{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/92902"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/92902","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Acts of imagination: curating the early Elizabethan repertories, 1582–1594","abstract":"\"\"\"Acts of Imagination\"\" examines playing companies as the locus for the production of Renaissance drama. To date, narratives of Elizabethan theatre history tend to be playwright- and Shakespeare-centered; in response, I explore the companies operating during the under-examined dozen years of theatre before William Shakespeare entered the marketplace. The project thus takes as its organizing principle that of the period—the companies—rather than those categories privileged thereafter—authors and directors. Using the pioneering work of Scott McMillin and Sally-Beth MacLean as a point of departure, I expose how the repertory system galvanized innovation in playing techniques, playhouse design, and playtext production. Each chapter focuses on one season and one of four companies to expose the interconnections between thematic concerns and staging techniques that set a given company apart, as well as underscore the fact that it was repetition, revision, and collaboration as much as novelty that produced financial success in this theatrical marketplace. Attending to the collective process that was the Elizabethan theatre industry, I show the ways in which dramaturgical innovation and literary production were mutually constitutive drivers, as well as how this industry became the engine from which an oeuvre like Shakespeare's and the cult of authorship evolved. By sketching the contours of the Elizabethan theatre's evolution, I widen our vantage of this dramatic landscape by providing unexamined, anonymous, and even \"\"lost\"\" plays cultural specificity and repertorial context.\"","abstract_html":""""Acts of Imagination"" examines playing companies as the locus for the production of Renaissance drama. To date, narratives of Elizabethan theatre history tend to be playwright- and Shakespeare-centered; in response, I explore the companies operating during the under-examined dozen years of theatre before William Shakespeare entered the marketplace. The project thus takes as its organizing principle that of the period—the companies—rather than those categories privileged thereafter—authors and directors. Using the pioneering work of Scott McMillin and Sally-Beth MacLean as a point of departure, I expose how the repertory system galvanized innovation in playing techniques, playhouse design, and playtext production. Each chapter focuses on one season and one of four companies to expose the interconnections between thematic concerns and staging techniques that set a given company apart, as well as underscore the fact that it was repetition, revision, and collaboration as much as novelty that produced financial success in this theatrical marketplace. Attending to the collective process that was the Elizabethan theatre industry, I show the ways in which dramaturgical innovation and literary production were mutually constitutive drivers, as well as how this industry became the engine from which an oeuvre like Shakespeare's and the cult of authorship evolved. By sketching the contours of the Elizabethan theatre's evolution, I widen our vantage of this dramatic landscape by providing unexamined, anonymous, and even ""lost"" plays cultural specificity and repertorial context."","abstract_has_math":false,"creators":["Tavares, Elizabeth E."],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Perry, Curtis","Stevens, Andrea R","Newcomb, Lori H.","Barrett, Robert W."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-11-10T18:27:30Z","date_published":"2016-11-10T18:27:30Z","updated_at":"2026-07-22T22:26:35Z","subjects":["English literature","sixteenth century","Renaissance theatre","Repertory Studies","Original Practices","playing companies","house style","Admiral’s Men","Pembroke’s Men","Queen’s Men","Strange’s Men","Sussex’s Men"],"languages":["en"],"rights":["Copyright 2016 Elizabeth E. Tavares"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/92902","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Perry, Curtis","Stevens, Andrea R","Newcomb, Lori H.","Barrett, Robert W."]},{"key":"dc:creator","label":"Author","values":["Tavares, Elizabeth E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-11-10T18:27:30Z","2018-11-11T10:15:24Z","2021-02-12T10:15:22Z","2016-07-01","2016-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["English literature","sixteenth century","Renaissance theatre","Repertory Studies","Original Practices","playing companies","house style","Admiral’s Men","Pembroke’s Men","Queen’s Men","Strange’s Men","Sussex’s Men"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Elizabeth E. Tavares"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/92902"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"\"\"Acts of Imagination\"\" examines playing companies as the locus for the production of Renaissance drama. To date, narratives of Elizabethan theatre history tend to be playwright- and Shakespeare-centered; in response, I explore the companies operating during the under-examined dozen years of theatre before William Shakespeare entered the marketplace. The project thus takes as its organizing principle that of the period—the companies—rather than those categories privileged thereafter—authors and directors. Using the pioneering work of Scott McMillin and Sally-Beth MacLean as a point of departure, I expose how the repertory system galvanized innovation in playing techniques, playhouse design, and playtext production. Each chapter focuses on one season and one of four companies to expose the interconnections between thematic concerns and staging techniques that set a given company apart, as well as underscore the fact that it was repetition, revision, and collaboration as much as novelty that produced financial success in this theatrical marketplace. Attending to the collective process that was the Elizabethan theatre industry, I show the ways in which dramaturgical innovation and literary production were mutually constitutive drivers, as well as how this industry became the engine from which an oeuvre like Shakespeare's and the cult of authorship evolved. By sketching the contours of the Elizabethan theatre's evolution, I widen our vantage of this dramatic landscape by providing unexamined, anonymous, and even \"\"lost\"\" plays cultural specificity and repertorial context.\"","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2018-08-01","The student, Elizabeth Tavares, accepted the attached license on 2016-06-24 at 17:12.","The student, Elizabeth Tavares, submitted this Dissertation for approval on 2016-06-24 at 17:15.","This Dissertation was approved for publication on 2016-07-01 at 09:25.","DSpace SAF Submission Ingestion Package generated from Vireo submission #9689 on 2016-11-10 at 12:19:30","Made available in DSpace on 2016-11-10T18:27:30Z (GMT). No. of bitstreams: 3 TAVARES-DISSERTATION-2016.pdf: 7421701 bytes, checksum: 872345eb2d0ca38028e9ed1780f8db06 (MD5) LICENSE.txt: 4214 bytes, checksum: 8f88e2270d50bb4aeb3c3e5009cbc908 (MD5) Tavares Permissions.pdf: 227971 bytes, checksum: 8686a23955ac3123ef9dc03cef9935a7 (MD5) Previous issue date: 2016-07-01","Embargo set by: Seth Robbins for item 95322 Lift date: 2018-11-10T18:28:02Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited Restriction Lifted for Item 95322 on 2018-11-11T10:15:24Z.","U of I Only Restriction set for Item 95322 on 2019-02-12T15:23:19Z with date 2021-02-12 by fschaef2@illinois.edu.","U of I Only Restriction set for Item 95322 on 2019-02-12T15:23:22Z with date 2021-02-12 by fschaef2@illinois.edu.","U of I Only Restriction Lifted for Item 95322 on 2021-02-12T10:15:22Z."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Acts of imagination: curating the early Elizabethan repertories, 1582–1594"]}]}],"canonical_facts":{"dc:contributor":["Perry, Curtis","Stevens, Andrea R","Newcomb, Lori H.","Barrett, Robert W."],"dc:creator":["Tavares, Elizabeth E."],"dc:date":["2016-11-10T18:27:30Z","2018-11-11T10:15:24Z","2021-02-12T10:15:22Z","2016-07-01","2016-08"],"dc:description":["\"\"\"Acts of Imagination\"\" examines playing companies as the locus for the production of Renaissance drama. To date, narratives of Elizabethan theatre history tend to be playwright- and Shakespeare-centered; in response, I explore the companies operating during the under-examined dozen years of theatre before William Shakespeare entered the marketplace. The project thus takes as its organizing principle that of the period—the companies—rather than those categories privileged thereafter—authors and directors. Using the pioneering work of Scott McMillin and Sally-Beth MacLean as a point of departure, I expose how the repertory system galvanized innovation in playing techniques, playhouse design, and playtext production. Each chapter focuses on one season and one of four companies to expose the interconnections between thematic concerns and staging techniques that set a given company apart, as well as underscore the fact that it was repetition, revision, and collaboration as much as novelty that produced financial success in this theatrical marketplace. Attending to the collective process that was the Elizabethan theatre industry, I show the ways in which dramaturgical innovation and literary production were mutually constitutive drivers, as well as how this industry became the engine from which an oeuvre like Shakespeare's and the cult of authorship evolved. By sketching the contours of the Elizabethan theatre's evolution, I widen our vantage of this dramatic landscape by providing unexamined, anonymous, and even \"\"lost\"\" plays cultural specificity and repertorial context.\"","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2018-08-01","The student, Elizabeth Tavares, accepted the attached license on 2016-06-24 at 17:12.","The student, Elizabeth Tavares, submitted this Dissertation for approval on 2016-06-24 at 17:15.","This Dissertation was approved for publication on 2016-07-01 at 09:25.","DSpace SAF Submission Ingestion Package generated from Vireo submission #9689 on 2016-11-10 at 12:19:30","Made available in DSpace on 2016-11-10T18:27:30Z (GMT). No. of bitstreams: 3 TAVARES-DISSERTATION-2016.pdf: 7421701 bytes, checksum: 872345eb2d0ca38028e9ed1780f8db06 (MD5) LICENSE.txt: 4214 bytes, checksum: 8f88e2270d50bb4aeb3c3e5009cbc908 (MD5) Tavares Permissions.pdf: 227971 bytes, checksum: 8686a23955ac3123ef9dc03cef9935a7 (MD5) Previous issue date: 2016-07-01","Embargo set by: Seth Robbins for item 95322 Lift date: 2018-11-10T18:28:02Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited Restriction Lifted for Item 95322 on 2018-11-11T10:15:24Z.","U of I Only Restriction set for Item 95322 on 2019-02-12T15:23:19Z with date 2021-02-12 by fschaef2@illinois.edu.","U of I Only Restriction set for Item 95322 on 2019-02-12T15:23:22Z with date 2021-02-12 by fschaef2@illinois.edu.","U of I Only Restriction Lifted for Item 95322 on 2021-02-12T10:15:22Z."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/92902"],"dc:language":["en"],"dc:rights":["Copyright 2016 Elizabeth E. Tavares"],"dc:subject":["English literature","sixteenth century","Renaissance theatre","Repertory Studies","Original Practices","playing companies","house style","Admiral’s Men","Pembroke’s Men","Queen’s Men","Strange’s Men","Sussex’s Men"],"dc:title":["Acts of imagination: curating the early Elizabethan repertories, 1582–1594"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:35Z"}