{"id":{"repo_id":"uno","oai_identifier":"oai:scholarworks.uno.edu:td-1231"},"canonical_url":"https://search.dev.ndltd.org/etd/uno/oai:scholarworks.uno.edu:td-1231","repository":{"repo_id":"uno","name":"University of New Orleans","base_url":"https://scholarworks.uno.edu/do/oai/"},"display":{"title":"A Practical Study of the Role of the Cinematographer","abstract":"The following thesis describes the development and process of the responsibilities and skills necessary for a director of photography in the motion picture industry. Pre-production and production aspects pertaining to experiences as a cinematographer are covered. Furthermore, the progression of learning about the field of cinematography is explained through personal examples of logistical, technical, and artistic requirements on both short and feature student films. Storyboards are included in the appendices.","abstract_html":"The following thesis describes the development and process of the responsibilities and skills necessary for a director of photography in the motion picture industry. Pre-production and production aspects pertaining to experiences as a cinematographer are covered. Furthermore, the progression of learning about the field of cinematography is explained through personal examples of logistical, technical, and artistic requirements on both short and feature student films. Storyboards are included in the appendices.","abstract_has_math":false,"creators":["Martin, Ryan"],"institution":null,"degree_name":"M.F.A.","degree_level":"Thesis","degree_discipline":"Drama and Communications","degree_department":null,"school":null,"contributors":["Hank, J. Stephen","Jones, David","Racine, Robert"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-05-20T07:00:00Z","date_published":"2005-05-20T07:00:00Z","updated_at":"2026-07-24T05:28:10Z","subjects":["Lighting","Cinematography","Director of photography","Camera"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarworks.uno.edu/td/227","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hank, J. Stephen","Jones, David","Racine, Robert"]},{"key":"dc:creator","label":"Author","values":["Martin, Ryan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Drama and Communications"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Lighting","Cinematography","Director of photography","Camera"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarworks.uno.edu/td/227"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The following thesis describes the development and process of the responsibilities and skills necessary for a director of photography in the motion picture industry. Pre-production and production aspects pertaining to experiences as a cinematographer are covered. Furthermore, the progression of learning about the field of cinematography is explained through personal examples of logistical, technical, and artistic requirements on both short and feature student films. Storyboards are included in the appendices."]},{"key":"dc:title","label":"Title","values":["A Practical Study of the Role of the Cinematographer"]}]}],"canonical_facts":{"dc:contributor":["Hank, J. Stephen","Jones, David","Racine, Robert"],"dc:creator":["Martin, Ryan"],"dc:description.abstract":["The following thesis describes the development and process of the responsibilities and skills necessary for a director of photography in the motion picture industry. Pre-production and production aspects pertaining to experiences as a cinematographer are covered. Furthermore, the progression of learning about the field of cinematography is explained through personal examples of logistical, technical, and artistic requirements on both short and feature student films. Storyboards are included in the appendices."],"dc:identifier":["https://scholarworks.uno.edu/td/227"],"dc:subject":["Lighting","Cinematography","Director of photography","Camera"],"dc:title":["A Practical Study of the Role of the Cinematographer"],"thesis:degree_discipline":["Drama and Communications"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.F.A."]},"updated_at":"2026-07-24T05:28:10Z"}