{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/61872"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/61872","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"No Way Out: Violence in Selected American Expressionist Plays","abstract":"This thesis discusses the American expressionist plays of the 1920s and the acts of violence that occur in several of them. The expressionist plays of Eugene O’Neill, Elmer Rice, Sophie Treadwell, and Susan Glaspell all feature some type of violent death. These types of violence can be seen in German expressionist plays, as well as in proto-expressionist plays. The acts of violence are a recurring motif of expressionism, and their importance cannot be ignored. This thesis seeks to analyze the text and the settings of the plays, and how they relate to expressionism. The violence in each play is explored, and is traced back to the origins of expressionism, particularly World War I. It is concluded that violent actions are an important motif to expressionism, and these acts should be acknowledged as a characteristic of the form.","abstract_html":"This thesis discusses the American expressionist plays of the 1920s and the acts of violence that occur in several of them. The expressionist plays of Eugene O’Neill, Elmer Rice, Sophie Treadwell, and Susan Glaspell all feature some type of violent death. These types of violence can be seen in German expressionist plays, as well as in proto-expressionist plays. The acts of violence are a recurring motif of expressionism, and their importance cannot be ignored. This thesis seeks to analyze the text and the settings of the plays, and how they relate to expressionism. The violence in each play is explored, and is traced back to the origins of expressionism, particularly World War I. It is concluded that violent actions are an important motif to expressionism, and these acts should be acknowledged as a characteristic of the form.","abstract_has_math":false,"creators":["Pierce, Alexander Dalton"],"institution":"University of Missouri--Kansas City","degree_name":"M.A.","degree_level":"Masters","degree_discipline":"Theatre (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Londré, Felicia Hardison, 1941-"],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017","date_published":"2017","updated_at":"2026-07-24T05:19:40Z","subjects":[],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/61872","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Londré, Felicia Hardison, 1941-"]},{"key":"dc:creator","label":"Author","values":["Pierce, Alexander Dalton"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-10-23T13:21:29Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-10-23T13:21:29Z"]},{"key":"dc:date.issued","label":"Date","values":["2017"]},{"key":"dc:publisher","label":"Institution","values":["University of Missouri--Kansas City"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/61872"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page, viewed October 31, 2017","Thesis advisor: Felicia Hardison Londré","Vita","Includes bibliographical references (pages 59-64)","Thesis (M.A.)--Department of Theatre. University of Missouri--Kansas City, 2017"]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis discusses the American expressionist plays of the 1920s and the acts of violence that occur in several of them. The expressionist plays of Eugene O’Neill, Elmer Rice, Sophie Treadwell, and Susan Glaspell all feature some type of violent death. These types of violence can be seen in German expressionist plays, as well as in proto-expressionist plays. The acts of violence are a recurring motif of expressionism, and their importance cannot be ignored. This thesis seeks to analyze the text and the settings of the plays, and how they relate to expressionism. The violence in each play is explored, and is traced back to the origins of expressionism, particularly World War I. 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The expressionist plays of Eugene O’Neill, Elmer Rice, Sophie Treadwell, and Susan Glaspell all feature some type of violent death. These types of violence can be seen in German expressionist plays, as well as in proto-expressionist plays. The acts of violence are a recurring motif of expressionism, and their importance cannot be ignored. This thesis seeks to analyze the text and the settings of the plays, and how they relate to expressionism. The violence in each play is explored, and is traced back to the origins of expressionism, particularly World War I. 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