{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/98595"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/98595","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The roots of musical meaning with special reference to Leonard B. Meyer's theory","abstract":"Made available in DSpace on 2017-11-30T21:01:13Z (GMT). No. of bitstreams: 2 6196873.pdf: 19080886 bytes, checksum: 7542f802f0b51c4effa0df6745c26158 (MD5) license.txt: 4813 bytes, checksum: 715c4321821a960fa1a1e91d2ac7ebce (MD5) Previous issue date: 1965","abstract_html":"Made available in DSpace on 2017-11-30T21:01:13Z (GMT). No. of bitstreams: 2 6196873.pdf: 19080886 bytes, checksum: 7542f802f0b51c4effa0df6745c26158 (MD5) license.txt: 4813 bytes, checksum: 715c4321821a960fa1a1e91d2ac7ebce (MD5) Previous issue date: 1965","abstract_has_math":false,"creators":["Coker, Wilson William"],"institution":null,"degree_name":"A.Mus.D. (doctoral)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-11-30T21:01:13Z","date_published":"2017-11-30T21:01:13Z","updated_at":"2026-07-22T22:24:35Z","subjects":["Meyer, Leonard B.","Music -- Philosophy and aesthetics","Music -- Psychological aspects","Symphonies"],"languages":["en"],"rights":["Copyright 1965 Wilson William Coker"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["6196873","ocn610224682"],"render_values":[{"text":"6196873","href":null,"code":true},{"text":"ocn610224682","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/98595","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Coker, Wilson William"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-11-30T21:01:13Z","10000-01-01","1965"]},{"key":"dc:relation","label":"Dc Relation","values":["http://hdl.handle.net/2142/61171"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation / Thesis","Score","text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D. (doctoral)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Meyer, Leonard B.","Music -- Philosophy and aesthetics","Music -- Psychological aspects","Symphonies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 1965 Wilson William Coker"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["6196873","ocn610224682","http://hdl.handle.net/2142/98595"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Made available in DSpace on 2017-11-30T21:01:13Z (GMT). No. of bitstreams: 2 6196873.pdf: 19080886 bytes, checksum: 7542f802f0b51c4effa0df6745c26158 (MD5) license.txt: 4813 bytes, checksum: 715c4321821a960fa1a1e91d2ac7ebce (MD5) Previous issue date: 1965","Embargo set by: Seth Robbins for item 104116 Lift date: 2019-11-30T21:01:19Z Reason: Electronic Theses and Dissertation","Embargo set by: Seth Robbins for item 104116 Lift date: 2019-11-30T21:03:43Z Reason: Electronic Theses and Dissertation","Embargo set by: Seth Robbins for item 104116 Lift date: Forever Reason: Electronic Theses and Dissertation","Electronic Theses and Dissertation","U of I Only","D.M.A. University of Illinois at Urbana-Champaign 1965","Vita.","Thesis accompanied by composition.","Includes bibliographical references."]},{"key":"dc:title","label":"Title","values":["The roots of musical meaning with special reference to Leonard B. Meyer's theory"]}]}],"canonical_facts":{"dc:creator":["Coker, Wilson William"],"dc:date":["2017-11-30T21:01:13Z","10000-01-01","1965"],"dc:description":["Made available in DSpace on 2017-11-30T21:01:13Z (GMT). No. of bitstreams: 2 6196873.pdf: 19080886 bytes, checksum: 7542f802f0b51c4effa0df6745c26158 (MD5) license.txt: 4813 bytes, checksum: 715c4321821a960fa1a1e91d2ac7ebce (MD5) Previous issue date: 1965","Embargo set by: Seth Robbins for item 104116 Lift date: 2019-11-30T21:01:19Z Reason: Electronic Theses and Dissertation","Embargo set by: Seth Robbins for item 104116 Lift date: 2019-11-30T21:03:43Z Reason: Electronic Theses and Dissertation","Embargo set by: Seth Robbins for item 104116 Lift date: Forever Reason: Electronic Theses and Dissertation","Electronic Theses and Dissertation","U of I Only","D.M.A. University of Illinois at Urbana-Champaign 1965","Vita.","Thesis accompanied by composition.","Includes bibliographical references."],"dc:identifier":["6196873","ocn610224682","http://hdl.handle.net/2142/98595"],"dc:language":["en"],"dc:relation":["http://hdl.handle.net/2142/61171"],"dc:rights":["Copyright 1965 Wilson William Coker"],"dc:subject":["Meyer, Leonard B.","Music -- Philosophy and aesthetics","Music -- Psychological aspects","Symphonies"],"dc:title":["The roots of musical meaning with special reference to Leonard B. Meyer's theory"],"dc:type":["Dissertation / Thesis","Score","text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D. (doctoral)"]},"updated_at":"2026-07-22T22:24:35Z"}