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University of Nevada, Las Vegas

Baseball's manifest destiny: The good, the bad, and the ugly

Abstract

dc:description.abstract

Brooklyn Dodgers fans blame Walter O'Malley for destroying a way of life and tarnishing the golden image of the postwar years when, in 1957, he relocated their beloved baseball team to the West. The relocation finds its impetus in American adherence to nineteenth-century Manifest Destiny and a major demographic shift following a post-World War II economic and technological boom; For the first half of the twentieth century, baseball transcended a mere rooting for a collection of superb athletes; civic identity rested in one's baseball team. Losing a team to another city was devastating. For some cities baseball provided the affirmation of civic status, which provides part of the impetus for team relocations. Baseball can provide a portal to the past, bring communities together, and revitalize cities but owners can also bare their teeth, exploiting and dominating cherished traditions In order to protect their delicate prosperity from the scrutiny of lawmakers.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
History
Grantor dc:publisher
University of Nevada, Las Vegas
Year
1999

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Miller, Patrick Valenti
Contributors dc:contributor
  • Hal Rothman

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
Language dc:language
English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:oasis.library.unlv.edu:rtds-2063

Chain of custody

source
Harvested from
University of Nevada - Las Vegas
Base URL
oasis.library.unlv.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Miller, Patrick Valenti. Baseball's manifest destiny: The good, the bad, and the ugly. Thesis thesis, University of Nevada, Las Vegas, 1999. https://doi.org/10.25669/zxpy-ax1w