{"id":{"repo_id":"unlv","oai_identifier":"oai:oasis.library.unlv.edu:rtds-1102"},"canonical_url":"https://search.dev.ndltd.org/etd/unlv/oai:oasis.library.unlv.edu:rtds-1102","repository":{"repo_id":"unlv","name":"University of Nevada - Las Vegas","base_url":"https://oasis.library.unlv.edu/do/oai/"},"display":{"title":"A phenomenological criticism: A phenomenologically based methodology for analyzing theatrical works","abstract":"The thesis, using Husserlian phenomenology, presents a descriptive, analytical approach for theatrical works. The methodology consists of two parts: \"feeling\" and \"meaning.\" \"Feeling\" covers the reader/viewer's experience of the work; \"meaning\" covers the source of that experience in the work. An introductory portion asks the analyzer to describe the autonomous aspects of the work. The evaluative conclusion asks the reader/viewer to describe change or lack thereof in the personal perspective; Abraham Maslow's hierarchy of needs, Edith Stein's treatment of empathy, and Ernst Cassirer's paradigms of cultural expression are all used to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach.","abstract_html":"The thesis, using Husserlian phenomenology, presents a descriptive, analytical approach for theatrical works. The methodology consists of two parts: "feeling" and "meaning." "Feeling" covers the reader/viewer's experience of the work; "meaning" covers the source of that experience in the work. An introductory portion asks the analyzer to describe the autonomous aspects of the work. The evaluative conclusion asks the reader/viewer to describe change or lack thereof in the personal perspective; Abraham Maslow's hierarchy of needs, Edith Stein's treatment of empathy, and Ernst Cassirer's paradigms of cultural expression are all used to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach.","abstract_has_math":false,"creators":["Sabbath, Roberta Sterman"],"institution":"University of Nevada, Las Vegas","degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Theatre Arts","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1990,"date_issued":"1990-01-01T08:00:00Z","date_published":"1990-01-01T08:00:00Z","updated_at":"2026-07-24T05:24:07Z","subjects":[],"languages":["English"],"rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://oasis.library.unlv.edu/rtds/103"],"render_values":[{"text":"https://oasis.library.unlv.edu/rtds/103","href":"https://oasis.library.unlv.edu/rtds/103","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25669/kspf-3cdd","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Sabbath, Roberta Sterman"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:publisher","label":"Institution","values":["University of Nevada, Las Vegas"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre Arts"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["10.25669/kspf-3cdd","https://oasis.library.unlv.edu/rtds/103","https://oasis.library.unlv.edu/context/rtds/article/1102/viewcontent/uc.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The thesis, using Husserlian phenomenology, presents a descriptive, analytical approach for theatrical works. The methodology consists of two parts: \"feeling\" and \"meaning.\" \"Feeling\" covers the reader/viewer's experience of the work; \"meaning\" covers the source of that experience in the work. An introductory portion asks the analyzer to describe the autonomous aspects of the work. The evaluative conclusion asks the reader/viewer to describe change or lack thereof in the personal perspective; Abraham Maslow's hierarchy of needs, Edith Stein's treatment of empathy, and Ernst Cassirer's paradigms of cultural expression are all used to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach."]},{"key":"dc:format","label":"Dc Format","values":["pdf"]},{"key":"dc:title","label":"Title","values":["A phenomenological criticism: A phenomenologically based methodology for analyzing theatrical works"]}]}],"canonical_facts":{"dc:creator":["Sabbath, Roberta Sterman"],"dc:description.abstract":["The thesis, using Husserlian phenomenology, presents a descriptive, analytical approach for theatrical works. The methodology consists of two parts: \"feeling\" and \"meaning.\" \"Feeling\" covers the reader/viewer's experience of the work; \"meaning\" covers the source of that experience in the work. An introductory portion asks the analyzer to describe the autonomous aspects of the work. The evaluative conclusion asks the reader/viewer to describe change or lack thereof in the personal perspective; Abraham Maslow's hierarchy of needs, Edith Stein's treatment of empathy, and Ernst Cassirer's paradigms of cultural expression are all used to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach."],"dc:format":["pdf"],"dc:identifier":["10.25669/kspf-3cdd","https://oasis.library.unlv.edu/rtds/103","https://oasis.library.unlv.edu/context/rtds/article/1102/viewcontent/uc.pdf"],"dc:language":["English"],"dc:publisher":["University of Nevada, Las Vegas"],"dc:rights":["IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/"],"dc:title":["A phenomenological criticism: A phenomenologically based methodology for analyzing theatrical works"],"dc:type":["Text"],"thesis:degree_discipline":["Theatre Arts"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T05:24:07Z"}