{"id":{"repo_id":"umn","oai_identifier":"oai:conservancy.umn.edu:11299/94628"},"canonical_url":"https://search.dev.ndltd.org/etd/umn/oai:conservancy.umn.edu:11299/94628","repository":{"repo_id":"umn","name":"University of Minnesota","base_url":"https://conservancy.umn.edu/server/oai/request"},"display":{"title":"NFL Films and the re-production of Pro Football","abstract":"The choreographed work of NFL Films in their first documentary, They Call It Pro Football (1966), offers a fitting case study in which to examine the construction and promotion of pro football in the 1960s. Using techniques of textual analysis and social/cultural historiography, I investigate the representational dynamics of pro football in this film. In order to explicate the ideological, sociological, historical, and cultural significance of the film before, during, and after its release, I describe the emergence in the twentieth century of pro football and television, proffer the view that televisual texts perform cultural and political work and are open to multitudinous readings, apply the theory that gender is socially constructed and performed, and draw upon the concept of “emotional branding.”","abstract_html":"The choreographed work of NFL Films in their first documentary, They Call It Pro Football (1966), offers a fitting case study in which to examine the construction and promotion of pro football in the 1960s. Using techniques of textual analysis and social/cultural historiography, I investigate the representational dynamics of pro football in this film. In order to explicate the ideological, sociological, historical, and cultural significance of the film before, during, and after its release, I describe the emergence in the twentieth century of pro football and television, proffer the view that televisual texts perform cultural and political work and are open to multitudinous readings, apply the theory that gender is socially constructed and performed, and draw upon the concept of “emotional branding.”","abstract_has_math":false,"creators":["Johnson, Thomas C"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-07","date_published":"2010-07","updated_at":"2026-07-24T05:19:48Z","subjects":["Branding","Gender","Moving image analysis","NFL Films","Pro football","Television studies","Communication Studies"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://purl.umn.edu/94628","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Johnson, Thomas C"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2010-10-11T14:48:13Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2010-10-11T14:48:13Z"]},{"key":"dc:date.issued","label":"Date","values":["2010-07"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Branding","Gender","Moving image analysis","NFL Films","Pro football","Television studies","Communication Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://purl.umn.edu/94628"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["University of Minnesota Ph.D. dissertation. July 2010. Major: Communication Studies. Advisor: Edward Schiappa. 1 computer file (PDF); iv, 136 pages."]},{"key":"dc:description.abstract","label":"Abstract","values":["The choreographed work of NFL Films in their first documentary, They Call It Pro Football (1966), offers a fitting case study in which to examine the construction and promotion of pro football in the 1960s. Using techniques of textual analysis and social/cultural historiography, I investigate the representational dynamics of pro football in this film. In order to explicate the ideological, sociological, historical, and cultural significance of the film before, during, and after its release, I describe the emergence in the twentieth century of pro football and television, proffer the view that televisual texts perform cultural and political work and are open to multitudinous readings, apply the theory that gender is socially constructed and performed, and draw upon the concept of “emotional branding.”"]},{"key":"dc:title","label":"Title","values":["NFL Films and the re-production of Pro Football"]}]}],"canonical_facts":{"dc:creator":["Johnson, Thomas C"],"dc:date.accessioned":["2010-10-11T14:48:13Z"],"dc:date.available":["2010-10-11T14:48:13Z"],"dc:date.issued":["2010-07"],"dc:description":["University of Minnesota Ph.D. dissertation. July 2010. Major: Communication Studies. Advisor: Edward Schiappa. 1 computer file (PDF); iv, 136 pages."],"dc:description.abstract":["The choreographed work of NFL Films in their first documentary, They Call It Pro Football (1966), offers a fitting case study in which to examine the construction and promotion of pro football in the 1960s. Using techniques of textual analysis and social/cultural historiography, I investigate the representational dynamics of pro football in this film. In order to explicate the ideological, sociological, historical, and cultural significance of the film before, during, and after its release, I describe the emergence in the twentieth century of pro football and television, proffer the view that televisual texts perform cultural and political work and are open to multitudinous readings, apply the theory that gender is socially constructed and performed, and draw upon the concept of “emotional branding.”"],"dc:identifier.uri":["http://purl.umn.edu/94628"],"dc:language.iso":["en_US"],"dc:subject":["Branding","Gender","Moving image analysis","NFL Films","Pro football","Television studies","Communication Studies"],"dc:title":["NFL Films and the re-production of Pro Football"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:19:48Z"}