{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/89212"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/89212","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Performing piety: preachers and players in East Anglia, 1400-1520","abstract":"“Performing Piety” examines the interdependent relationship between medieval sermons and plays in late-medieval East Anglia, arguing that the mutual use of thematic divisions and exempla (moral tales) evinces the reciprocal interaction of preacher and playwright. By focusing on these common rhetorical strategies, I stress the medieval play’s confluence with preaching’s form, rejecting the critical assumption that drama depends on the sermon to instead demonstrate the two genres’ interactive creation of a regionally-inflected performance continuum. In East Anglia, preachers and players used the same spaces in the area’s numerous churches and churchyards, a circumstance that reinforced these rhetorical and generic continuities. My dissertation therefore reevaluates the regional specificity of East Anglian preaching and drama and, by emphasizing the mutual employment of exempla, reconfigures East Anglian devotional culture. An examination of the fluidity that embodied rhetoric affords to pious material in writing and performance reveals that drama’s employment of sermon rhetoric enables these plays to embody what they enact, transforming themselves into exempla that animate a path to salvation.","abstract_html":"“Performing Piety” examines the interdependent relationship between medieval sermons and plays in late-medieval East Anglia, arguing that the mutual use of thematic divisions and exempla (moral tales) evinces the reciprocal interaction of preacher and playwright. By focusing on these common rhetorical strategies, I stress the medieval play’s confluence with preaching’s form, rejecting the critical assumption that drama depends on the sermon to instead demonstrate the two genres’ interactive creation of a regionally-inflected performance continuum. In East Anglia, preachers and players used the same spaces in the area’s numerous churches and churchyards, a circumstance that reinforced these rhetorical and generic continuities. My dissertation therefore reevaluates the regional specificity of East Anglian preaching and drama and, by emphasizing the mutual employment of exempla, reconfigures East Anglian devotional culture. An examination of the fluidity that embodied rhetoric affords to pious material in writing and performance reveals that drama’s employment of sermon rhetoric enables these plays to embody what they enact, transforming themselves into exempla that animate a path to salvation.","abstract_has_math":false,"creators":["Hubert, Ann Marie"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Barrett, Jr., Robert W.","Wright, Charles D.","Camargo, Martin","Perry, Curtis","Symes, Carol"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-03-02T21:06:43Z","date_published":"2016-03-02T21:06:43Z","updated_at":"2026-07-22T22:26:32Z","subjects":["East Anglia","drama","medieval","sermon","preaching","artes praedicandi","Macro Manuscript","Digby Manuscript","N-Town Manuscript","exemplum","inventio","play","Dominican Order","Franciscan Order","Cambridge","Mankind","Wisdom","Castle of Perseverance","The Conversion of St. Paul","Mary Magdalene"],"languages":["en"],"rights":["Copyright 2015 Ann Marie Hubert"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/89212","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Barrett, Jr., Robert W.","Wright, Charles D.","Camargo, Martin","Perry, Curtis","Symes, Carol"]},{"key":"dc:creator","label":"Author","values":["Hubert, Ann Marie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-03-02T21:06:43Z","2018-03-03T10:15:22Z","2015-12-03","2015-12"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["East Anglia","drama","medieval","sermon","preaching","artes praedicandi","Macro Manuscript","Digby Manuscript","N-Town Manuscript","exemplum","inventio","play","Dominican Order","Franciscan Order","Cambridge","Mankind","Wisdom","Castle of Perseverance","The Conversion of St. Paul","Mary Magdalene"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2015 Ann Marie Hubert"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/89212"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["“Performing Piety” examines the interdependent relationship between medieval sermons and plays in late-medieval East Anglia, arguing that the mutual use of thematic divisions and exempla (moral tales) evinces the reciprocal interaction of preacher and playwright. By focusing on these common rhetorical strategies, I stress the medieval play’s confluence with preaching’s form, rejecting the critical assumption that drama depends on the sermon to instead demonstrate the two genres’ interactive creation of a regionally-inflected performance continuum. In East Anglia, preachers and players used the same spaces in the area’s numerous churches and churchyards, a circumstance that reinforced these rhetorical and generic continuities. My dissertation therefore reevaluates the regional specificity of East Anglian preaching and drama and, by emphasizing the mutual employment of exempla, reconfigures East Anglian devotional culture. An examination of the fluidity that embodied rhetoric affords to pious material in writing and performance reveals that drama’s employment of sermon rhetoric enables these plays to embody what they enact, transforming themselves into exempla that animate a path to salvation.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2017-12-01","The student, Ann Hubert, accepted the attached license on 2015-11-30 at 19:36.","The student, Ann Hubert, submitted this Dissertation for approval on 2015-11-30 at 19:37.","This Dissertation was approved for publication on 2015-12-03 at 15:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #8859 on 2016-03-02 at 14:13:27","Made available in DSpace on 2016-03-02T21:06:43Z (GMT). No. of bitstreams: 3 HUBERT-DISSERTATION-2015.pdf: 1679298 bytes, checksum: 0af1f002c90099a7031ef17afebc3b64 (MD5) 2015_Dec_Hubert_Ann.msg: 45568 bytes, checksum: 4cef6042a5bf93fb5085b7fbf4b9c97c (MD5) LICENSE.txt: 4207 bytes, checksum: 1d1ca47cd146db2f41b3d5138a2f39f7 (MD5) Previous issue date: 2015-12-03","Embargo set by: Seth Robbins for item 91415 Lift date: 2018-03-02T21:07:27Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited Restriction Lifted for Item 91415 on 2018-03-03T10:15:22Z."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Performing piety: preachers and players in East Anglia, 1400-1520"]}]}],"canonical_facts":{"dc:contributor":["Barrett, Jr., Robert W.","Wright, Charles D.","Camargo, Martin","Perry, Curtis","Symes, Carol"],"dc:creator":["Hubert, Ann Marie"],"dc:date":["2016-03-02T21:06:43Z","2018-03-03T10:15:22Z","2015-12-03","2015-12"],"dc:description":["“Performing Piety” examines the interdependent relationship between medieval sermons and plays in late-medieval East Anglia, arguing that the mutual use of thematic divisions and exempla (moral tales) evinces the reciprocal interaction of preacher and playwright. By focusing on these common rhetorical strategies, I stress the medieval play’s confluence with preaching’s form, rejecting the critical assumption that drama depends on the sermon to instead demonstrate the two genres’ interactive creation of a regionally-inflected performance continuum. In East Anglia, preachers and players used the same spaces in the area’s numerous churches and churchyards, a circumstance that reinforced these rhetorical and generic continuities. My dissertation therefore reevaluates the regional specificity of East Anglian preaching and drama and, by emphasizing the mutual employment of exempla, reconfigures East Anglian devotional culture. An examination of the fluidity that embodied rhetoric affords to pious material in writing and performance reveals that drama’s employment of sermon rhetoric enables these plays to embody what they enact, transforming themselves into exempla that animate a path to salvation.","Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2017-12-01","The student, Ann Hubert, accepted the attached license on 2015-11-30 at 19:36.","The student, Ann Hubert, submitted this Dissertation for approval on 2015-11-30 at 19:37.","This Dissertation was approved for publication on 2015-12-03 at 15:17.","DSpace SAF Submission Ingestion Package generated from Vireo submission #8859 on 2016-03-02 at 14:13:27","Made available in DSpace on 2016-03-02T21:06:43Z (GMT). No. of bitstreams: 3 HUBERT-DISSERTATION-2015.pdf: 1679298 bytes, checksum: 0af1f002c90099a7031ef17afebc3b64 (MD5) 2015_Dec_Hubert_Ann.msg: 45568 bytes, checksum: 4cef6042a5bf93fb5085b7fbf4b9c97c (MD5) LICENSE.txt: 4207 bytes, checksum: 1d1ca47cd146db2f41b3d5138a2f39f7 (MD5) Previous issue date: 2015-12-03","Embargo set by: Seth Robbins for item 91415 Lift date: 2018-03-02T21:07:27Z Reason: Author requested closed access (OA after 2yrs) in Vireo ETD system","Limited Restriction Lifted for Item 91415 on 2018-03-03T10:15:22Z."],"dc:format":["application/pdf"],"dc:identifier":["http://hdl.handle.net/2142/89212"],"dc:language":["en"],"dc:rights":["Copyright 2015 Ann Marie Hubert"],"dc:subject":["East Anglia","drama","medieval","sermon","preaching","artes praedicandi","Macro Manuscript","Digby Manuscript","N-Town Manuscript","exemplum","inventio","play","Dominican Order","Franciscan Order","Cambridge","Mankind","Wisdom","Castle of Perseverance","The Conversion of St. Paul","Mary Magdalene"],"dc:title":["Performing piety: preachers and players in East Anglia, 1400-1520"],"dc:type":["text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Ph.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:32Z"}