{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/108741"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/108741","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"The lily of Quito a cantata for soprano, flute, classical guitar, piano, violin, viola, cello & percussion","abstract":"The Lily of Quito (2025) is a 33-minute cantata about Saint Mariana of Jesus (1618 – 1645), the patroness of Ecuador. It is scored for soprano, flute, classical guitar, piano, violin, viola, cello, and percussion: wooden blocks, wind chimes, triangle, bass drum, glockenspiel, and crotales. Affectionately known amongst Ecuadorians as “The Lily of Quito,” Saint Mariana was canonized in 1950. The text combines her original Spanish words and original English translations. It also employs phrases historically used to describe her, as well as original text created from my understanding of the saint. The piece aims to depict Saint Mariana faithfully, shedding light on her mysterious personality and what motivated her to live a life of radical sanctity. It is comprised of a piano prelude and postlude, and four tableaux with intervening piano interludes that together create an evocative work depicting her life and message. The music combines vocal lyricism with modern and traditional idioms. Its influences range from the Baroque and Classical to the Romantic and Contemporary. The Lily of Quito depicts a unique historical figure via an original musical work.","abstract_html":"The Lily of Quito (2025) is a 33-minute cantata about Saint Mariana of Jesus (1618 – 1645), the patroness of Ecuador. It is scored for soprano, flute, classical guitar, piano, violin, viola, cello, and percussion: wooden blocks, wind chimes, triangle, bass drum, glockenspiel, and crotales. Affectionately known amongst Ecuadorians as “The Lily of Quito,” Saint Mariana was canonized in 1950. The text combines her original Spanish words and original English translations. It also employs phrases historically used to describe her, as well as original text created from my understanding of the saint. The piece aims to depict Saint Mariana faithfully, shedding light on her mysterious personality and what motivated her to live a life of radical sanctity. It is comprised of a piano prelude and postlude, and four tableaux with intervening piano interludes that together create an evocative work depicting her life and message. The music combines vocal lyricism with modern and traditional idioms. Its influences range from the Baroque and Classical to the Romantic and Contemporary. The Lily of Quito depicts a unique historical figure via an original musical work.","abstract_has_math":false,"creators":["Susberich, Stephanie"],"institution":"University of Missouri--Kansas City","degree_name":"D.M.A. (Doctor of Musical Arts)","degree_level":"Doctoral","degree_discipline":"Music Composition (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Haber, Yotam, 1976-"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025","date_published":"2025","updated_at":"2026-07-24T05:16:57Z","subjects":[],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/108741","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Haber, Yotam, 1976-"]},{"key":"dc:creator","label":"Author","values":["Susberich, Stephanie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-06-22T10:05:16Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-06-22T10:05:16Z"]},{"key":"dc:date.issued","label":"Date","values":["2025"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music Composition (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A. (Doctor of Musical Arts)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/108741"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page, viewed June 30, 2025","Dissertation advisor: Yotam Haber","Vita","Dissertation (D.M.A.)--UMKC Conservatory. University of Missouri--Kansas City, 2025"]},{"key":"dc:description.abstract","label":"Abstract","values":["The Lily of Quito (2025) is a 33-minute cantata about Saint Mariana of Jesus (1618 – 1645), the patroness of Ecuador. It is scored for soprano, flute, classical guitar, piano, violin, viola, cello, and percussion: wooden blocks, wind chimes, triangle, bass drum, glockenspiel, and crotales. Affectionately known amongst Ecuadorians as “The Lily of Quito,” Saint Mariana was canonized in 1950. The text combines her original Spanish words and original English translations. It also employs phrases historically used to describe her, as well as original text created from my understanding of the saint. The piece aims to depict Saint Mariana faithfully, shedding light on her mysterious personality and what motivated her to live a life of radical sanctity. It is comprised of a piano prelude and postlude, and four tableaux with intervening piano interludes that together create an evocative work depicting her life and message. The music combines vocal lyricism with modern and traditional idioms. Its influences range from the Baroque and Classical to the Romantic and Contemporary. The Lily of Quito depicts a unique historical figure via an original musical work."]},{"key":"dc:title","label":"Title","values":["The lily of Quito a cantata for soprano, flute, classical guitar, piano, violin, viola, cello & percussion"]}]}],"canonical_facts":{"dc:contributor.advisor":["Haber, Yotam, 1976-"],"dc:creator":["Susberich, Stephanie"],"dc:date.accessioned":["2025-06-22T10:05:16Z"],"dc:date.available":["2025-06-22T10:05:16Z"],"dc:date.issued":["2025"],"dc:description":["Title from PDF of title page, viewed June 30, 2025","Dissertation advisor: Yotam Haber","Vita","Dissertation (D.M.A.)--UMKC Conservatory. University of Missouri--Kansas City, 2025"],"dc:description.abstract":["The Lily of Quito (2025) is a 33-minute cantata about Saint Mariana of Jesus (1618 – 1645), the patroness of Ecuador. It is scored for soprano, flute, classical guitar, piano, violin, viola, cello, and percussion: wooden blocks, wind chimes, triangle, bass drum, glockenspiel, and crotales. Affectionately known amongst Ecuadorians as “The Lily of Quito,” Saint Mariana was canonized in 1950. The text combines her original Spanish words and original English translations. It also employs phrases historically used to describe her, as well as original text created from my understanding of the saint. The piece aims to depict Saint Mariana faithfully, shedding light on her mysterious personality and what motivated her to live a life of radical sanctity. It is comprised of a piano prelude and postlude, and four tableaux with intervening piano interludes that together create an evocative work depicting her life and message. The music combines vocal lyricism with modern and traditional idioms. Its influences range from the Baroque and Classical to the Romantic and Contemporary. The Lily of Quito depicts a unique historical figure via an original musical work."],"dc:identifier.uri":["https://hdl.handle.net/10355/108741"],"dc:title":["The lily of Quito a cantata for soprano, flute, classical guitar, piano, violin, viola, cello & percussion"],"thesis:degree_discipline":["Music Composition (UMKC)"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["D.M.A. (Doctor of Musical Arts)"],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:16:57Z"}