{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/88168"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/88168","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"'Of his breast noble poets shall eat; of his blood shall men be drunk': nationalism, literature, and Arthurian 'things' in medieval and Early Modern Britain","abstract":"My dissertation examines the intersection of medieval and Early Modern Arthurian literature, English and British nationalism, and new materialism – specifically thing theory and object-oriented ontology. Arthur was not a true historical figure, yet throughout much of British history his cultural and propagandist value has been immeasurable both to the ruling class and those who would rebel against it. The end result is that Arthurian objects such as his alleged body, the Round Table, and seals and maps were constantly being produced. Because of the doubtful status of such objects, each new era had to come up with a new theoretical lens through which to discuss these ‘things’ in order to have them hold meaning or value in their current cultural climate. Through the course of this dissertation I follow this trend from the twelfth century to the sixteenth century, tracking these material signifiers as they change in dialogue with shifting cultural needs. While the focus on objects remains consistent throughout these eras, the meaning of the Arthurian objects is fluid and multitudinous, as are the types of lenses through which they are discussed. In some cases these objects show the failure of contemporary Britain in comparison to the golden age of Arthur; in other cases these objects demonstrate that the glorious Arthurian past should bolster support for the politics of the present; in others still these objects critique even Arthur himself. In some cases a true belief in a historical Arthur is actually necessary; in other cases he is merely used as a symbol for an emotional or political truth.","abstract_html":"My dissertation examines the intersection of medieval and Early Modern Arthurian literature, English and British nationalism, and new materialism – specifically thing theory and object-oriented ontology. Arthur was not a true historical figure, yet throughout much of British history his cultural and propagandist value has been immeasurable both to the ruling class and those who would rebel against it. The end result is that Arthurian objects such as his alleged body, the Round Table, and seals and maps were constantly being produced. Because of the doubtful status of such objects, each new era had to come up with a new theoretical lens through which to discuss these ‘things’ in order to have them hold meaning or value in their current cultural climate. Through the course of this dissertation I follow this trend from the twelfth century to the sixteenth century, tracking these material signifiers as they change in dialogue with shifting cultural needs. While the focus on objects remains consistent throughout these eras, the meaning of the Arthurian objects is fluid and multitudinous, as are the types of lenses through which they are discussed. In some cases these objects show the failure of contemporary Britain in comparison to the golden age of Arthur; in other cases these objects demonstrate that the glorious Arthurian past should bolster support for the politics of the present; in others still these objects critique even Arthur himself. In some cases a true belief in a historical Arthur is actually necessary; in other cases he is merely used as a symbol for an emotional or political truth.","abstract_has_math":false,"creators":["Sach, Amy Rowan"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"Ph.D.","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Barrett, Robert W.","Wright, Charles D","Newcomb, Lori H.","Galloway, Andrew"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-29T20:49:46Z","date_published":"2015-09-29T20:49:46Z","updated_at":"2026-07-22T22:26:31Z","subjects":["medieval","Renaissance","literature","King Arthur","nationalism","Britain","England","thing theory","new materialism","Bill Brown"],"languages":["en"],"rights":["Copyright 2015 Amy Rowan Sach"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/88168","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Barrett, Robert W.","Wright, Charles D","Newcomb, Lori H.","Galloway, Andrew"]},{"key":"dc:creator","label":"Author","values":["Sach, Amy Rowan"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-29T20:49:46Z","2017-09-30T09:15:32Z","2015-08","2015-07-08","2015-8"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["medieval","Renaissance","literature","King Arthur","nationalism","Britain","England","thing theory","new materialism","Bill Brown"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2015 Amy Rowan Sach"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/88168"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["My dissertation examines the intersection of medieval and Early Modern Arthurian literature, English and British nationalism, and new materialism – specifically thing theory and object-oriented ontology. Arthur was not a true historical figure, yet throughout much of British history his cultural and propagandist value has been immeasurable both to the ruling class and those who would rebel against it. The end result is that Arthurian objects such as his alleged body, the Round Table, and seals and maps were constantly being produced. Because of the doubtful status of such objects, each new era had to come up with a new theoretical lens through which to discuss these ‘things’ in order to have them hold meaning or value in their current cultural climate. Through the course of this dissertation I follow this trend from the twelfth century to the sixteenth century, tracking these material signifiers as they change in dialogue with shifting cultural needs. While the focus on objects remains consistent throughout these eras, the meaning of the Arthurian objects is fluid and multitudinous, as are the types of lenses through which they are discussed. In some cases these objects show the failure of contemporary Britain in comparison to the golden age of Arthur; in other cases these objects demonstrate that the glorious Arthurian past should bolster support for the politics of the present; in others still these objects critique even Arthur himself. In some cases a true belief in a historical Arthur is actually necessary; in other cases he is merely used as a symbol for an emotional or political truth.","Submission published under a 24 month embargo labeled 'U of I only', the embargo will last until 2017-08-01","The student, Amy Sach, accepted the attached license on 2015-07-08 at 12:48.","The student, Amy Sach, submitted this Dissertation for approval on 2015-07-08 at 12:56.","This Dissertation was approved for publication on 2015-07-08 at 16:25.","DSpace SAF Submission Ingestion Package generated from Vireo submission #8372 on 2015-09-29 at 14:59:14","Made available in DSpace on 2015-09-29T20:49:46Z (GMT). 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Arthur was not a true historical figure, yet throughout much of British history his cultural and propagandist value has been immeasurable both to the ruling class and those who would rebel against it. The end result is that Arthurian objects such as his alleged body, the Round Table, and seals and maps were constantly being produced. Because of the doubtful status of such objects, each new era had to come up with a new theoretical lens through which to discuss these ‘things’ in order to have them hold meaning or value in their current cultural climate. Through the course of this dissertation I follow this trend from the twelfth century to the sixteenth century, tracking these material signifiers as they change in dialogue with shifting cultural needs. While the focus on objects remains consistent throughout these eras, the meaning of the Arthurian objects is fluid and multitudinous, as are the types of lenses through which they are discussed. In some cases these objects show the failure of contemporary Britain in comparison to the golden age of Arthur; in other cases these objects demonstrate that the glorious Arthurian past should bolster support for the politics of the present; in others still these objects critique even Arthur himself. In some cases a true belief in a historical Arthur is actually necessary; in other cases he is merely used as a symbol for an emotional or political truth.","Submission published under a 24 month embargo labeled 'U of I only', the embargo will last until 2017-08-01","The student, Amy Sach, accepted the attached license on 2015-07-08 at 12:48.","The student, Amy Sach, submitted this Dissertation for approval on 2015-07-08 at 12:56.","This Dissertation was approved for publication on 2015-07-08 at 16:25.","DSpace SAF Submission Ingestion Package generated from Vireo submission #8372 on 2015-09-29 at 14:59:14","Made available in DSpace on 2015-09-29T20:49:46Z (GMT). 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