{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/92847"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/92847","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Post-Cold War kids: changing representations of Russia and the Cold War in American children's film, 1992-2001","abstract":"This thesis is a study of representations of Russia and the Cold War in American children's films from the 1990s. By analyzing nine movies, this work explores the question: what messages about Russia and the Cold War do nineties children's movies contain? This analysis explores the othering of Russian characters, the treatment of Cold War sentiments, such as toxic masculinity, and the recycling of tropes. It looks at the attempts, or failures, to move away from the negative messages about Russia that the American media used in the 1950s and through the 1980s, specifically in the context of children's media. This study finds that although some of the films only engage with Russia on a surface level and continue to use the tropes and techniques used during the Cold War to other Russia, a majority of the films engage with the topic on a deeper level. In such cases, Russian characters are more relatable and the sentiments of the Cold War are criticized.","abstract_html":"This thesis is a study of representations of Russia and the Cold War in American children's films from the 1990s. By analyzing nine movies, this work explores the question: what messages about Russia and the Cold War do nineties children's movies contain? This analysis explores the othering of Russian characters, the treatment of Cold War sentiments, such as toxic masculinity, and the recycling of tropes. It looks at the attempts, or failures, to move away from the negative messages about Russia that the American media used in the 1950s and through the 1980s, specifically in the context of children's media. This study finds that although some of the films only engage with Russia on a surface level and continue to use the tropes and techniques used during the Cold War to other Russia, a majority of the films engage with the topic on a deeper level. In such cases, Russian characters are more relatable and the sentiments of the Cold War are criticized.","abstract_has_math":false,"creators":["Celmer, Samantha Marie"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Russian, E Eur, Eurasian St","degree_department":null,"school":null,"contributors":["Cooper, David","Buckley, Cynthia"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-11-10T17:55:13Z","date_published":"2016-11-10T17:55:13Z","updated_at":"2026-07-22T22:26:35Z","subjects":["Russia","Cold War","United States","American Cinema","Children's Media"],"languages":["en"],"rights":["Copyright 2016 Samantha M. Celmer"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/92847","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Cooper, David","Buckley, Cynthia"]},{"key":"dc:creator","label":"Author","values":["Celmer, Samantha Marie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-11-10T17:55:13Z","2016-07-15","2016-08"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Russian, E Eur, Eurasian St"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Russia","Cold War","United States","American Cinema","Children's Media"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Samantha M. 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This study finds that although some of the films only engage with Russia on a surface level and continue to use the tropes and techniques used during the Cold War to other Russia, a majority of the films engage with the topic on a deeper level. In such cases, Russian characters are more relatable and the sentiments of the Cold War are criticized.","Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2016-11-09 without embargo terms","The student, Samantha Celmer, accepted the attached license on 2016-07-14 at 21:51.","The student, Samantha Celmer, submitted this Thesis for approval on 2016-07-14 at 22:12.","This Thesis was approved for publication on 2016-07-15 at 15:02.","DSpace SAF Submission Ingestion Package generated from Vireo submission #9953 on 2016-11-09 at 10:25:11","Made available in DSpace on 2016-11-10T17:55:13Z (GMT). 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This analysis explores the othering of Russian characters, the treatment of Cold War sentiments, such as toxic masculinity, and the recycling of tropes. It looks at the attempts, or failures, to move away from the negative messages about Russia that the American media used in the 1950s and through the 1980s, specifically in the context of children's media. This study finds that although some of the films only engage with Russia on a surface level and continue to use the tropes and techniques used during the Cold War to other Russia, a majority of the films engage with the topic on a deeper level. In such cases, Russian characters are more relatable and the sentiments of the Cold War are criticized.","Submission original under an indefinite embargo labeled 'Open Access'. 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Celmer"],"dc:subject":["Russia","Cold War","United States","American Cinema","Children's Media"],"dc:title":["Post-Cold War kids: changing representations of Russia and the Cold War in American children's film, 1992-2001"],"dc:type":["text"],"thesis:degree_discipline":["Russian, E Eur, Eurasian St"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:35Z"}