{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/90533"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/90533","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece \"Polymodal Jazz Suite for Quartet”","abstract":"This dissertation explores the application of polymodality through contrapuntal and homophonic means, combined with heptatonic synthetic scales in jazz composition. The research concentrates on three main areas: polymodality, as developed by Western art composers of the first half of the twentieth century; jazz counterpoint; and heptatonic synthetic scales. 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