Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film
type: CreativeWork
description: Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film is a comparative study that explores the confluence of cinematic discourse, violence, masculinity and constructions (or denial) of citizenship in present-day Latin America. My argument is that the thematization of violence and masculinity in contemporary Latin American film intercedes at a symbolic level into social relations that are increasingly mediated through images that depict what is socially permitted. This dissertation considers how film (re)structures perceptions of masculinity and its inter-linkages with cityscapes marked by social and material violence. Violence is at the same time the producer and the product of prevailing mediatic representations of social strife. As such, material and symbolic violence generate a spectacle of otherness (socioeconomic, ethnic, gendered) that purports to demarcate the symbolic limits of so-called legitimate society, often employing the peripheral male subject as the axis around which difference is articulated. On the one hand, films such as Amores perros (Mexico Iñárritu 2001) and Cidade de Deus (Brazil, Meirelles, Lund 2002) utilize paradigms of socio-economic and gender difference to naturalize the perception of the divided city by formulating the body of the peripheral male subject (and the metropolitan zones he inhabits) as a dangerous terrain. On the other hand, other productions, such as La Zona (Mexico, Spain, Plá 2007) and O homem do ano (Brazil, Fonseca 2004), using similar archetypes, call this vision into question by focusing on how middle class and elite anxieties create practices of violence as modes of social definition.
abstract: Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film is a comparative study that explores the confluence of cinematic discourse, violence, masculinity and constructions (or denial) of citizenship in present-day Latin America. My argument is that the thematization of violence and masculinity in contemporary Latin American film intercedes at a symbolic level into social relations that are increasingly mediated through images that depict what is socially permitted. This dissertation considers how film (re)structures perceptions of masculinity and its inter-linkages with cityscapes marked by social and material violence. Violence is at the same time the producer and the product of prevailing mediatic representations of social strife. As such, material and symbolic violence generate a spectacle of otherness (socioeconomic, ethnic, gendered) that purports to demarcate the symbolic limits of so-called legitimate society, often employing the peripheral male subject as the axis around which difference is articulated. On the one hand, films such as Amores perros (Mexico Iñárritu 2001) and Cidade de Deus (Brazil, Meirelles, Lund 2002) utilize paradigms of socio-economic and gender difference to naturalize the perception of the divided city by formulating the body of the peripheral male subject (and the metropolitan zones he inhabits) as a dangerous terrain. On the other hand, other productions, such as La Zona (Mexico, Spain, Plá 2007) and O homem do ano (Brazil, Fonseca 2004), using similar archetypes, call this vision into question by focusing on how middle class and elite anxieties create practices of violence as modes of social definition.
author: Lehnen, Jeremy
language: English
keywords: Violence, Masculinity, Mexico, Brazil, Film, Spectacle
date published: 2010-07-01T07:00:00Z
date modified: 2026-07-24T05:25:53Z
provider: University of New Mexico
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of New Mexico