{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/92988"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/92988","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Performance of activism: examining the use of Saya by Afrobolivian social activists","abstract":"For almost a century, the African descended populations of Bolivia have preserved an exclusive traditional musical art known as the Saya. The Saya, an art form rooted in African tradition, consists of singing and dancing and is considered by many as a significant treasure of Afrobolivian heritage. Primarily inhabiting the Yungas region of the Bolivian Department of La Paz, Afrobolivians have begun utilizing social movements in order to achieve specific sociopolitical goals put forth by their communities. In the interest of promulgating their social movement efforts, Afrobolivian activists are using the Saya as a vehicle for outreach. This thesis will argue that as a result of the Saya’s use in this way by Afrobolivian activists, the Saya has transformed from what was once only perceived as a customary aspect of Afrobolivian culture into a brazen symbol of the movement. This thesis will also examine the degree through which these outreach efforts are reaching young people.","abstract_html":"For almost a century, the African descended populations of Bolivia have preserved an exclusive traditional musical art known as the Saya. The Saya, an art form rooted in African tradition, consists of singing and dancing and is considered by many as a significant treasure of Afrobolivian heritage. Primarily inhabiting the Yungas region of the Bolivian Department of La Paz, Afrobolivians have begun utilizing social movements in order to achieve specific sociopolitical goals put forth by their communities. In the interest of promulgating their social movement efforts, Afrobolivian activists are using the Saya as a vehicle for outreach. This thesis will argue that as a result of the Saya’s use in this way by Afrobolivian activists, the Saya has transformed from what was once only perceived as a customary aspect of Afrobolivian culture into a brazen symbol of the movement. This thesis will also examine the degree through which these outreach efforts are reaching young people.","abstract_has_math":false,"creators":["Burns, Dexter Mandela"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Latin American Studies","degree_department":null,"school":null,"contributors":["Orta, Andrew"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-11-10T18:38:57Z","date_published":"2016-11-10T18:38:57Z","updated_at":"2026-07-22T22:26:35Z","subjects":["Bolivia, Afrobolivia"],"languages":["en"],"rights":["Copyright 2016 Dexter Burns"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/92988","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Orta, Andrew"]},{"key":"dc:creator","label":"Author","values":["Burns, Dexter Mandela"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-11-10T18:38:57Z","2018-11-11T10:15:24Z","2016-07-21","2016-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Latin American Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Bolivia, Afrobolivia"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Dexter Burns"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/92988"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["For almost a century, the African descended populations of Bolivia have preserved an exclusive traditional musical art known as the Saya. The Saya, an art form rooted in African tradition, consists of singing and dancing and is considered by many as a significant treasure of Afrobolivian heritage. Primarily inhabiting the Yungas region of the Bolivian Department of La Paz, Afrobolivians have begun utilizing social movements in order to achieve specific sociopolitical goals put forth by their communities. In the interest of promulgating their social movement efforts, Afrobolivian activists are using the Saya as a vehicle for outreach. This thesis will argue that as a result of the Saya’s use in this way by Afrobolivian activists, the Saya has transformed from what was once only perceived as a customary aspect of Afrobolivian culture into a brazen symbol of the movement. This thesis will also examine the degree through which these outreach efforts are reaching young people.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-08-01","The student, Dexter Burns, accepted the attached license on 2016-04-29 at 16:29.","The student, Dexter Burns, submitted this Thesis for approval on 2016-04-29 at 16:37.","This Thesis was approved for publication on 2016-07-21 at 16:29.","DSpace SAF Submission Ingestion Package generated from Vireo submission #9592 on 2016-11-10 at 12:23:56","Made available in DSpace on 2016-11-10T18:38:57Z (GMT). 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The Saya, an art form rooted in African tradition, consists of singing and dancing and is considered by many as a significant treasure of Afrobolivian heritage. Primarily inhabiting the Yungas region of the Bolivian Department of La Paz, Afrobolivians have begun utilizing social movements in order to achieve specific sociopolitical goals put forth by their communities. In the interest of promulgating their social movement efforts, Afrobolivian activists are using the Saya as a vehicle for outreach. This thesis will argue that as a result of the Saya’s use in this way by Afrobolivian activists, the Saya has transformed from what was once only perceived as a customary aspect of Afrobolivian culture into a brazen symbol of the movement. This thesis will also examine the degree through which these outreach efforts are reaching young people.","Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-08-01","The student, Dexter Burns, accepted the attached license on 2016-04-29 at 16:29.","The student, Dexter Burns, submitted this Thesis for approval on 2016-04-29 at 16:37.","This Thesis was approved for publication on 2016-07-21 at 16:29.","DSpace SAF Submission Ingestion Package generated from Vireo submission #9592 on 2016-11-10 at 12:23:56","Made available in DSpace on 2016-11-10T18:38:57Z (GMT). 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