{"id":{"repo_id":"unm","oai_identifier":"oai:digitalrepository.unm.edu:ltam_etds-1004"},"canonical_url":"https://search.dev.ndltd.org/etd/unm/oai:digitalrepository.unm.edu:ltam_etds-1004","repository":{"repo_id":"unm","name":"University of New Mexico","base_url":"https://digitalrepository.unm.edu/do/oai/"},"display":{"title":"Beyond the paint and ink: ASAR Oaxaca resistance and getting up Arte Pal Pueblo","abstract":"This thesis aims to address the ways in Oaxacan street artists frame alternative realities within art and interviews about their art. Asamblea de Artistas Revolucionarios de Oaxaca or ASARO, is a revolutionary artist collective that currently works in Oaxaca Mexico. They place their art in publically accessible areas and comment on local, national and international social issues. Through ethnographic interviews and participant observation with members of ASARO along with critical discourse analysis of their images, I explore the ways getting up is accomplished. The combination of ethnographic field work paired with a critical approach deepens an understanding of what influences modern communication production through art in a marginalized area of Mexicos periphery. In this thesis ideas of art as transformative, legible, accessible are explored. Also Mexican local and global issues such as immigration, iconography, collective action, women's and human rights, exploitation of workers and natural resources are also analyzed within images created by ASARO.","abstract_html":"This thesis aims to address the ways in Oaxacan street artists frame alternative realities within art and interviews about their art. Asamblea de Artistas Revolucionarios de Oaxaca or ASARO, is a revolutionary artist collective that currently works in Oaxaca Mexico. They place their art in publically accessible areas and comment on local, national and international social issues. Through ethnographic interviews and participant observation with members of ASARO along with critical discourse analysis of their images, I explore the ways getting up is accomplished. The combination of ethnographic field work paired with a critical approach deepens an understanding of what influences modern communication production through art in a marginalized area of Mexicos periphery. In this thesis ideas of art as transformative, legible, accessible are explored. Also Mexican local and global issues such as immigration, iconography, collective action, women's and human rights, exploitation of workers and natural resources are also analyzed within images created by ASARO.","abstract_has_math":false,"creators":["Graham De La Rosa, Mike L"],"institution":null,"degree_name":"Latin American Studies","degree_level":"Thesis","degree_discipline":"Latin American Studies","degree_department":null,"school":null,"contributors":["Washington, Myra","Covarrubias, Patricia","Barnet-Sanchez, Holly"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-07-01T07:00:00Z","date_published":"2014-07-01T07:00:00Z","updated_at":"2026-07-24T05:25:53Z","subjects":["Mexico","Oaxaca (State)","Graffiti","Printmaking","21st Century Movements","Indigenous Movements","Political Violence","Social Justice","Youth Culture"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalrepository.unm.edu/ltam_etds/5","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Washington, Myra","Covarrubias, Patricia","Barnet-Sanchez, Holly"]},{"key":"dc:creator","label":"Author","values":["Graham De La Rosa, Mike L"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Latin American Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis","Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Latin American Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Mexico","Oaxaca (State)","Graffiti","Printmaking","21st Century Movements","Indigenous Movements","Political Violence","Social Justice","Youth Culture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalrepository.unm.edu/ltam_etds/5"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis aims to address the ways in Oaxacan street artists frame alternative realities within art and interviews about their art. Asamblea de Artistas Revolucionarios de Oaxaca or ASARO, is a revolutionary artist collective that currently works in Oaxaca Mexico. They place their art in publically accessible areas and comment on local, national and international social issues. Through ethnographic interviews and participant observation with members of ASARO along with critical discourse analysis of their images, I explore the ways getting up is accomplished. The combination of ethnographic field work paired with a critical approach deepens an understanding of what influences modern communication production through art in a marginalized area of Mexicos periphery. In this thesis ideas of art as transformative, legible, accessible are explored. Also Mexican local and global issues such as immigration, iconography, collective action, women's and human rights, exploitation of workers and natural resources are also analyzed within images created by ASARO."]},{"key":"dc:title","label":"Title","values":["Beyond the paint and ink: ASAR Oaxaca resistance and getting up Arte Pal Pueblo"]}]}],"canonical_facts":{"dc:contributor":["Washington, Myra","Covarrubias, Patricia","Barnet-Sanchez, Holly"],"dc:creator":["Graham De La Rosa, Mike L"],"dc:description.abstract":["This thesis aims to address the ways in Oaxacan street artists frame alternative realities within art and interviews about their art. Asamblea de Artistas Revolucionarios de Oaxaca or ASARO, is a revolutionary artist collective that currently works in Oaxaca Mexico. They place their art in publically accessible areas and comment on local, national and international social issues. Through ethnographic interviews and participant observation with members of ASARO along with critical discourse analysis of their images, I explore the ways getting up is accomplished. The combination of ethnographic field work paired with a critical approach deepens an understanding of what influences modern communication production through art in a marginalized area of Mexicos periphery. In this thesis ideas of art as transformative, legible, accessible are explored. Also Mexican local and global issues such as immigration, iconography, collective action, women's and human rights, exploitation of workers and natural resources are also analyzed within images created by ASARO."],"dc:identifier":["https://digitalrepository.unm.edu/ltam_etds/5"],"dc:language":["English"],"dc:subject":["Mexico","Oaxaca (State)","Graffiti","Printmaking","21st Century Movements","Indigenous Movements","Political Violence","Social Justice","Youth Culture"],"dc:title":["Beyond the paint and ink: ASAR Oaxaca resistance and getting up Arte Pal Pueblo"],"thesis:degree_discipline":["Latin American Studies"],"thesis:degree_level":["Thesis","Masters"],"thesis:degree_name":["Latin American Studies"]},"updated_at":"2026-07-24T05:25:53Z"}