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University of Missouri -- Kansas City

Cuban Women in Music: a Case Study of Ernestina Lecuona

Abstract

dc:description.abstract

Cuba, with only a short history as an independent nation, was under Spain’s control for over five hundred years. As an exporter of sugar and agricultural products, Spain brought to the island African slave laborers, and Cuba has since emerged a land with mixed races and a diversity of cultures. However, due to the inherent social hierarchy, different races were kept separate, and this situation persisted until the late nineteenth century. When Cuba finally claimed its nationhood in 1893, the opportunity for interaction among different races initiated an amalgam of cultures, where music in particular played a part in constructing Cuba’s distinct characteristics. Under unstable political conditions, the Cuban people experienced some riots and civil wars in the first half of the twentieth century. At the same time, the improvement of social services between 1900 and 1930 provided public education to citizens, regardless of gender or class. As an era of promoting women’s rights, the first feminist movement began in France in the 1920s then extended to Cuba, first among only elite Cuban women then managing to affect all classes of women on the island. Ernestina Lecuona Casado (1882 1951) was a Cuban female composer, pianist, and poet active in the early twentieth century. As a discovery of Ernestina Lecuona, this paper will discuss her life and music as she worked under the specific cultural, social, and political influences of her time. I will trace her success as a performer and composer in a male-dominated music industry. Ernestina’s career intersected with the flourishing development of Cuban popular music, so through a study of her music, I can explore simultaneously the contemporary Cuban musical styles and trends prevalent in the first half of the twentieth century.

Degree

thesis:*
Name thesis:degree_name
M.M. (Master Of Music)
Level thesis:degree_level
Master
Discipline thesis:degree_discipline
Musicology (UMKC)
Grantor dc:publisher
University of Missouri -- Kansas City
Year dc:date.issued
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Head, Po Sim
Advisor dc:contributor.advisor
  • Tyrrell, Sarah

Rights

Language dc:language.iso
en_US

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10355/69704
OAI identifier oai:identifier
oai:mospace.umsystem.edu:10355/69704

Chain of custody

source
Harvested from
University of Missouri - Kansas City
Base URL
mospace.umsystem.edu/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Head, Po Sim. Cuban Women in Music: a Case Study of Ernestina Lecuona. Master thesis, University of Missouri -- Kansas City, 2019. https://hdl.handle.net/10355/69704