{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/95499"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/95499","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Modernism's laughing bodies: a taxonomy of the phenomenology of laughter","abstract":"This Dissertation was approved for publication on 2016-11-30 at 16:34.","abstract_html":"This Dissertation was approved for publication on 2016-11-30 at 16:34.","abstract_has_math":false,"creators":["Moore, John Lee"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Mahaffey, Vicki","Goodlad, Lauren","Hansen, Jim","Gaedtke, Andrew"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-03-01T16:37:03Z","date_published":"2017-03-01T16:37:03Z","updated_at":"2026-07-22T22:26:37Z","subjects":["modernism","laughter","embodiment","visual poetry","Elizabeth Bowen","Wyndham Lewis","James Joyce","Hope Mirrlees"],"languages":["en"],"rights":["Copyright John Lee Moore 2016"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/95499","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Mahaffey, Vicki","Goodlad, Lauren","Hansen, Jim","Gaedtke, Andrew"]},{"key":"dc:creator","label":"Author","values":["Moore, John Lee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-03-01T16:37:03Z","2019-03-02T10:15:14Z","2016-11-30","2016-12"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["modernism","laughter","embodiment","visual poetry","Elizabeth Bowen","Wyndham Lewis","James Joyce","Hope Mirrlees"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright John Lee Moore 2016"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/95499"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This Dissertation was approved for publication on 2016-11-30 at 16:34.","DSpace SAF Submission Ingestion Package generated from Vireo submission #10380 on 2017-02-28 at 14:37:07","Made available in DSpace on 2017-03-01T16:37:03Z (GMT). No. of bitstreams: 3 MOORE-DISSERTATION-2016.pdf: 3487291 bytes, checksum: f2a6d1336ba53de71cf313b18700642a (MD5) LICENSE.txt: 4207 bytes, checksum: f45d65bfdda81546048743567f19ebf4 (MD5) PROQUEST_LICENSE.txt: 4553 bytes, checksum: d6da62d808406dc3dce5fb279705b1ce (MD5) Previous issue date: 2016-11-30","Embargo set by: Seth Robbins for item 98615 Lift date: 2019-03-01T16:37:19Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system","U of I Only Restriction Lifted for Item 98615 on 2019-03-02T10:15:14Z.","The image of the laughing body recurs throughout the long history of modernist literature and film, appearing not only in comic and satirical works but also, surprisingly, in works that cannot be labeled as comedies at all. These images are often meditations on embodiment in which felt experience is juxtaposed with appearance. Analyzing this juxtaposition against the backdrop of the decline of the British Empire, this project argues that texts featuring these bodies constitute an archive of the ways that bodies are subject to and resist expectations about how bodies should look and feel within the emerging networks of nationalisms in the post-colonial Anglophone world. From visual poetry to novels that reimagine satire as “externalist art,” the narratives explored in this project use the visual space of the page to dramatize the incongruity between felt experience and image, between how it feels to move across the Anglophone world and how external expectations are forced upon the bodies that traverse it. Reading the changing network of nationalist rhetorics through the materiality of the body, this project recovers non- canonical modernist narratives to chart the way that narrative indexes nationalist feeling in England and Ireland. The laughing body dramatizes the complex relationship between gender identity, sexual attraction, the lived experience of the body, and national sentiment. The desire to move past restrictive national identities is often presented as a transgressive sexual experience. Laughter enacts this transgression as an extra-linguistic eruption, a guttural and gestural interruption that manifests as a textual aberration that is itself transgressive of literary convention. Unauthorized feeling becomes unauthorized text that might be littered with extra punctuation, present itself as a linguistic Cubist collage, reference the way that its own pages fold over on themselves, or contain errant printers’ marks that take on a life of their own.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-12-01","The student, John Moore, accepted the attached license on 2016-11-30 at 16:00.","The student, John Moore, submitted this Dissertation for approval on 2016-11-30 at 16:08."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Modernism's laughing bodies: a taxonomy of the phenomenology of laughter"]}]}],"canonical_facts":{"dc:contributor":["Mahaffey, Vicki","Goodlad, Lauren","Hansen, Jim","Gaedtke, Andrew"],"dc:creator":["Moore, John Lee"],"dc:date":["2017-03-01T16:37:03Z","2019-03-02T10:15:14Z","2016-11-30","2016-12"],"dc:description":["This Dissertation was approved for publication on 2016-11-30 at 16:34.","DSpace SAF Submission Ingestion Package generated from Vireo submission #10380 on 2017-02-28 at 14:37:07","Made available in DSpace on 2017-03-01T16:37:03Z (GMT). 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Analyzing this juxtaposition against the backdrop of the decline of the British Empire, this project argues that texts featuring these bodies constitute an archive of the ways that bodies are subject to and resist expectations about how bodies should look and feel within the emerging networks of nationalisms in the post-colonial Anglophone world. From visual poetry to novels that reimagine satire as “externalist art,” the narratives explored in this project use the visual space of the page to dramatize the incongruity between felt experience and image, between how it feels to move across the Anglophone world and how external expectations are forced upon the bodies that traverse it. Reading the changing network of nationalist rhetorics through the materiality of the body, this project recovers non- canonical modernist narratives to chart the way that narrative indexes nationalist feeling in England and Ireland. The laughing body dramatizes the complex relationship between gender identity, sexual attraction, the lived experience of the body, and national sentiment. The desire to move past restrictive national identities is often presented as a transgressive sexual experience. Laughter enacts this transgression as an extra-linguistic eruption, a guttural and gestural interruption that manifests as a textual aberration that is itself transgressive of literary convention. Unauthorized feeling becomes unauthorized text that might be littered with extra punctuation, present itself as a linguistic Cubist collage, reference the way that its own pages fold over on themselves, or contain errant printers’ marks that take on a life of their own.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-12-01","The student, John Moore, accepted the attached license on 2016-11-30 at 16:00.","The student, John Moore, submitted this Dissertation for approval on 2016-11-30 at 16:08."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/95499"],"dc:language":["en"],"dc:rights":["Copyright John Lee Moore 2016"],"dc:subject":["modernism","laughter","embodiment","visual poetry","Elizabeth Bowen","Wyndham Lewis","James Joyce","Hope Mirrlees"],"dc:title":["Modernism's laughing bodies: a taxonomy of the phenomenology of laughter"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:37Z"}