{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-1249"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-1249","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"The progression of photographic image manipulation in communication: An argument against the \"revolution\" of technological change","abstract":"The technology of photographic image manipulation has evolved faster than our ability to consider its implications. This thesis looks at the recent evolution of image manipulation, which some regard as a \"revolution.\" The various stages of technological progression are examined using examples according to Brian Winston's model of technological change. These stages include: scientific competence, ideation, prototypes, supervening necessity, invention, the 'law' of the suppression of radical potential, and technological performance. A review of literature on the topic of photography in communication is included as well as an examination of the early photographers who used image manipulation in their work. A discussion of the \"revolution\" theory verses the \"steady progression over time\" theory is presented. The thesis concludes with a discussion on the impact of the current technological capabilities upon the viewers, which results in a change in our understanding of photographic reality.","abstract_html":"The technology of photographic image manipulation has evolved faster than our ability to consider its implications. This thesis looks at the recent evolution of image manipulation, which some regard as a "revolution." The various stages of technological progression are examined using examples according to Brian Winston's model of technological change. These stages include: scientific competence, ideation, prototypes, supervening necessity, invention, the 'law' of the suppression of radical potential, and technological performance. A review of literature on the topic of photography in communication is included as well as an examination of the early photographers who used image manipulation in their work. A discussion of the "revolution" theory verses the "steady progression over time" theory is presented. The thesis concludes with a discussion on the impact of the current technological capabilities upon the viewers, which results in a change in our understanding of photographic reality.","abstract_has_math":false,"creators":["Wood, Cynthia Lynn"],"institution":"University of Nevada, Las Vegas","degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Communication Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992-01-01T08:00:00Z","date_published":"1992-01-01T08:00:00Z","updated_at":"2026-07-24T05:24:15Z","subjects":[],"languages":["English"],"rights":["IN COPYRIGHT. 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These stages include: scientific competence, ideation, prototypes, supervening necessity, invention, the 'law' of the suppression of radical potential, and technological performance. A review of literature on the topic of photography in communication is included as well as an examination of the early photographers who used image manipulation in their work. A discussion of the \"revolution\" theory verses the \"steady progression over time\" theory is presented. 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These stages include: scientific competence, ideation, prototypes, supervening necessity, invention, the 'law' of the suppression of radical potential, and technological performance. A review of literature on the topic of photography in communication is included as well as an examination of the early photographers who used image manipulation in their work. A discussion of the \"revolution\" theory verses the \"steady progression over time\" theory is presented. The thesis concludes with a discussion on the impact of the current technological capabilities upon the viewers, which results in a change in our understanding of photographic reality."],"dc:format":["pdf"],"dc:identifier":["10.25669/bqu5-khy0","https://oasis.library.unlv.edu/rtds/250","https://oasis.library.unlv.edu/context/rtds/article/1249/viewcontent/uc.pdf"],"dc:language":["English"],"dc:publisher":["University of Nevada, Las Vegas"],"dc:rights":["IN COPYRIGHT. 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