{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-2422"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-2422","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"The Sex Pistols: Punk rock as protest rhetoric","abstract":"This thesis examines the punk music of the Sex Pistols as protest rhetoric. Seven of the songs on the album Never Mind the Bollocks Heres the Sex Pistols are analyzed for their content. The analysis utilizes the theory of symbolic convergence and its coinciding fantasy theme analysis along with ego-function of protest rhetoric. Through the analysis it is found that punk rock is in fact protest rhetoric as defined and explained by the theory of ego-function. The guides of this theory explain the emergence of punk music and the resulting culture. Symbolic convergence theory and fantasy theme analysis examines the messages within the text and how they express the ideas, beliefs, and values of the punk culture. This provides a better understanding of punk culture and the messages communicated in the songs of the Sex Pistols.","abstract_html":"This thesis examines the punk music of the Sex Pistols as protest rhetoric. Seven of the songs on the album Never Mind the Bollocks Heres the Sex Pistols are analyzed for their content. The analysis utilizes the theory of symbolic convergence and its coinciding fantasy theme analysis along with ego-function of protest rhetoric. Through the analysis it is found that punk rock is in fact protest rhetoric as defined and explained by the theory of ego-function. The guides of this theory explain the emergence of punk music and the resulting culture. Symbolic convergence theory and fantasy theme analysis examines the messages within the text and how they express the ideas, beliefs, and values of the punk culture. This provides a better understanding of punk culture and the messages communicated in the songs of the Sex Pistols.","abstract_has_math":false,"creators":["Byers, Cari Elaine"],"institution":"University of Nevada, Las Vegas","degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Communication Studies","degree_department":null,"school":null,"contributors":["Dolores Tanno"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2002,"date_issued":"2002-01-01T08:00:00Z","date_published":"2002-01-01T08:00:00Z","updated_at":"2026-07-24T05:25:33Z","subjects":[],"languages":["English"],"rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://oasis.library.unlv.edu/rtds/1423"],"render_values":[{"text":"https://oasis.library.unlv.edu/rtds/1423","href":"https://oasis.library.unlv.edu/rtds/1423","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25669/yfq8-0mgs","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dolores Tanno"]},{"key":"dc:creator","label":"Author","values":["Byers, Cari Elaine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Nevada, Las Vegas"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communication Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["10.25669/yfq8-0mgs","https://oasis.library.unlv.edu/rtds/1423","https://oasis.library.unlv.edu/context/rtds/article/2422/viewcontent/uc.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines the punk music of the Sex Pistols as protest rhetoric. Seven of the songs on the album Never Mind the Bollocks Heres the Sex Pistols are analyzed for their content. The analysis utilizes the theory of symbolic convergence and its coinciding fantasy theme analysis along with ego-function of protest rhetoric. Through the analysis it is found that punk rock is in fact protest rhetoric as defined and explained by the theory of ego-function. The guides of this theory explain the emergence of punk music and the resulting culture. Symbolic convergence theory and fantasy theme analysis examines the messages within the text and how they express the ideas, beliefs, and values of the punk culture. This provides a better understanding of punk culture and the messages communicated in the songs of the Sex Pistols."]},{"key":"dc:format","label":"Dc Format","values":["pdf"]},{"key":"dc:title","label":"Title","values":["The Sex Pistols: Punk rock as protest rhetoric"]}]}],"canonical_facts":{"dc:contributor":["Dolores Tanno"],"dc:creator":["Byers, Cari Elaine"],"dc:description.abstract":["This thesis examines the punk music of the Sex Pistols as protest rhetoric. Seven of the songs on the album Never Mind the Bollocks Heres the Sex Pistols are analyzed for their content. The analysis utilizes the theory of symbolic convergence and its coinciding fantasy theme analysis along with ego-function of protest rhetoric. Through the analysis it is found that punk rock is in fact protest rhetoric as defined and explained by the theory of ego-function. The guides of this theory explain the emergence of punk music and the resulting culture. Symbolic convergence theory and fantasy theme analysis examines the messages within the text and how they express the ideas, beliefs, and values of the punk culture. This provides a better understanding of punk culture and the messages communicated in the songs of the Sex Pistols."],"dc:format":["pdf"],"dc:identifier":["10.25669/yfq8-0mgs","https://oasis.library.unlv.edu/rtds/1423","https://oasis.library.unlv.edu/context/rtds/article/2422/viewcontent/uc.pdf"],"dc:language":["English"],"dc:publisher":["University of Nevada, Las Vegas"],"dc:rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"dc:title":["The Sex Pistols: Punk rock as protest rhetoric"],"dc:type":["Text"],"thesis:degree_discipline":["Communication Studies"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T05:25:33Z"}