{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-2663"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-2663","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"Roaring Orchards","abstract":"The seeds of Roaring Orchards were planted during a spring drive to Williams College. In one of the outdoor malls spread along the roads that lead east from the northbound curl of the Taconic Parkway, there is on Sundays a small farmers' market. I stopped to get a carton of blueberries from the produce tent, and wandered to a table stacked with used books for sale. Most were illustrated biographies of baseball players and how-to books, but there were also a few dusty yellow paperbacks. I bought The Palm at the End of the Mind, Nostromo, and The Portable Chekov. It wasn't until I got back to my car that, flipping through the pages of Chekov, I found teeth marks on the margins of the pages. I enjoyed for a moment imagining that these weren't the work of a child but the result of a more visceral frustration with Chekov's understated depiction of grief. That those teeth marks betokened an exasperation, a silent scream that inscribed what Chekov so often left unsaid. Roaring Orchards grew out of an attempt to articulate that impulse.","abstract_html":"The seeds of Roaring Orchards were planted during a spring drive to Williams College. In one of the outdoor malls spread along the roads that lead east from the northbound curl of the Taconic Parkway, there is on Sundays a small farmers' market. I stopped to get a carton of blueberries from the produce tent, and wandered to a table stacked with used books for sale. Most were illustrated biographies of baseball players and how-to books, but there were also a few dusty yellow paperbacks. I bought The Palm at the End of the Mind, Nostromo, and The Portable Chekov. It wasn't until I got back to my car that, flipping through the pages of Chekov, I found teeth marks on the margins of the pages. I enjoyed for a moment imagining that these weren't the work of a child but the result of a more visceral frustration with Chekov's understated depiction of grief. That those teeth marks betokened an exasperation, a silent scream that inscribed what Chekov so often left unsaid. 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I bought The Palm at the End of the Mind, Nostromo, and The Portable Chekov. It wasn't until I got back to my car that, flipping through the pages of Chekov, I found teeth marks on the margins of the pages. I enjoyed for a moment imagining that these weren't the work of a child but the result of a more visceral frustration with Chekov's understated depiction of grief. That those teeth marks betokened an exasperation, a silent scream that inscribed what Chekov so often left unsaid. Roaring Orchards grew out of an attempt to articulate that impulse."]},{"key":"dc:format","label":"Dc Format","values":["pdf"]},{"key":"dc:title","label":"Title","values":["Roaring Orchards"]}]}],"canonical_facts":{"dc:contributor":["Douglas Unger"],"dc:creator":["Ionascu, Dan"],"dc:description.abstract":["The seeds of Roaring Orchards were planted during a spring drive to Williams College. 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