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University of Nevada, Las Vegas

The recurring appeals of the Mormon rhetorical vision

Abstract

dc:description.abstract

This study investigates the recurring appeals of the Mormon rhetorical vision, appeals that help account for the growth of the Mormon Church which is now eight million; Bormann's Fantasy Theme Analysis, a communication model that explains how small groups develop imaginative ideas and concepts called fantasy themes that form rhetorical visions and chain out to society, is the overall methodology used in investigating the Mormon vision, while Fisher's narrative fidelity and coherence, and Rieke and Sillars' American Value Systems are used as procedural enhancements to Bormann's model; This rhetorical vision displays fidelity with three American value systems while partaking in four others. Fisher's narrative fidelity means that the rhetorical visions are "faithful" to stories the audience already believes. The study identifies the physicality value as another source of the visions appeal and it also displays narrative coherence because the Mormon vision "holds together" internally as a viable story.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Communication Studies
Grantor dc:publisher
University of Nevada, Las Vegas
Year
1992

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Challis, Arthur Thomas

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
Language dc:language
English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:oasis.library.unlv.edu:rtds-1226

Chain of custody

source
Harvested from
University of Nevada - Las Vegas
Base URL
oasis.library.unlv.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Challis, Arthur Thomas. The recurring appeals of the Mormon rhetorical vision. Thesis thesis, University of Nevada, Las Vegas, 1992. https://doi.org/10.25669/53ez-jyyv