A search for primitive voice in post-modern theatre

This thesis examines the influences of primitive vocal delivery on Post-Modern Theatre. Beginning with a review of the work of three directors: Jerzy Grotowski, Peter Brook, and Richard Schechner; the thesis moves to a case study of a 1991 production of Macbeth where primary research is documented. Focusing on the production of a language based on primitive culture, the theatrical community is furnished with a vocabulary of sound/communication that may be implemented for Macbeth's Weird Sisters. Finally, the thesis directs the use of primitive vocal scoring, like musical transcription, toward a future outlook at similar projects.

Name thesis:degree_name

Master of Arts (MA)

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

Theatre Arts

Grantor dc:publisher

University of Nevada, Las Vegas

Year

1995

Author dc:creator

• Neal, Lucinda Jane

Statement dc:rights

• IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/

Language dc:language

English

Identifier

https://oasis.library.unlv.edu/rtds/547

OAI identifier oai:identifier

oai:oasis.library.unlv.edu:rtds-1546