Videocentric criticism, postmodernism and the deconstruction of television

This research offers an alternative method to the study of visual narrative. It criticizes Western society's videocentrism, or centering of television as the predominant medium of communicating to mass society. This method is known as videocentric criticism; Chapter one assesses the modern and postmodern condition. Philosophy from the Greek and modern Enlightenments suggests that Western society's videocentrism is a developing process originating in these periods. It then addresses modernity and postmodernity. Postmodern cultural phenomena that progressed in proximity with the evolution of television is discussed; Chapter two defines videocentric criticism. Narrative, structuralism, post-structuralism, and deconstruction are applied to televisual information. An example of televisual information is partially deconstructed; Chapter three proposes the Levels of Televisual Reality, which are similar to Plato's "Divided Line Analogy." The Levels of Televisual Reality suggest a person interacts with televisual information as an artificial form of: environment, experience, and consciousness. Examples are used.

Name thesis:degree_name

Master of Arts (MA)

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

Communication Studies

Grantor dc:publisher

University of Nevada, Las Vegas

Year

1992

Author dc:creator

• Taylor, Christopher James

Statement dc:rights

• IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/

Language dc:language

English

Identifier

https://oasis.library.unlv.edu/rtds/220

OAI identifier oai:identifier

oai:oasis.library.unlv.edu:rtds-1219