{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/95472"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/95472","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Revising identification: fairy tales that transform tradition from within","abstract":"This dissertation examines contemporary revisions of four classic fairy tales: “Snow White,” “Sleeping Beauty,” “Little Red Riding Hood,” and “Bluebeard,” drawing on José Esteban Muñoz’s concept of “disidentification” to describe the revisionary work they perform. Muñoz provides a model of subversion that illuminates the work done in these revisions, which both relish the pleasure to be found in the fantasy of fairy tales and work to short circuit their anachronistic ideology, to deconstruct and rewrite their heteronormative scripts. The author argues that fairy-tale revisions can transform the genre from within through a careful dance of adherence to and deviation from its formula. Their work is both formal and thematic, a subversion of fairy-tale form and of sexual politics. Because the fairy tale operates largely by encouraging identification (especially in young audiences) with certain roles, producing social conformity, these radical revisions resist social and sexual prescription and in so doing embrace and empower a range of gender and sexual identities.","abstract_html":"This dissertation examines contemporary revisions of four classic fairy tales: “Snow White,” “Sleeping Beauty,” “Little Red Riding Hood,” and “Bluebeard,” drawing on José Esteban Muñoz’s concept of “disidentification” to describe the revisionary work they perform. Muñoz provides a model of subversion that illuminates the work done in these revisions, which both relish the pleasure to be found in the fantasy of fairy tales and work to short circuit their anachronistic ideology, to deconstruct and rewrite their heteronormative scripts. The author argues that fairy-tale revisions can transform the genre from within through a careful dance of adherence to and deviation from its formula. Their work is both formal and thematic, a subversion of fairy-tale form and of sexual politics. Because the fairy tale operates largely by encouraging identification (especially in young audiences) with certain roles, producing social conformity, these radical revisions resist social and sexual prescription and in so doing embrace and empower a range of gender and sexual identities.","abstract_has_math":false,"creators":["Dettmar, Esther Katherine"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Rodriguez, Richard T.","Mahaffey, Vicki","Hansen, Jim","Johnson, Laurie R."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-03-01T16:36:48Z","date_published":"2017-03-01T16:36:48Z","updated_at":"2026-07-22T22:26:37Z","subjects":["fairy tales","disidentification","Snow White","Sleeping Beauty","Little Red Riding Hood","Bluebeard"],"languages":["en"],"rights":["Copyright 2016 Esther Dettmar"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/95472","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Rodriguez, Richard T.","Mahaffey, Vicki","Hansen, Jim","Johnson, Laurie R."]},{"key":"dc:creator","label":"Author","values":["Dettmar, Esther Katherine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-03-01T16:36:48Z","2019-03-02T10:15:33Z","2016-11-17","2016-12"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["fairy tales","disidentification","Snow White","Sleeping Beauty","Little Red Riding Hood","Bluebeard"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Esther Dettmar"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/95472"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This dissertation examines contemporary revisions of four classic fairy tales: “Snow White,” “Sleeping Beauty,” “Little Red Riding Hood,” and “Bluebeard,” drawing on José Esteban Muñoz’s concept of “disidentification” to describe the revisionary work they perform. 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Muñoz provides a model of subversion that illuminates the work done in these revisions, which both relish the pleasure to be found in the fantasy of fairy tales and work to short circuit their anachronistic ideology, to deconstruct and rewrite their heteronormative scripts. The author argues that fairy-tale revisions can transform the genre from within through a careful dance of adherence to and deviation from its formula. Their work is both formal and thematic, a subversion of fairy-tale form and of sexual politics. 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