{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-1234"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-1234","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"Fed to the Teeth: The Creation of the Title Role in Brecht's Baal","abstract":"This thesis is an endeavor to accurately document and define my creative process as an actor through the title role in Bertolt Brecht's Baal. My aim is to meet and overcome the challenges that are inherent in creating any role, let alone one with the magnitude and complexity that Baal provides an actor. The following chapters contain a record of the development of my acting process in this production, including research, character analysis, a rehearsal log that provides a daily track of my progress, and an evaluation of my performance and the project.","abstract_html":"This thesis is an endeavor to accurately document and define my creative process as an actor through the title role in Bertolt Brecht's Baal. My aim is to meet and overcome the challenges that are inherent in creating any role, let alone one with the magnitude and complexity that Baal provides an actor. The following chapters contain a record of the development of my acting process in this production, including research, character analysis, a rehearsal log that provides a daily track of my progress, and an evaluation of my performance and the project.","abstract_has_math":false,"creators":["Santos, Michael Aaron"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Drama and Communications","degree_department":null,"school":null,"contributors":["Hoover, David","French, Anthony","Griffith, Kevin"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-05-20T07:00:00Z","date_published":"2005-05-20T07:00:00Z","updated_at":"2026-07-24T05:28:10Z","subjects":["Epic Theatre","Alienation Effect","Gestus"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/230","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hoover, David","French, Anthony","Griffith, Kevin"]},{"key":"dc:creator","label":"Author","values":["Santos, Michael Aaron"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Drama and Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Epic Theatre","Alienation Effect","Gestus"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/230"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is an endeavor to accurately document and define my creative process as an actor through the title role in Bertolt Brecht's Baal. My aim is to meet and overcome the challenges that are inherent in creating any role, let alone one with the magnitude and complexity that Baal provides an actor. The following chapters contain a record of the development of my acting process in this production, including research, character analysis, a rehearsal log that provides a daily track of my progress, and an evaluation of my performance and the project."]},{"key":"dc:title","label":"Title","values":["Fed to the Teeth: The Creation of the Title Role in Brecht's Baal"]}]}],"canonical_facts":{"dc:contributor":["Hoover, David","French, Anthony","Griffith, Kevin"],"dc:creator":["Santos, Michael Aaron"],"dc:description.abstract":["This thesis is an endeavor to accurately document and define my creative process as an actor through the title role in Bertolt Brecht's Baal. My aim is to meet and overcome the challenges that are inherent in creating any role, let alone one with the magnitude and complexity that Baal provides an actor. The following chapters contain a record of the development of my acting process in this production, including research, character analysis, a rehearsal log that provides a daily track of my progress, and an evaluation of my performance and the project."],"dc:identifier":["https://scholarworks.uno.edu/td/230"],"dc:subject":["Epic Theatre","Alienation Effect","Gestus"],"dc:title":["Fed to the Teeth: The Creation of the Title Role in Brecht's Baal"],"thesis:degree_discipline":["Drama and Communications"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:28:10Z"}