{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/90785"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/90785","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759","abstract":"\"My dissertation considers how and why representations of female suffering in Restoration tragedy had a profound impact on the development of mid-eighteenth century novels and plays, focusing primarily on the work of Aphra Behn, Thomas Southerne, John Dryden, Samuel Richardson and David Garrick. Previous scholarship on Restoration \"\"she-tragedies\"\" has tended to emphasize how their heroines’ descent into hysteria, madness, and death implies a total loss of female agency and power. My project challenges this reigning interpretation: through detailed readings of Richardson’s and Garrick's adaptations of Restoration tragedy, I argue that these influential mid-century authors transform the spectacle of female suffering into a resource for female empowerment and authority over the public sphere. My four chapters analyze Restoration tragic female characters as strongly influencing eighteenth-century writers, who appropriated and adapted them in relation to changing cultural tastes, especially as regards more restricted representations of female sexuality and the heightened desire to promote a seemingly less complex version of female virtue. Scholarship in the long eighteenth-century has suffered from a tendency to emphasize distinctions between the \"\"licentious\"\" culture of the Restoration and the “reformed” tastes of mid-eighteenth-century readers and audiences; by allowing these two cultural moments to speak to one another, my project challenges those distinctions and considers the more nuanced ways mid-eighteenth century’s writers like Richardson and Garrick were informed and influenced by Restoration drama.\"","abstract_html":""My dissertation considers how and why representations of female suffering in Restoration tragedy had a profound impact on the development of mid-eighteenth century novels and plays, focusing primarily on the work of Aphra Behn, Thomas Southerne, John Dryden, Samuel Richardson and David Garrick. Previous scholarship on Restoration ""she-tragedies"" has tended to emphasize how their heroines’ descent into hysteria, madness, and death implies a total loss of female agency and power. My project challenges this reigning interpretation: through detailed readings of Richardson’s and Garrick's adaptations of Restoration tragedy, I argue that these influential mid-century authors transform the spectacle of female suffering into a resource for female empowerment and authority over the public sphere. My four chapters analyze Restoration tragic female characters as strongly influencing eighteenth-century writers, who appropriated and adapted them in relation to changing cultural tastes, especially as regards more restricted representations of female sexuality and the heightened desire to promote a seemingly less complex version of female virtue. Scholarship in the long eighteenth-century has suffered from a tendency to emphasize distinctions between the ""licentious"" culture of the Restoration and the “reformed” tastes of mid-eighteenth-century readers and audiences; by allowing these two cultural moments to speak to one another, my project challenges those distinctions and considers the more nuanced ways mid-eighteenth century’s writers like Richardson and Garrick were informed and influenced by Restoration drama."","abstract_has_math":false,"creators":["Holguin, Marilyn M"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English Literature","degree_department":null,"school":null,"contributors":["Markley, Robert","Francis, Bettina M.","Pollock, Anthony","Gray, Catharine","Freeman, Lisa"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-07-07T20:27:41Z","date_published":"2016-07-07T20:27:41Z","updated_at":"2026-07-22T22:26:34Z","subjects":["Adaption","Eighteenth-Century","British literature","Restoration drama","novels"],"languages":["en"],"rights":["Copyright 2016 Marilyn Holguin"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/90785","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Markley, Robert","Francis, Bettina M.","Pollock, Anthony","Gray, Catharine","Freeman, Lisa"]},{"key":"dc:creator","label":"Author","values":["Holguin, Marilyn M"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-07-07T20:27:41Z","2018-07-08T09:15:20Z","2016-04-20","2016-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Adaption","Eighteenth-Century","British literature","Restoration drama","novels"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2016 Marilyn Holguin"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/90785"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["\"My dissertation considers how and why representations of female suffering in Restoration tragedy had a profound impact on the development of mid-eighteenth century novels and plays, focusing primarily on the work of Aphra Behn, Thomas Southerne, John Dryden, Samuel Richardson and David Garrick. Previous scholarship on Restoration \"\"she-tragedies\"\" has tended to emphasize how their heroines’ descent into hysteria, madness, and death implies a total loss of female agency and power. My project challenges this reigning interpretation: through detailed readings of Richardson’s and Garrick's adaptations of Restoration tragedy, I argue that these influential mid-century authors transform the spectacle of female suffering into a resource for female empowerment and authority over the public sphere. My four chapters analyze Restoration tragic female characters as strongly influencing eighteenth-century writers, who appropriated and adapted them in relation to changing cultural tastes, especially as regards more restricted representations of female sexuality and the heightened desire to promote a seemingly less complex version of female virtue. 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