{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-1889"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-1889","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"From revolution to revolt in theatre artistry: A shift in American attitude from Vietnam to Watergate reflected in the musicals \"Chicago\" and \"Hair\"","abstract":"This thesis traces how the artistry of the Broadway musical reflects the condition of the American attitude as influenced by the events of its time. From two historical events, Vietnam to Watergate, there is a shift in attitude evident in two pieces of musical theater, Hair and Chicago. What is fascinating is that both Vietnam and Watergate are tragic events: one because of the unnecessary loss of life, and the other because of a loss of faith. Hair is a revolutionary play that indicates the survival of spirit and compassion through rock music and lyrics that reflect the culture of its characters. Chicago, however, treats murder with a tongue-in-cheek attitude in its seductive dances and vaudeville acts, luring an audience into inhumanity. Commercial art thrives on plays that appeal to its target audience as proven by today's successful runs of Rent (a musical often compared to Hair) and the revival of Chicago.","abstract_html":"This thesis traces how the artistry of the Broadway musical reflects the condition of the American attitude as influenced by the events of its time. From two historical events, Vietnam to Watergate, there is a shift in attitude evident in two pieces of musical theater, Hair and Chicago. What is fascinating is that both Vietnam and Watergate are tragic events: one because of the unnecessary loss of life, and the other because of a loss of faith. Hair is a revolutionary play that indicates the survival of spirit and compassion through rock music and lyrics that reflect the culture of its characters. Chicago, however, treats murder with a tongue-in-cheek attitude in its seductive dances and vaudeville acts, luring an audience into inhumanity. Commercial art thrives on plays that appeal to its target audience as proven by today's successful runs of Rent (a musical often compared to Hair) and the revival of Chicago.","abstract_has_math":false,"creators":["Auerbach, Erin"],"institution":"University of Nevada, Las Vegas","degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Theatre Arts","degree_department":null,"school":null,"contributors":["Jeffrey Koep"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1998,"date_issued":"1998-01-01T08:00:00Z","date_published":"1998-01-01T08:00:00Z","updated_at":"2026-07-24T05:24:45Z","subjects":[],"languages":[],"rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://oasis.library.unlv.edu/rtds/890"],"render_values":[{"text":"https://oasis.library.unlv.edu/rtds/890","href":"https://oasis.library.unlv.edu/rtds/890","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25669/eikg-kcu8","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jeffrey Koep"]},{"key":"dc:creator","label":"Author","values":["Auerbach, Erin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Nevada, Las Vegas"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["IN COPYRIGHT. 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Hair is a revolutionary play that indicates the survival of spirit and compassion through rock music and lyrics that reflect the culture of its characters. Chicago, however, treats murder with a tongue-in-cheek attitude in its seductive dances and vaudeville acts, luring an audience into inhumanity. 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What is fascinating is that both Vietnam and Watergate are tragic events: one because of the unnecessary loss of life, and the other because of a loss of faith. Hair is a revolutionary play that indicates the survival of spirit and compassion through rock music and lyrics that reflect the culture of its characters. Chicago, however, treats murder with a tongue-in-cheek attitude in its seductive dances and vaudeville acts, luring an audience into inhumanity. Commercial art thrives on plays that appeal to its target audience as proven by today's successful runs of Rent (a musical often compared to Hair) and the revival of Chicago."],"dc:format":["pdf"],"dc:identifier":["10.25669/eikg-kcu8","https://oasis.library.unlv.edu/rtds/890","https://oasis.library.unlv.edu/context/rtds/article/1889/viewcontent/uc.pdf"],"dc:publisher":["University of Nevada, Las Vegas"],"dc:rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"dc:title":["From revolution to revolt in theatre artistry: A shift in American attitude from Vietnam to Watergate reflected in the musicals \"Chicago\" and \"Hair\""],"dc:type":["Text"],"thesis:degree_discipline":["Theatre Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T05:24:45Z"}