{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/14321"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/14321","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George","abstract":"This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and careers of Seurat and Sondheim, a foundation is established to take a deeper look into the creation of this musical. It becomes clear how the lives of these two men intertwined to form a groundbreaking show. From its moment of conception to its closing night on Broadway, the history of the musical theatre piece is chronicled in detail. Through the recollections of the show's creators, stars, and critics, the ups and downs of this journey are revealed. Four other productions of this show are explored, all of which opened after the completion of the original Broadway run. These versions were put on at different times in various locations and take on unconventional styles, but each one proves that Sunday in the Park with George remains a Sondheim classic that has the power to change lives as it did history.","abstract_html":"This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and careers of Seurat and Sondheim, a foundation is established to take a deeper look into the creation of this musical. It becomes clear how the lives of these two men intertwined to form a groundbreaking show. From its moment of conception to its closing night on Broadway, the history of the musical theatre piece is chronicled in detail. Through the recollections of the show's creators, stars, and critics, the ups and downs of this journey are revealed. Four other productions of this show are explored, all of which opened after the completion of the original Broadway run. These versions were put on at different times in various locations and take on unconventional styles, but each one proves that Sunday in the Park with George remains a Sondheim classic that has the power to change lives as it did history.","abstract_has_math":false,"creators":["Rubino, Rebecca H."],"institution":"University of Missouri--Kansas City","degree_name":"M.A.","degree_level":"Masters","degree_discipline":"Theatre (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Londré, Felicia Hardison, 1941-"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-05-22","date_published":"2012-05-22","updated_at":"2026-07-24T05:17:24Z","subjects":[],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10355/14321","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Londré, Felicia Hardison, 1941-"]},{"key":"dc:creator","label":"Author","values":["Rubino, Rebecca H."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-05-22T19:39:25Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-05-22T19:39:25Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-05-22"]},{"key":"dc:publisher","label":"Institution","values":["University of Missouri--Kansas City"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10355/14321"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page, viewed on May 22, 2012","Thesis advisor: Felicia Hardison Londré","Includes bibliographic references (p. 117-123)","Thesis (M.A.)--Dept. of Theatre. University of Missouri--Kansas City, 2012"]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and careers of Seurat and Sondheim, a foundation is established to take a deeper look into the creation of this musical. It becomes clear how the lives of these two men intertwined to form a groundbreaking show. From its moment of conception to its closing night on Broadway, the history of the musical theatre piece is chronicled in detail. Through the recollections of the show's creators, stars, and critics, the ups and downs of this journey are revealed. Four other productions of this show are explored, all of which opened after the completion of the original Broadway run. These versions were put on at different times in various locations and take on unconventional styles, but each one proves that Sunday in the Park with George remains a Sondheim classic that has the power to change lives as it did history."]},{"key":"dc:title","label":"Title","values":["Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George"]}]}],"canonical_facts":{"dc:contributor.advisor":["Londré, Felicia Hardison, 1941-"],"dc:creator":["Rubino, Rebecca H."],"dc:date.accessioned":["2012-05-22T19:39:25Z"],"dc:date.available":["2012-05-22T19:39:25Z"],"dc:date.issued":["2012-05-22"],"dc:description":["Title from PDF of title page, viewed on May 22, 2012","Thesis advisor: Felicia Hardison Londré","Includes bibliographic references (p. 117-123)","Thesis (M.A.)--Dept. of Theatre. University of Missouri--Kansas City, 2012"],"dc:description.abstract":["This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and careers of Seurat and Sondheim, a foundation is established to take a deeper look into the creation of this musical. It becomes clear how the lives of these two men intertwined to form a groundbreaking show. From its moment of conception to its closing night on Broadway, the history of the musical theatre piece is chronicled in detail. Through the recollections of the show's creators, stars, and critics, the ups and downs of this journey are revealed. Four other productions of this show are explored, all of which opened after the completion of the original Broadway run. These versions were put on at different times in various locations and take on unconventional styles, but each one proves that Sunday in the Park with George remains a Sondheim classic that has the power to change lives as it did history."],"dc:identifier.uri":["http://hdl.handle.net/10355/14321"],"dc:language.iso":["en_US"],"dc:publisher":["University of Missouri--Kansas City"],"dc:title":["Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George"],"dc:type":["Thesis"],"thesis:degree_discipline":["Theatre (UMKC)"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:17:24Z"}