George Catlin and the Pipestone Quarry: paradise of the red gods

George Catlin, pioneer, author, ethnographer, entrepreneur, was foremost an artist of exceptional talents. He made five difficult journeys westward from 1830-1836 to paint the Native Americans and their way of life. His artistic work comprised the first pictorial record of western Native Peoples. In Catlin's view, a visit to the sacred Pipestone Quarry, located in southwestern Minnesota, would be a fitting finale to his documentation of Native American tribes of the West. Catlin felt it necessary to subject the quarry to his presence, to extract stone for study, and to preserve the quarry through his painting. Everywhere the artist had gone in his travels, from the Mississippi to the Rocky Mountains, and from the Canadian border into Mexican territory he had witnessed the smoking of the long-stemmed Indian pipe that was an important ritual in every phase of diplomacy, peace, and war. The quarry was the central site that over the millennia held hundreds of tribes in communication with each other. In Catlin's time, the quarry was guarded by the Santee Sioux, protecting their economic interest in this valuable substance, pipestone, as well as the sanctity of the resource from which they believed the Great Spirit had fashioned man. In Catlin's final pilgrimage to round out his western travels his goal was to view this sacred site.

Name thesis:degree_name

MA (Master of Arts)

Level thesis:degree_level

Masters

Discipline thesis:degree_discipline

Art and Art History (UMKC)

Grantor

University of Missouri--Kansas City

Year dc:date.issued

2012

Author dc:creator

• Mundy, Denise Louise

Advisor dc:contributor.advisor

• Connelly, Frances S.

Statement dc:rights

• Open Access (fully available)

Language dc:language.iso

eng, English

Handle dc:identifier.uri

http://hdl.handle.net/10355/12435

OAI identifier oai:identifier

oai:mospace.umsystem.edu:10355/12435