My work is about becoming and un-becoming. I seek to capture a time of transition and possibility. The pre-pubescent girls in my drawings are actually reduced versions of me, going back to a time of innocence and potential, and I multiply them as a means of selfexploration. They split apart, re-combine, and re-configure, trying to make a new whole. They are rendered with detailed accuracy, yet the world around them is empty, like a partially recalled memory. In this thesis, I will explore the use of the self-portrait, twinning, and re-configuration as they relate to identity, memory, and nostalgia. I will investigate the surrealist aspects as well as the different types of space--psychological, illusional, and physical--and how they work together as part of the narrative. Finally, I will investigate how the work can be both seductive and discomforting to the viewer.","abstract_html":"My work is about becoming and un-becoming. I seek to capture a time of transition and possibility. The pre-pubescent girls in my drawings are actually reduced versions of me, going back to a time of innocence and potential, and I multiply them as a means of selfexploration. They split apart, re-combine, and re-configure, trying to make a new whole. They are rendered with detailed accuracy, yet the world around them is empty, like a partially recalled memory. In this thesis, I will explore the use of the self-portrait, twinning, and re-configuration as they relate to identity, memory, and nostalgia. I will investigate the surrealist aspects as well as the different types of space--psychological, illusional, and physical--and how they work together as part of the narrative. Finally, I will investigate how the work can be both seductive and discomforting to the viewer.","abstract_has_math":false,"creators":["Zeringue, Monica"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Fine Arts","degree_department":null,"school":null,"contributors":["Gertjejansen, Doyle","Saucedo, Christopher","Hayes, Cheryl"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2006,"date_issued":"2006-12-15T08:00:00Z","date_published":"2006-12-15T08:00:00Z","updated_at":"2026-07-24T05:28:36Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/506","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Gertjejansen, Doyle","Saucedo, Christopher","Hayes, Cheryl"]},{"key":"dc:creator","label":"Author","values":["Zeringue, Monica"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Fine Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/506"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["My work is about becoming and un-becoming. I seek to capture a time of transition and possibility. The pre-pubescent girls in my drawings are actually reduced versions of me, going back to a time of innocence and potential, and I multiply them as a means of selfexploration. They split apart, re-combine, and re-configure, trying to make a new whole. They are rendered with detailed accuracy, yet the world around them is empty, like a partially recalled memory. In this thesis, I will explore the use of the self-portrait, twinning, and re-configuration as they relate to identity, memory, and nostalgia. I will investigate the surrealist aspects as well as the different types of space--psychological, illusional, and physical--and how they work together as part of the narrative. Finally, I will investigate how the work can be both seductive and discomforting to the viewer."]},{"key":"dc:title","label":"Title","values":["Becoming and Un-Becoming"]}]}],"canonical_facts":{"dc:contributor":["Gertjejansen, Doyle","Saucedo, Christopher","Hayes, Cheryl"],"dc:creator":["Zeringue, Monica"],"dc:description.abstract":["My work is about becoming and un-becoming. I seek to capture a time of transition and possibility. The pre-pubescent girls in my drawings are actually reduced versions of me, going back to a time of innocence and potential, and I multiply them as a means of selfexploration. They split apart, re-combine, and re-configure, trying to make a new whole. They are rendered with detailed accuracy, yet the world around them is empty, like a partially recalled memory. In this thesis, I will explore the use of the self-portrait, twinning, and re-configuration as they relate to identity, memory, and nostalgia. I will investigate the surrealist aspects as well as the different types of space--psychological, illusional, and physical--and how they work together as part of the narrative. Finally, I will investigate how the work can be both seductive and discomforting to the viewer."],"dc:identifier":["https://scholarworks.uno.edu/td/506"],"dc:title":["Becoming and Un-Becoming"],"thesis:degree_discipline":["Fine Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:28:36Z"}