{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-2245"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-2245","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"Flesh, A Naked Dress","abstract":"\"Flesh, A Naked Dress\" is a collection of five poems: \"Joy of the Perfect Tool,\" \"Texas,\" \"Estuary,\" \"Flesh, A Naked Dress,\" and \"An Event in the World.\" The form of the serial poem, adopted for this collection, is the one described by poet Jack Spicer. It is larger scaffolding for the poetry, which comes out of a meditative discipline or 'dictation.' The poem moves ahead, without looking back, in units that are somehow related, and which are chronological. The serial poem is written in order to understand: it is not understanding in order to write. To read units of the serial poem is like turning on lights in the rooms of a house, one at a time. Language in the poem acts as furniture for the rooms; \"Flesh, A Naked Dress\" investigates notions of body and soul, and in particular philosophical heritage of the philosophy of Plotinus. This investigation takes place in various geographies.","abstract_html":""Flesh, A Naked Dress" is a collection of five poems: "Joy of the Perfect Tool," "Texas," "Estuary," "Flesh, A Naked Dress," and "An Event in the World." The form of the serial poem, adopted for this collection, is the one described by poet Jack Spicer. It is larger scaffolding for the poetry, which comes out of a meditative discipline or 'dictation.' The poem moves ahead, without looking back, in units that are somehow related, and which are chronological. The serial poem is written in order to understand: it is not understanding in order to write. To read units of the serial poem is like turning on lights in the rooms of a house, one at a time. Language in the poem acts as furniture for the rooms; "Flesh, A Naked Dress" investigates notions of body and soul, and in particular philosophical heritage of the philosophy of Plotinus. This investigation takes place in various geographies.","abstract_has_math":false,"creators":["Andrews Grace, Susan Mary"],"institution":"University of Nevada, Las Vegas","degree_name":"Master of Fine Arts (MFA)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Claudia Keelan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-01-01T08:00:00Z","date_published":"2000-01-01T08:00:00Z","updated_at":"2026-07-24T05:25:18Z","subjects":[],"languages":["English"],"rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://oasis.library.unlv.edu/rtds/1246"],"render_values":[{"text":"https://oasis.library.unlv.edu/rtds/1246","href":"https://oasis.library.unlv.edu/rtds/1246","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25669/sw5r-zhfv","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Claudia Keelan"]},{"key":"dc:creator","label":"Author","values":["Andrews Grace, Susan Mary"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Nevada, Las Vegas"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (MFA)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["10.25669/sw5r-zhfv","https://oasis.library.unlv.edu/rtds/1246","https://oasis.library.unlv.edu/context/rtds/article/2245/viewcontent/uc.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["\"Flesh, A Naked Dress\" is a collection of five poems: \"Joy of the Perfect Tool,\" \"Texas,\" \"Estuary,\" \"Flesh, A Naked Dress,\" and \"An Event in the World.\" The form of the serial poem, adopted for this collection, is the one described by poet Jack Spicer. It is larger scaffolding for the poetry, which comes out of a meditative discipline or 'dictation.' The poem moves ahead, without looking back, in units that are somehow related, and which are chronological. The serial poem is written in order to understand: it is not understanding in order to write. To read units of the serial poem is like turning on lights in the rooms of a house, one at a time. Language in the poem acts as furniture for the rooms; \"Flesh, A Naked Dress\" investigates notions of body and soul, and in particular philosophical heritage of the philosophy of Plotinus. This investigation takes place in various geographies."]},{"key":"dc:format","label":"Dc Format","values":["pdf"]},{"key":"dc:title","label":"Title","values":["Flesh, A Naked Dress"]}]}],"canonical_facts":{"dc:contributor":["Claudia Keelan"],"dc:creator":["Andrews Grace, Susan Mary"],"dc:description.abstract":["\"Flesh, A Naked Dress\" is a collection of five poems: \"Joy of the Perfect Tool,\" \"Texas,\" \"Estuary,\" \"Flesh, A Naked Dress,\" and \"An Event in the World.\" The form of the serial poem, adopted for this collection, is the one described by poet Jack Spicer. It is larger scaffolding for the poetry, which comes out of a meditative discipline or 'dictation.' The poem moves ahead, without looking back, in units that are somehow related, and which are chronological. The serial poem is written in order to understand: it is not understanding in order to write. To read units of the serial poem is like turning on lights in the rooms of a house, one at a time. Language in the poem acts as furniture for the rooms; \"Flesh, A Naked Dress\" investigates notions of body and soul, and in particular philosophical heritage of the philosophy of Plotinus. This investigation takes place in various geographies."],"dc:format":["pdf"],"dc:identifier":["10.25669/sw5r-zhfv","https://oasis.library.unlv.edu/rtds/1246","https://oasis.library.unlv.edu/context/rtds/article/2245/viewcontent/uc.pdf"],"dc:language":["English"],"dc:publisher":["University of Nevada, Las Vegas"],"dc:rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"dc:title":["Flesh, A Naked Dress"],"dc:type":["Text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts (MFA)"]},"updated_at":"2026-07-24T05:25:18Z"}