{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/98147"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/98147","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Science, politics, and soul-making: the Romantic encounter with climate change","abstract":"The Romantic movement in British literature coincided with new breakthroughs in meteorology and climatology, allowing scientists for the first time to understand the earth’s weather as a global, interactive system, as well as to begin to trace the possible influence of human civilization upon it. The end of the Little Ice Age, the acceleration of anthropogenic global warming resulting from the Industrial Revolution, and a series of volcanic eruptions causing major shocks to the global climate system all provided reference points for Romantic writers to challenge and rethink the relationship between humans and their climate. Focusing on several major writers from 1780 to 1880 (William Cowper, Percy Shelley, Mary Shelley, John Keats and John Ruskin), I argue that an epistemic shift occurred in the way Britons understood their own climate’s history and its relationship to the earth’s climate. Using an ecohistorical method that combines close historical inquiry and insights from meteorology, climatology, geology, and volcanology with theoretical frameworks derived from environmental criticism, I argue this period, in no small part due to the influence of creative writers, saw a new sense of the earth’s climate as contingent, dynamic, globally interconnected, and shaped by human actors, rather than stable and fixed. Finally, I apply some of the insights of these writers to the challenge of climate change in the present day, suggesting that their interrogation of the age-old binary between humanity and “Nature” can help us to chart a livable and sustainable future.","abstract_html":"The Romantic movement in British literature coincided with new breakthroughs in meteorology and climatology, allowing scientists for the first time to understand the earth’s weather as a global, interactive system, as well as to begin to trace the possible influence of human civilization upon it. The end of the Little Ice Age, the acceleration of anthropogenic global warming resulting from the Industrial Revolution, and a series of volcanic eruptions causing major shocks to the global climate system all provided reference points for Romantic writers to challenge and rethink the relationship between humans and their climate. Focusing on several major writers from 1780 to 1880 (William Cowper, Percy Shelley, Mary Shelley, John Keats and John Ruskin), I argue that an epistemic shift occurred in the way Britons understood their own climate’s history and its relationship to the earth’s climate. Using an ecohistorical method that combines close historical inquiry and insights from meteorology, climatology, geology, and volcanology with theoretical frameworks derived from environmental criticism, I argue this period, in no small part due to the influence of creative writers, saw a new sense of the earth’s climate as contingent, dynamic, globally interconnected, and shaped by human actors, rather than stable and fixed. Finally, I apply some of the insights of these writers to the challenge of climate change in the present day, suggesting that their interrogation of the age-old binary between humanity and “Nature” can help us to chart a livable and sustainable future.","abstract_has_math":false,"creators":["Verderame, Michael C"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Wood, Gillen D.","Underwood , William (Ted) E","Markley, Robert M","Saville, Julia"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-09-29T17:45:40Z","date_published":"2017-09-29T17:45:40Z","updated_at":"2026-07-22T22:24:35Z","subjects":["Romantic","Victorian","British","Literature","Climate change","Ecology","Climate","Meteorology","Weather","Literature and the environment","18th century","19th century"],"languages":["en"],"rights":["Copyright 2017 Michael Verderame"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/98147","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Wood, Gillen D.","Underwood , William (Ted) E","Markley, Robert M","Saville, Julia"]},{"key":"dc:creator","label":"Author","values":["Verderame, Michael C"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-09-29T17:45:40Z","2020-03-03T10:15:35Z","2017-05-09","2017-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Romantic","Victorian","British","Literature","Climate change","Ecology","Climate","Meteorology","Weather","Literature and the environment","18th century","19th century"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2017 Michael Verderame"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/98147"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The Romantic movement in British literature coincided with new breakthroughs in meteorology and climatology, allowing scientists for the first time to understand the earth’s weather as a global, interactive system, as well as to begin to trace the possible influence of human civilization upon it. The end of the Little Ice Age, the acceleration of anthropogenic global warming resulting from the Industrial Revolution, and a series of volcanic eruptions causing major shocks to the global climate system all provided reference points for Romantic writers to challenge and rethink the relationship between humans and their climate. Focusing on several major writers from 1780 to 1880 (William Cowper, Percy Shelley, Mary Shelley, John Keats and John Ruskin), I argue that an epistemic shift occurred in the way Britons understood their own climate’s history and its relationship to the earth’s climate. Using an ecohistorical method that combines close historical inquiry and insights from meteorology, climatology, geology, and volcanology with theoretical frameworks derived from environmental criticism, I argue this period, in no small part due to the influence of creative writers, saw a new sense of the earth’s climate as contingent, dynamic, globally interconnected, and shaped by human actors, rather than stable and fixed. Finally, I apply some of the insights of these writers to the challenge of climate change in the present day, suggesting that their interrogation of the age-old binary between humanity and “Nature” can help us to chart a livable and sustainable future.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2019-08-01","The student, Michael Verderame, accepted the attached license on 2017-05-09 at 12:16.","The student, Michael Verderame, submitted this Dissertation for approval on 2017-05-09 at 12:25.","This Dissertation was approved for publication on 2017-05-09 at 12:40.","DSpace SAF Submission Ingestion Package generated from Vireo submission #10599 on 2017-09-29 at 10:45:26","Made available in DSpace on 2017-09-29T17:45:40Z (GMT). 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The end of the Little Ice Age, the acceleration of anthropogenic global warming resulting from the Industrial Revolution, and a series of volcanic eruptions causing major shocks to the global climate system all provided reference points for Romantic writers to challenge and rethink the relationship between humans and their climate. Focusing on several major writers from 1780 to 1880 (William Cowper, Percy Shelley, Mary Shelley, John Keats and John Ruskin), I argue that an epistemic shift occurred in the way Britons understood their own climate’s history and its relationship to the earth’s climate. Using an ecohistorical method that combines close historical inquiry and insights from meteorology, climatology, geology, and volcanology with theoretical frameworks derived from environmental criticism, I argue this period, in no small part due to the influence of creative writers, saw a new sense of the earth’s climate as contingent, dynamic, globally interconnected, and shaped by human actors, rather than stable and fixed. Finally, I apply some of the insights of these writers to the challenge of climate change in the present day, suggesting that their interrogation of the age-old binary between humanity and “Nature” can help us to chart a livable and sustainable future.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2019-08-01","The student, Michael Verderame, accepted the attached license on 2017-05-09 at 12:16.","The student, Michael Verderame, submitted this Dissertation for approval on 2017-05-09 at 12:25.","This Dissertation was approved for publication on 2017-05-09 at 12:40.","DSpace SAF Submission Ingestion Package generated from Vireo submission #10599 on 2017-09-29 at 10:45:26","Made available in DSpace on 2017-09-29T17:45:40Z (GMT). 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