{"id":{"repo_id":"unm","oai_identifier":"oai:digitalrepository.unm.edu:fll_etds-1055"},"canonical_url":"https://search.dev.ndltd.org/etd/unm/oai:digitalrepository.unm.edu:fll_etds-1055","repository":{"repo_id":"unm","name":"University of New Mexico","base_url":"https://digitalrepository.unm.edu/do/oai/"},"display":{"title":"Hearts, Bellies, and the Hunger of Heroes: Intertraditional Agonistic Discourse between the Iliad and Odyssey","abstract":"Within this thesis I argue that the Iliad and Odyssey, as representatives of sub-genres within the larger archaic Greek epic tradition, engage in a shared agonistic discourse with one another in order to demonstrate that the hero of each epic is superior to that of its competitor. In order to trace this agonistic discourse, I examine the manner in which each epic employs the terms thumos, 'heart,' and gaster, 'belly,' to define itself in opposition to its competing epic sub-genre. Traditionally scholars have considered the Odyssey the more recent of the two epics and, thus, relying upon the Iliad. However, I contend that both epics are the products of competing performance traditions, such that we may find not only that the Odyssey is in agonistic competition with the Iliad, but that the Iliad is itself competing with the Odyssey.","abstract_html":"Within this thesis I argue that the Iliad and Odyssey, as representatives of sub-genres within the larger archaic Greek epic tradition, engage in a shared agonistic discourse with one another in order to demonstrate that the hero of each epic is superior to that of its competitor. In order to trace this agonistic discourse, I examine the manner in which each epic employs the terms thumos, 'heart,' and gaster, 'belly,' to define itself in opposition to its competing epic sub-genre. Traditionally scholars have considered the Odyssey the more recent of the two epics and, thus, relying upon the Iliad. However, I contend that both epics are the products of competing performance traditions, such that we may find not only that the Odyssey is in agonistic competition with the Iliad, but that the Iliad is itself competing with the Odyssey.","abstract_has_math":false,"creators":["McMullin, Israel"],"institution":null,"degree_name":"Comparative Literature and Cultural Studies","degree_level":"Thesis","degree_discipline":"Department of Foreign Languages and Literatures","degree_department":null,"school":null,"contributors":["Garcia Jr., Lorenzo","Cyrino, Monica","Brau, Lorie"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-07-01T07:00:00Z","date_published":"2011-07-01T07:00:00Z","updated_at":"2026-07-24T05:26:07Z","subjects":["Homer","Iliad","Odyssey","Performance Studies","Greek Epic"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalrepository.unm.edu/fll_etds/55"],"render_values":[{"text":"https://digitalrepository.unm.edu/fll_etds/55","href":"https://digitalrepository.unm.edu/fll_etds/55","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1928/12821","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Garcia Jr., Lorenzo","Cyrino, Monica","Brau, Lorie"]},{"key":"dc:creator","label":"Author","values":["McMullin, Israel"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Foreign Languages and Literatures"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis","Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Comparative Literature and Cultural Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Homer","Iliad","Odyssey","Performance Studies","Greek Epic"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/1928/12821","https://digitalrepository.unm.edu/fll_etds/55"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Within this thesis I argue that the Iliad and Odyssey, as representatives of sub-genres within the larger archaic Greek epic tradition, engage in a shared agonistic discourse with one another in order to demonstrate that the hero of each epic is superior to that of its competitor. In order to trace this agonistic discourse, I examine the manner in which each epic employs the terms thumos, 'heart,' and gaster, 'belly,' to define itself in opposition to its competing epic sub-genre. Traditionally scholars have considered the Odyssey the more recent of the two epics and, thus, relying upon the Iliad. However, I contend that both epics are the products of competing performance traditions, such that we may find not only that the Odyssey is in agonistic competition with the Iliad, but that the Iliad is itself competing with the Odyssey."]},{"key":"dc:title","label":"Title","values":["Hearts, Bellies, and the Hunger of Heroes: Intertraditional Agonistic Discourse between the Iliad and Odyssey"]}]}],"canonical_facts":{"dc:contributor":["Garcia Jr., Lorenzo","Cyrino, Monica","Brau, Lorie"],"dc:creator":["McMullin, Israel"],"dc:description.abstract":["Within this thesis I argue that the Iliad and Odyssey, as representatives of sub-genres within the larger archaic Greek epic tradition, engage in a shared agonistic discourse with one another in order to demonstrate that the hero of each epic is superior to that of its competitor. In order to trace this agonistic discourse, I examine the manner in which each epic employs the terms thumos, 'heart,' and gaster, 'belly,' to define itself in opposition to its competing epic sub-genre. Traditionally scholars have considered the Odyssey the more recent of the two epics and, thus, relying upon the Iliad. However, I contend that both epics are the products of competing performance traditions, such that we may find not only that the Odyssey is in agonistic competition with the Iliad, but that the Iliad is itself competing with the Odyssey."],"dc:identifier":["http://hdl.handle.net/1928/12821","https://digitalrepository.unm.edu/fll_etds/55"],"dc:language":["English"],"dc:subject":["Homer","Iliad","Odyssey","Performance Studies","Greek Epic"],"dc:title":["Hearts, Bellies, and the Hunger of Heroes: Intertraditional Agonistic Discourse between the Iliad and Odyssey"],"thesis:degree_discipline":["Department of Foreign Languages and Literatures"],"thesis:degree_level":["Thesis","Masters"],"thesis:degree_name":["Comparative Literature and Cultural Studies"]},"updated_at":"2026-07-24T05:26:07Z"}