This dissertation examines the representation of racial and sexual traumas in short fiction and novels by Asian American women writing post-WWII to the present. The central focus of this project is on Asian American literary representations of the lingering effects of physical, racial, and sexual traumas to Asian American women, specifically the nuances of narrating traumatic experiences. Each chapter explores various literary representations of post-traumatic psychological states of unrest, instability, and incoherence. Most importantly, this study examines the frequently simultaneous narrations of sexual trauma and racial awareness, of how personal narratives of trauma against the physical body become entangled with narratives about racial awareness, social status, and political identity. Through analysis of Hisaye Yamamoto's "The High-heeled Shoes: A Memoir," and "The Legend of Miss Sasagawara," Joy Kogawa's Obasan and The Rain Ascends, Lois-Ann Yamanaka's Behold the Many, and Patricia Chao's Monkey King, I examine a common trope within Asian American literature: the simultaneous narration of racial and sexual traumas.
","abstract_html":"<p>This dissertation examines the representation of racial and sexual traumas in short fiction and novels by Asian American women writing post-WWII to the present. The central focus of this project is on Asian American literary representations of the lingering effects of physical, racial, and sexual traumas to Asian American women, specifically the nuances of narrating traumatic experiences. Each chapter explores various literary representations of post-traumatic psychological states of unrest, instability, and incoherence. Most importantly, this study examines the frequently simultaneous narrations of sexual trauma and racial awareness, of how personal narratives of trauma against the physical body become entangled with narratives about racial awareness, social status, and political identity. Through analysis of Hisaye Yamamoto's "The High-heeled Shoes: A Memoir," and "The Legend of Miss Sasagawara," Joy Kogawa's Obasan and The Rain Ascends, Lois-Ann Yamanaka's Behold the Many, and Patricia Chao's Monkey King, I examine a common trope within Asian American literature: the simultaneous narration of racial and sexual traumas.</p>","abstract_has_math":false,"creators":["Manning, Amy Lillian"],"institution":null,"degree_name":"Doctor of Philosophy","degree_level":"Dissertation","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Monica Chiu"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T05:22:31Z","subjects":["Literature","American","Sociology","Ethnic and Racial Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholars.unh.edu/dissertation/573","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Monica Chiu"]},{"key":"dc:creator","label":"Author","values":["Manning, Amy Lillian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature","American","Sociology","Ethnic and Racial Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholars.unh.edu/dissertation/573"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation examines the representation of racial and sexual traumas in short fiction and novels by Asian American women writing post-WWII to the present. The central focus of this project is on Asian American literary representations of the lingering effects of physical, racial, and sexual traumas to Asian American women, specifically the nuances of narrating traumatic experiences. Each chapter explores various literary representations of post-traumatic psychological states of unrest, instability, and incoherence. Most importantly, this study examines the frequently simultaneous narrations of sexual trauma and racial awareness, of how personal narratives of trauma against the physical body become entangled with narratives about racial awareness, social status, and political identity. Through analysis of Hisaye Yamamoto's "The High-heeled Shoes: A Memoir," and "The Legend of Miss Sasagawara," Joy Kogawa's Obasan and The Rain Ascends, Lois-Ann Yamanaka's Behold the Many, and Patricia Chao's Monkey King, I examine a common trope within Asian American literature: the simultaneous narration of racial and sexual traumas.
"]},{"key":"dc:title","label":"Title","values":["Raping the raced body: Trauma in Asian North American women's literature"]}]}],"canonical_facts":{"dc:contributor":["Monica Chiu"],"dc:creator":["Manning, Amy Lillian"],"dc:description.abstract":["This dissertation examines the representation of racial and sexual traumas in short fiction and novels by Asian American women writing post-WWII to the present. The central focus of this project is on Asian American literary representations of the lingering effects of physical, racial, and sexual traumas to Asian American women, specifically the nuances of narrating traumatic experiences. Each chapter explores various literary representations of post-traumatic psychological states of unrest, instability, and incoherence. Most importantly, this study examines the frequently simultaneous narrations of sexual trauma and racial awareness, of how personal narratives of trauma against the physical body become entangled with narratives about racial awareness, social status, and political identity. Through analysis of Hisaye Yamamoto's "The High-heeled Shoes: A Memoir," and "The Legend of Miss Sasagawara," Joy Kogawa's Obasan and The Rain Ascends, Lois-Ann Yamanaka's Behold the Many, and Patricia Chao's Monkey King, I examine a common trope within Asian American literature: the simultaneous narration of racial and sexual traumas.
"],"dc:identifier":["https://scholars.unh.edu/dissertation/573"],"dc:subject":["Literature","American","Sociology","Ethnic and Racial Studies"],"dc:title":["Raping the raced body: Trauma in Asian North American women's literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy"]},"updated_at":"2026-07-24T05:22:31Z"}