{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/49254"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/49254","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Clear Sound for Clarinet and Orchestra","abstract":"Clear Sound is the opening movement of a larger three movement concerto for solo clarinet and orchestra being written for clarinetist and conductor Luis Viquez Cordoba. I set out to compose a traditionally structured concerto, utilizing a three movement design, and further modeling each movement in a traditional manner i.e, a Sonata-Allegro first movement, a slow middle movement based around a song-like theme, and a Scherzo final movement in Rondo form. With the opening movement, Clear Sound, I endeavored to fit my own pan-tonal harmonic language, which does not function under the tonic-dominant rules of common practice, into the Sonata-Allegro form, a formal design predicated on harmonic relationships. The piece roughly follows the Exposition-Development-Recapitulation design of classic Sonata-Allegro form, with the addition of two virtuosic cadenzas – the first acting as a large portion of the development section - a searching exploration of the themes that have been presented. The second cadenza acts as a bridge between the end of the recapitulation and a short codetta that rounds out the form.","abstract_html":"Clear Sound is the opening movement of a larger three movement concerto for solo clarinet and orchestra being written for clarinetist and conductor Luis Viquez Cordoba. I set out to compose a traditionally structured concerto, utilizing a three movement design, and further modeling each movement in a traditional manner i.e, a Sonata-Allegro first movement, a slow middle movement based around a song-like theme, and a Scherzo final movement in Rondo form. With the opening movement, Clear Sound, I endeavored to fit my own pan-tonal harmonic language, which does not function under the tonic-dominant rules of common practice, into the Sonata-Allegro form, a formal design predicated on harmonic relationships. The piece roughly follows the Exposition-Development-Recapitulation design of classic Sonata-Allegro form, with the addition of two virtuosic cadenzas – the first acting as a large portion of the development section - a searching exploration of the themes that have been presented. The second cadenza acts as a bridge between the end of the recapitulation and a short codetta that rounds out the form.","abstract_has_math":false,"creators":["Stevenson, Benjamin Joel"],"institution":"University of Missouri--Kansas City","degree_name":"M.M.","degree_level":"Masters","degree_discipline":"Music Composition (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Chen, Yi, 1953-"],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016","date_published":"2016","updated_at":"2026-07-24T05:19:02Z","subjects":[],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/49254","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Chen, Yi, 1953-"]},{"key":"dc:creator","label":"Author","values":["Stevenson, Benjamin Joel"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-05-31T18:23:11Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-05-31T18:23:11Z"]},{"key":"dc:date.issued","label":"Date","values":["2016"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music Composition (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.M."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/49254"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page, viewed on June 6, 2016","Thesis advisor: Chen Yi,","Vita","Thesis (M.M.)--Conservatory of Music and Dance. 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The piece roughly follows the Exposition-Development-Recapitulation design of classic Sonata-Allegro form, with the addition of two virtuosic cadenzas – the first acting as a large portion of the development section - a searching exploration of the themes that have been presented. The second cadenza acts as a bridge between the end of the recapitulation and a short codetta that rounds out the form."]},{"key":"dc:title","label":"Title","values":["Clear Sound for Clarinet and Orchestra"]}]}],"canonical_facts":{"dc:contributor.advisor":["Chen, Yi, 1953-"],"dc:creator":["Stevenson, Benjamin Joel"],"dc:date.accessioned":["2016-05-31T18:23:11Z"],"dc:date.available":["2016-05-31T18:23:11Z"],"dc:date.issued":["2016"],"dc:description":["Title from PDF of title page, viewed on June 6, 2016","Thesis advisor: Chen Yi,","Vita","Thesis (M.M.)--Conservatory of Music and Dance. 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The piece roughly follows the Exposition-Development-Recapitulation design of classic Sonata-Allegro form, with the addition of two virtuosic cadenzas – the first acting as a large portion of the development section - a searching exploration of the themes that have been presented. The second cadenza acts as a bridge between the end of the recapitulation and a short codetta that rounds out the form."],"dc:identifier.uri":["https://hdl.handle.net/10355/49254"],"dc:language.iso":["en_US"],"dc:title":["Clear Sound for Clarinet and Orchestra"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music Composition (UMKC)"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.M."],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:19:02Z"}