{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/64180"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/64180","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Temporal and harmonic concerns in the music of Robert Carl","abstract":"Robert Carl is a composer-critic based in Hartford, Connecticut. His hyphenated career has involved creating, teaching, and commenting on music for the latter half of the twentieth century up to the present. Initially trained as a historian, Carl has maintained a keen interest in modern musical trends while developing his own distinct musical language. His music fuses stylistic and conceptual influences that bleed through aesthetic boundaries, making it difficult to label or associate with other composers. While the result is not a stereotypical postmodern pastiche of the past, his music does embrace a pluralism of historical and current methods in ways characteristic of a composer keenly interested in modern American culture. Moreover, Carl’s music relates to stylistic developments within late 20th and 21st century American art music. Studying his music helps reveal overall trends within contemporary American art music. This thesis introduces Robert Carl through a biographical sketch and examines the development of time-based and harmonic concerns within his works.","abstract_html":"Robert Carl is a composer-critic based in Hartford, Connecticut. His hyphenated career has involved creating, teaching, and commenting on music for the latter half of the twentieth century up to the present. Initially trained as a historian, Carl has maintained a keen interest in modern musical trends while developing his own distinct musical language. His music fuses stylistic and conceptual influences that bleed through aesthetic boundaries, making it difficult to label or associate with other composers. While the result is not a stereotypical postmodern pastiche of the past, his music does embrace a pluralism of historical and current methods in ways characteristic of a composer keenly interested in modern American culture. Moreover, Carl’s music relates to stylistic developments within late 20th and 21st century American art music. Studying his music helps reveal overall trends within contemporary American art music. This thesis introduces Robert Carl through a biographical sketch and examines the development of time-based and harmonic concerns within his works.","abstract_has_math":false,"creators":["Morel, Daniel Eric"],"institution":"University of Missouri--Kansas City","degree_name":"M.M.","degree_level":"Masters","degree_discipline":"Musicology (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Granade, S. Andrew"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018","date_published":"2018","updated_at":"2026-07-24T05:18:49Z","subjects":[],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/64180","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Granade, S. Andrew"]},{"key":"dc:creator","label":"Author","values":["Morel, Daniel Eric"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-06-12T16:02:02Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-12T16:02:02Z"]},{"key":"dc:date.issued","label":"Date","values":["2018"]},{"key":"dc:publisher","label":"Institution","values":["University of Missouri--Kansas City"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Musicology (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.M."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/64180"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page viewed June 19, 2018","Thesis Advisor: Andrew Granade","Vita","Includes bibliographical references (pages 111-113)","Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2018"]},{"key":"dc:description.abstract","label":"Abstract","values":["Robert Carl is a composer-critic based in Hartford, Connecticut. His hyphenated career has involved creating, teaching, and commenting on music for the latter half of the twentieth century up to the present. Initially trained as a historian, Carl has maintained a keen interest in modern musical trends while developing his own distinct musical language. His music fuses stylistic and conceptual influences that bleed through aesthetic boundaries, making it difficult to label or associate with other composers. While the result is not a stereotypical postmodern pastiche of the past, his music does embrace a pluralism of historical and current methods in ways characteristic of a composer keenly interested in modern American culture. Moreover, Carl’s music relates to stylistic developments within late 20th and 21st century American art music. Studying his music helps reveal overall trends within contemporary American art music. This thesis introduces Robert Carl through a biographical sketch and examines the development of time-based and harmonic concerns within his works."]},{"key":"dc:title","label":"Title","values":["Temporal and harmonic concerns in the music of Robert Carl"]}]}],"canonical_facts":{"dc:contributor.advisor":["Granade, S. Andrew"],"dc:creator":["Morel, Daniel Eric"],"dc:date.accessioned":["2018-06-12T16:02:02Z"],"dc:date.available":["2018-06-12T16:02:02Z"],"dc:date.issued":["2018"],"dc:description":["Title from PDF of title page viewed June 19, 2018","Thesis Advisor: Andrew Granade","Vita","Includes bibliographical references (pages 111-113)","Thesis (M.M.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2018"],"dc:description.abstract":["Robert Carl is a composer-critic based in Hartford, Connecticut. His hyphenated career has involved creating, teaching, and commenting on music for the latter half of the twentieth century up to the present. Initially trained as a historian, Carl has maintained a keen interest in modern musical trends while developing his own distinct musical language. His music fuses stylistic and conceptual influences that bleed through aesthetic boundaries, making it difficult to label or associate with other composers. While the result is not a stereotypical postmodern pastiche of the past, his music does embrace a pluralism of historical and current methods in ways characteristic of a composer keenly interested in modern American culture. Moreover, Carl’s music relates to stylistic developments within late 20th and 21st century American art music. Studying his music helps reveal overall trends within contemporary American art music. This thesis introduces Robert Carl through a biographical sketch and examines the development of time-based and harmonic concerns within his works."],"dc:identifier.uri":["https://hdl.handle.net/10355/64180"],"dc:language.iso":["en_US"],"dc:publisher":["University of Missouri--Kansas City"],"dc:title":["Temporal and harmonic concerns in the music of Robert Carl"],"dc:type":["Thesis"],"thesis:degree_discipline":["Musicology (UMKC)"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.M."],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:18:49Z"}