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University of Missouri -- Kansas City

Metrical Dissonance and Phrase Grouping in Selected Dances from Edvard Grieg’s Slåtter, op. 72

Abstract

dc:description.abstract

Norwegian folk music fascinated Edvard Grieg, and he was determined to preserve the enchanting sound and character of the Hardanger fiddle dances in his arrangement of Knut Dahle’s slåtter (Norwegian folk dances) while incorporating harmonic progressions and formal structures so that the music shared commonalities with 19th-century European art music. He prioritized metrical dissonance, motivic structure, and the use of Lydian mode that characterize “Gibøens Bruremarsch,” “Nils Rekve’s Halling,” “Springdans (‘efter Möllargutten,’)” and “Skuldalsbruri. Gangar” as he sought to refine aspects of the music that were less familiar to classical musicians and audiences. Understanding the metrical dissonance and formal structure in Grieg’s Slåtter illuminates how this work connects with the music of the Norwegian hardanger fiddle as well as the procedures he used to join this folk music with his identity as a Norwegian classical musician and composer. Comparing the metrical traits of Johan Halvorsen’s transcriptions, Grieg’s source material, with the piano pieces reveals the ways in which he preserves and exaggerates metrical dissonance. This technique is analyzed using procedures outlined by Harald Krebs, Fred Lerdahl, and Roy Jackendoff to expose the metrical dissonance in three layers: low level, the metrical, and interpretive (hypermeter). Simultaneously, Grieg uses harmony and register to create higher-level structural organization from the many motivic repetitions heard in each dance. He develops this material by constructing a harmonic narrative between the tonic and dominant key areas. Through tonicization, sequences, and his own closing sections, Grieg imbues the source material with formal structures familiar to European art music including sentences and periods, and ternary form.

Degree

thesis:*
Name thesis:degree_name
M.M. (Master of Music)
Level thesis:degree_level
Master
Discipline thesis:degree_discipline
Music Theory (UMKC)
Grantor dc:publisher
University of Missouri -- Kansas City
Year dc:date.issued
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Lira, Nicolas Lytle
Advisor dc:contributor.advisor
  • Thurmaier, David Paul, 1974-

Rights

Language dc:language.iso
en_US

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10355/69706
OAI identifier oai:identifier
oai:mospace.umsystem.edu:10355/69706

Chain of custody

source
Harvested from
University of Missouri - Kansas City
Base URL
mospace.umsystem.edu/oai/request
Last updated
2026-07-24
Source record
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related terms
citation

Lira, Nicolas Lytle. Metrical Dissonance and Phrase Grouping in Selected Dances from Edvard Grieg’s Slåtter, op. 72. Master thesis, University of Missouri -- Kansas City, 2019. https://hdl.handle.net/10355/69706