{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/95343"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/95343","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"A study of Bill Frisell through Paul Motian's On Broadway recordings","abstract":"This study examines Bill Frisell’s work through an analysis of his improvised solos on Paul Motian’s albums On Broadway Volumes 1, 2, 3, Bill Evans, and Monk in Motian while simultaneously examining Frisell’s guitar technique and his musical influences. The analysis of his solos on Motian’s album draw from a selection of twenty transcriptions with a focus on five elements: 1) Controlled Dissonance, 2) Syncopation, 3) Melody, Sequencing and Cells, 4) Note Bends, and 5) Dyads of Sixths and Thirds. 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The technique and influence sections are based on several interviews and articles about Frisell, as well as additional transcribed material from recordings throughout his career.","abstract_has_math":false,"creators":["Lewis, Travis Rex"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Gray, Lawrence","McNeill, Charles","Spencer, Joel","Tharp, Reynold"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-03-01T15:49:06Z","date_published":"2017-03-01T15:49:06Z","updated_at":"2026-07-22T22:26:37Z","subjects":["Bill Frisell","Paul Motian","Jazz Guitar","Joe Lovano","On Broadway","Monk in Motian","Jazz"],"languages":["en"],"rights":["Copyright 2016 Travis Lewis"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/95343","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Gray, Lawrence","McNeill, Charles","Spencer, Joel","Tharp, Reynold"]},{"key":"dc:creator","label":"Author","values":["Lewis, Travis Rex"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-03-01T15:49:06Z","2016-11-28","2016-12"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Bill Frisell","Paul Motian","Jazz Guitar","Joe Lovano","On Broadway","Monk in Motian","Jazz"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Travis Lewis"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/95343"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This study examines Bill Frisell’s work through an analysis of his improvised solos on Paul Motian’s albums On Broadway Volumes 1, 2, 3, Bill Evans, and Monk in Motian while simultaneously examining Frisell’s guitar technique and his musical influences. 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