{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/98388"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/98388","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Sharp edges of the horizon: a fissure between “openness” and “emptiness” on the Tempelhofer Feld in Berlin","abstract":"The former fields and runways of the Tempelhof Airport in Berlin, Germany, have layered histories. The nearly two-square-mile area served as a late nineteenth-century agricultural field, fair ground, twentieth-century German military base, concentration camp, US military base, and airport, before being opened as a park in 2010. This thesis looks at the contestation surrounding twenty-first century proposals for future use and development of the park space, including the role that contemporary site-specific art has played in negotiating this terrain. By offering spaces for collective and public discussion, these artistic actions and temporary installations cultivate the continuance of the strong civic engagement that opened Tempelhof as a park and has kept it open. This thesis problematizes discourses that render the park space as both “open” and “empty.” When open and empty are conflated, it risks erasing the multivalent histories and uses that have defined Tempelhof in the past and suggests ways to move forward. Analysis of artworks produced for the site offers a mechanism to further read its historical layers and contributes to the continuing art-historical exploration of land art and urban settings. The Plattenvereinigung (Pre-Fab) project space on Tempelhof’s southern runway offers a unique vantage point to work with a fissure between the terms of open and empty.","abstract_html":"The former fields and runways of the Tempelhof Airport in Berlin, Germany, have layered histories. The nearly two-square-mile area served as a late nineteenth-century agricultural field, fair ground, twentieth-century German military base, concentration camp, US military base, and airport, before being opened as a park in 2010. This thesis looks at the contestation surrounding twenty-first century proposals for future use and development of the park space, including the role that contemporary site-specific art has played in negotiating this terrain. By offering spaces for collective and public discussion, these artistic actions and temporary installations cultivate the continuance of the strong civic engagement that opened Tempelhof as a park and has kept it open. This thesis problematizes discourses that render the park space as both “open” and “empty.” When open and empty are conflated, it risks erasing the multivalent histories and uses that have defined Tempelhof in the past and suggests ways to move forward. Analysis of artworks produced for the site offers a mechanism to further read its historical layers and contributes to the continuing art-historical exploration of land art and urban settings. The Plattenvereinigung (Pre-Fab) project space on Tempelhof’s southern runway offers a unique vantage point to work with a fissure between the terms of open and empty.","abstract_has_math":false,"creators":["Leopold, Lilah A"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Romberg, Kristin"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-09-29T17:56:48Z","date_published":"2017-09-29T17:56:48Z","updated_at":"2026-07-22T22:24:35Z","subjects":["Art history","Spatial politics","Land use","Environment","STS","Tempelhof","Tempelhofer Feld"],"languages":["en"],"rights":["Copyright 2017 Lilah Leopold"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/98388","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Romberg, Kristin"]},{"key":"dc:creator","label":"Author","values":["Leopold, Lilah A"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-09-29T17:56:48Z","2017-07-14","2017-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art history","Spatial politics","Land use","Environment","STS","Tempelhof","Tempelhofer Feld"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2017 Lilah Leopold"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/98388"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The former fields and runways of the Tempelhof Airport in Berlin, Germany, have layered histories. The nearly two-square-mile area served as a late nineteenth-century agricultural field, fair ground, twentieth-century German military base, concentration camp, US military base, and airport, before being opened as a park in 2010. This thesis looks at the contestation surrounding twenty-first century proposals for future use and development of the park space, including the role that contemporary site-specific art has played in negotiating this terrain. By offering spaces for collective and public discussion, these artistic actions and temporary installations cultivate the continuance of the strong civic engagement that opened Tempelhof as a park and has kept it open. This thesis problematizes discourses that render the park space as both “open” and “empty.” When open and empty are conflated, it risks erasing the multivalent histories and uses that have defined Tempelhof in the past and suggests ways to move forward. Analysis of artworks produced for the site offers a mechanism to further read its historical layers and contributes to the continuing art-historical exploration of land art and urban settings. The Plattenvereinigung (Pre-Fab) project space on Tempelhof’s southern runway offers a unique vantage point to work with a fissure between the terms of open and empty.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2017-09-29 without embargo terms","The student, Lilah Leopold, accepted the attached license on 2017-07-13 at 11:15.","The student, Lilah Leopold, submitted this Thesis for approval on 2017-07-13 at 11:53.","This Thesis was approved for publication on 2017-07-14 at 15:28.","DSpace SAF Submission Ingestion Package generated from Vireo submission #11452 on 2017-09-29 at 11:30:08","Made available in DSpace on 2017-09-29T17:56:48Z (GMT). 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This thesis looks at the contestation surrounding twenty-first century proposals for future use and development of the park space, including the role that contemporary site-specific art has played in negotiating this terrain. By offering spaces for collective and public discussion, these artistic actions and temporary installations cultivate the continuance of the strong civic engagement that opened Tempelhof as a park and has kept it open. This thesis problematizes discourses that render the park space as both “open” and “empty.” When open and empty are conflated, it risks erasing the multivalent histories and uses that have defined Tempelhof in the past and suggests ways to move forward. Analysis of artworks produced for the site offers a mechanism to further read its historical layers and contributes to the continuing art-historical exploration of land art and urban settings. The Plattenvereinigung (Pre-Fab) project space on Tempelhof’s southern runway offers a unique vantage point to work with a fissure between the terms of open and empty.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2017-09-29 without embargo terms","The student, Lilah Leopold, accepted the attached license on 2017-07-13 at 11:15.","The student, Lilah Leopold, submitted this Thesis for approval on 2017-07-13 at 11:53.","This Thesis was approved for publication on 2017-07-14 at 15:28.","DSpace SAF Submission Ingestion Package generated from Vireo submission #11452 on 2017-09-29 at 11:30:08","Made available in DSpace on 2017-09-29T17:56:48Z (GMT). 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