{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/90562"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/90562","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Persona Con Grata for Saxophone Duo","abstract":"Persona Con Grata for Saxophone Duo is a three-movement musico-theatrical exploration of the musician’s psyche. In focusing on the saxophone as an extension of the persona, corporality, and voice, and using extended techniques for saxophone to emphasize such representations, Persona Con Grata explores the subconscious world of the musician as a person and a public entity. By juxtaposing various tonal and stylistic worlds, as well as the juxtaposition of the performer’s own voice and body with that of their instrument, this piece explores the constant struggle between the musician as a public and private persona, and more so, between what one desires to be and what one is. In taking inspiration from the classic 1966 film Persona directed by Ingmar Bergman, this thesis serves as a musical response to the multifaceted idea of persona in the study of aesthetics, drawing from my own experience as a performer and composer and the struggles in identity that arise from creative pursuit.","abstract_html":"Persona Con Grata for Saxophone Duo is a three-movement musico-theatrical exploration of the musician’s psyche. In focusing on the saxophone as an extension of the persona, corporality, and voice, and using extended techniques for saxophone to emphasize such representations, Persona Con Grata explores the subconscious world of the musician as a person and a public entity. By juxtaposing various tonal and stylistic worlds, as well as the juxtaposition of the performer’s own voice and body with that of their instrument, this piece explores the constant struggle between the musician as a public and private persona, and more so, between what one desires to be and what one is. In taking inspiration from the classic 1966 film Persona directed by Ingmar Bergman, this thesis serves as a musical response to the multifaceted idea of persona in the study of aesthetics, drawing from my own experience as a performer and composer and the struggles in identity that arise from creative pursuit.","abstract_has_math":false,"creators":["Shirley, Lucy"],"institution":"University of Missouri--Kansas City","degree_name":"M.M. (Master of Music)","degree_level":"Masters","degree_discipline":"Music Composition (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Haber, Yotam, 1976-"],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022","date_published":"2022","updated_at":"2026-07-24T05:19:02Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/90562","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Haber, Yotam, 1976-"]},{"key":"dc:creator","label":"Author","values":["Shirley, Lucy"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2022-06-22T19:08:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-06-22T19:08:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2022"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music Composition (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.M. (Master of Music)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/90562"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page viewed July 6, 2022","Thesis advisor: Yotam Haber","Vita","Thesis (M.M.)--UMKC Conservatory. University of Missouri--Kansas City, 2022"]},{"key":"dc:description.abstract","label":"Abstract","values":["Persona Con Grata for Saxophone Duo is a three-movement musico-theatrical exploration of the musician’s psyche. In focusing on the saxophone as an extension of the persona, corporality, and voice, and using extended techniques for saxophone to emphasize such representations, Persona Con Grata explores the subconscious world of the musician as a person and a public entity. By juxtaposing various tonal and stylistic worlds, as well as the juxtaposition of the performer’s own voice and body with that of their instrument, this piece explores the constant struggle between the musician as a public and private persona, and more so, between what one desires to be and what one is. In taking inspiration from the classic 1966 film Persona directed by Ingmar Bergman, this thesis serves as a musical response to the multifaceted idea of persona in the study of aesthetics, drawing from my own experience as a performer and composer and the struggles in identity that arise from creative pursuit."]},{"key":"dc:title","label":"Title","values":["Persona Con Grata for Saxophone Duo"]}]}],"canonical_facts":{"dc:contributor.advisor":["Haber, Yotam, 1976-"],"dc:creator":["Shirley, Lucy"],"dc:date.accessioned":["2022-06-22T19:08:37Z"],"dc:date.available":["2022-06-22T19:08:37Z"],"dc:date.issued":["2022"],"dc:description":["Title from PDF of title page viewed July 6, 2022","Thesis advisor: Yotam Haber","Vita","Thesis (M.M.)--UMKC Conservatory. University of Missouri--Kansas City, 2022"],"dc:description.abstract":["Persona Con Grata for Saxophone Duo is a three-movement musico-theatrical exploration of the musician’s psyche. In focusing on the saxophone as an extension of the persona, corporality, and voice, and using extended techniques for saxophone to emphasize such representations, Persona Con Grata explores the subconscious world of the musician as a person and a public entity. By juxtaposing various tonal and stylistic worlds, as well as the juxtaposition of the performer’s own voice and body with that of their instrument, this piece explores the constant struggle between the musician as a public and private persona, and more so, between what one desires to be and what one is. In taking inspiration from the classic 1966 film Persona directed by Ingmar Bergman, this thesis serves as a musical response to the multifaceted idea of persona in the study of aesthetics, drawing from my own experience as a performer and composer and the struggles in identity that arise from creative pursuit."],"dc:identifier.uri":["https://hdl.handle.net/10355/90562"],"dc:title":["Persona Con Grata for Saxophone Duo"],"thesis:degree_discipline":["Music Composition (UMKC)"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.M. (Master of Music)"],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:19:02Z"}