{"id":{"repo_id":"umkc","oai_identifier":"oai:mospace.umsystem.edu:10355/107481"},"canonical_url":"https://search.dev.ndltd.org/etd/umkc/oai:mospace.umsystem.edu:10355/107481","repository":{"repo_id":"umkc","name":"University of Missouri - Kansas City","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Interstitial passages: re-enactment of queer bodies of color in art and literature","abstract":"My project explores the connections between literature and visual art to re-enact and re-imagine queer bodies of color in liminal spaces or porous passages as a means of contesting invisibility, exclusion, and displacement. I engage in the literature of James Baldwin and John Rechy and the conceptual art of Felix Gonzalez-Torres to conceptualize symbolic and physical in-between spaces where racial and gender alternative projects of community, same-sex desire, and love are possible. My analysis focuses on the surveillance of the public sphere in Baldwin's Giovanni's Room, the constant inhabiting of the upper and underworld of same-sex desire in Rechy's City of Night, and Gonzalez-Torres candy piles and curtains of blue beads. These literary and visual art pieces contributed to my theorization of queer bodies and queer bodies of color that disrupted hetero norms through the re-enactment of the queer body as a locus for participation and community building. I theorize on the unfolding or destruction of the queer body as an opportunity to create an alternative set of signifiers to expand the solidified boundaries around bodies, desires, and belonging. The queer body of color navigates hetero spaces and uses its displacement and exclusion to reimagine itself in interstitial or porous passages as an alternative communal project of otherness.","abstract_html":"My project explores the connections between literature and visual art to re-enact and re-imagine queer bodies of color in liminal spaces or porous passages as a means of contesting invisibility, exclusion, and displacement. I engage in the literature of James Baldwin and John Rechy and the conceptual art of Felix Gonzalez-Torres to conceptualize symbolic and physical in-between spaces where racial and gender alternative projects of community, same-sex desire, and love are possible. My analysis focuses on the surveillance of the public sphere in Baldwin's Giovanni's Room, the constant inhabiting of the upper and underworld of same-sex desire in Rechy's City of Night, and Gonzalez-Torres candy piles and curtains of blue beads. These literary and visual art pieces contributed to my theorization of queer bodies and queer bodies of color that disrupted hetero norms through the re-enactment of the queer body as a locus for participation and community building. I theorize on the unfolding or destruction of the queer body as an opportunity to create an alternative set of signifiers to expand the solidified boundaries around bodies, desires, and belonging. The queer body of color navigates hetero spaces and uses its displacement and exclusion to reimagine itself in interstitial or porous passages as an alternative communal project of otherness.","abstract_has_math":false,"creators":["Gomez, Milton Javier"],"institution":"University of Missouri--Kansas City","degree_name":"Ph.D. (Doctor of Philosophy)","degree_level":"Doctoral","degree_discipline":"Humanities Consortium (UMKC)","degree_department":null,"school":null,"contributors":[],"advisors":["Shiu, Anthony","Hartman, Joseph R."],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024","date_published":"2024","updated_at":"2026-07-24T05:18:22Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10355/107481","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Shiu, Anthony","Hartman, Joseph R."]},{"key":"dc:creator","label":"Author","values":["Gomez, Milton Javier"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-02-26T15:48:12Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-02-26T15:48:12Z"]},{"key":"dc:date.issued","label":"Date","values":["2024"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities Consortium (UMKC)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D. (Doctor of Philosophy)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Kansas City"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10355/107481"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page, viewed February 26, 2025","Dissertation advisors: Anthony Shiu and Joseph Hartman","Vita","Includes bibliographical references (pages 186-192)","Dissertation (Ph.D.)--Humanities Consortium. University of Missouri--Kansas City, 2024"]},{"key":"dc:description.abstract","label":"Abstract","values":["My project explores the connections between literature and visual art to re-enact and re-imagine queer bodies of color in liminal spaces or porous passages as a means of contesting invisibility, exclusion, and displacement. I engage in the literature of James Baldwin and John Rechy and the conceptual art of Felix Gonzalez-Torres to conceptualize symbolic and physical in-between spaces where racial and gender alternative projects of community, same-sex desire, and love are possible. My analysis focuses on the surveillance of the public sphere in Baldwin's Giovanni's Room, the constant inhabiting of the upper and underworld of same-sex desire in Rechy's City of Night, and Gonzalez-Torres candy piles and curtains of blue beads. These literary and visual art pieces contributed to my theorization of queer bodies and queer bodies of color that disrupted hetero norms through the re-enactment of the queer body as a locus for participation and community building. I theorize on the unfolding or destruction of the queer body as an opportunity to create an alternative set of signifiers to expand the solidified boundaries around bodies, desires, and belonging. The queer body of color navigates hetero spaces and uses its displacement and exclusion to reimagine itself in interstitial or porous passages as an alternative communal project of otherness."]},{"key":"dc:title","label":"Title","values":["Interstitial passages: re-enactment of queer bodies of color in art and literature"]}]}],"canonical_facts":{"dc:contributor.advisor":["Shiu, Anthony","Hartman, Joseph R."],"dc:creator":["Gomez, Milton Javier"],"dc:date.accessioned":["2025-02-26T15:48:12Z"],"dc:date.available":["2025-02-26T15:48:12Z"],"dc:date.issued":["2024"],"dc:description":["Title from PDF of title page, viewed February 26, 2025","Dissertation advisors: Anthony Shiu and Joseph Hartman","Vita","Includes bibliographical references (pages 186-192)","Dissertation (Ph.D.)--Humanities Consortium. University of Missouri--Kansas City, 2024"],"dc:description.abstract":["My project explores the connections between literature and visual art to re-enact and re-imagine queer bodies of color in liminal spaces or porous passages as a means of contesting invisibility, exclusion, and displacement. I engage in the literature of James Baldwin and John Rechy and the conceptual art of Felix Gonzalez-Torres to conceptualize symbolic and physical in-between spaces where racial and gender alternative projects of community, same-sex desire, and love are possible. My analysis focuses on the surveillance of the public sphere in Baldwin's Giovanni's Room, the constant inhabiting of the upper and underworld of same-sex desire in Rechy's City of Night, and Gonzalez-Torres candy piles and curtains of blue beads. These literary and visual art pieces contributed to my theorization of queer bodies and queer bodies of color that disrupted hetero norms through the re-enactment of the queer body as a locus for participation and community building. I theorize on the unfolding or destruction of the queer body as an opportunity to create an alternative set of signifiers to expand the solidified boundaries around bodies, desires, and belonging. The queer body of color navigates hetero spaces and uses its displacement and exclusion to reimagine itself in interstitial or porous passages as an alternative communal project of otherness."],"dc:identifier.uri":["https://hdl.handle.net/10355/107481"],"dc:language.iso":["en"],"dc:title":["Interstitial passages: re-enactment of queer bodies of color in art and literature"],"dc:type":["Thesis"],"thesis:degree_discipline":["Humanities Consortium (UMKC)"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Ph.D. (Doctor of Philosophy)"],"thesis:institution_name":["University of Missouri--Kansas City"]},"updated_at":"2026-07-24T05:18:22Z"}